Heinz Bongartz (Heinz Bongartz) |
Heinz Bongartz
Bilowgii qarnigii XNUMXaad, fannaanka jilitaanka Jarmalku wuxuu soo saaray galaxyo dhan oo ah kirishtaan cajiib ah. Heinz Bongarz, mid ka mid ah maareeyaha ugu weyn ee Jamhuuriyadda Dimuqraadiga ah ee Jarmalka, ayaa sidoo kale iska leh "jiilka hibada". Sida sayidyada kale ee waaweyn, wuxuu noqday wariyaha mabaadi'da aasaasiga ah ee dugsiga samaynta Jarmal, oo ku yaal banner kaas oo baahida loo qabo runta farshaxanka sare, muujinta iyo farsamada qumman ayaa lagu qoray.
Mabaadi'da waxaa si fiican u bartay Bongarz intii uu ku jiray waxbarashadiisa Krefeld Conservatory ee uu hogaaminayey Z. Ney, O. Neitzel, F. Steinbach (1908-1914). Wax yar ka dib dagaalkii koowaad ee aduunka, hawlihiisa riwaayadeed ee firfircooni waxay bilaabmeen - markii ugu horeysay oo ah heeso, ka dibna kaari opera ee Mönchengladbach (1923) iyo sida kirishbooyada ee Berlin Symphony Orchestra (1924-1926). Intaa ka dib, Bongarz wuxuu la shaqeeyay orkestero waaweyn oo ku yaal Meiningen, Darmstadt, Gotha, Kassel, Saarbrücken iyo xarumaha kale ee dhaqameed ee Jarmalka, wuxuuna u socdaalay dibadda. Inta lagu jiro muddadan, samaynta shakhsi ahaaneed ee Bongart waa la dhammeeyaa, repertoire ayaa sii kordhaya.
Kobcinta kartida jileeyaha ee jilaa ahaan waxay timid sanadihii dagaalka ka dib, markii uu hogaaminayay Dresden Philharmonic Orchestra lix iyo toban sano (1947-1963). Hoggaanka fannaaniinta sharafta leh, mid ka mid ah kooxihii ugu da'da weynaa ee dalka ayaa gaaray heer faneed aad u sarreeya. Mid ka mid ah dhaleeceynta awoodda leh ayaa sheegaysa in "Dresden Orchestra ay ku leedahay dhammaan guulaheeda hoggaamiyeheeda." Si wadajir ah ula Orchestra Dresden, iyo sidoo kale keligiis, wuxuu sameeyay safarro guul leh oo France, Romania, Italy, Poland iyo dalal kale, oo marar badan lagu soo bandhigay USSR. "Mudnaanta Bongarts waa mid sax ah, adag oo isla markaa dareen ahaan runta ka sheegida ulajeedka curiyaha," ayuu qoray majaladda Muusikada Soofiyeedka. "Waxa ugu muhiimsan isaga maaha iftiinka faahfaahinta, laakiin horumarinta joogtada ah ee fikradda iyo macquulnimada guud ee halabuurka."
Guulaha ugu sarreeya ee kirishbooyuhu waxay la xiriiraan waxqabadka hal-abuurka ee jarmalka - heesaha Beethoven, Schubert, Schumann, Brahms, Bruckner. Tafsiirkiisa Beethoven's shanaad Symphony, Brahms's Labaad, Schubert's "Unfinished" waxaa ku xasuusan doona dhegaystayaasheena muddo dheer wada noolaanshaha qadiimiga ah iyo sharafta.
Waxa la yiri macnaheedu maaha, dabcan, in Bongarts uu hal dhinac ka yahay dareenkiisa hal-abuurka ah. Daareeyaha waxaa sidoo kale loo yaqaana dhiirigeliyaha firfircoon oo aan daalin ee shaqada qorayaasha casriga ah, Jarmal iyo ajnabi. Dhowr sano ka hor, ee GDR, wuxuu qabtay wareeg xiiso leh riwaayadaha "Music of 1953th Century", iyo dhawaanahan, wareeg ah "Ruushka iyo Soofiyeedka Music". Isagoo ka tagay booskiisa Dresden ee XNUMX, kormeeruhu wuxuu sii wadaa inuu si joogto ah u qabto riwaayadaha iyo dalxiiska. Awoodda muusikaystaha waxaa lagu xoojiyay xaqiiqda ah in isaga laftiisa uu yahay muusik xiiso leh oo asal ah. Halabuurkiisa waxaa ka mid ah dhowr suuites oo orchestra ah, wareegga codka "Guga Japan" ee codka iyo orkesterka, iyo rubuc xardhan. Isaga oo cajiib ah "Variations and Fugue on theme of Mozart" ayaa si guul leh loogu sameeyay Midowga Soofiyeeti.
L. Grigoriev, J. Platek, 1969
