Piero Cappuccili |

Piero Cappuccili

Piero Cappuccili, "amiirkii baritones," sida dhaleeceynta jecel inay calaamadeeyaan wax walba oo qof kastaa inta badan u yeero, wuxuu ku dhashay Trieste bishii Noofambar 9, 1929, qoyska sarkaalka badda. Aabbihiis waxa uu u gudbiyay hammi baddan: baritone oo markii dambe caan noqday waxa uu si farxad leh uga hadlay oo keliya codadkii waaweynaa ee waagii hore iyo doonidii uu jeclaa ee matoorka. Laga soo bilaabo yaraantii waxaan ka fikiray xirfadda naqshadeeyaha. Nasiib wanaag annaga, aabbahay ma faragelin rabitaanka dambe ee ah inuu barto heesaha. Piero wuxuu wax ku bartay hagida Luciano Donaggio ee magaaladiisa. Wuxuu saftay kulankiisii ​​ugu horreeyay isagoo jira siddeed iyo labaatan jir Masraxa Cusub ee Milan, isagoo Tonio ah oo ku yaal Pagliacci. Wuxuu ku guuleystay tartamada qaranka ee caanka ah ee Spoleto iyo Vercelli - xirfaddiisa waxay u horumartay "sidii ay ahayd." Markii ugu horeysay ee La Scala ma aysan aheyn mid dheer: xilli ciyaareedkii 1963-64, Cappuccili wuxuu ku soo bandhigay masraxa masraxa caanka ah sida Count di Luna ee Verdi's Il trovatore. Sannadkii 1969-kii, wuxuu ku qabsaday Ameerika masraxa Opera Metropolitan. Soddon iyo lix sano, laga soo bilaabo kulankii ugu horeeyay ee Milan ilaa dhamaadka naxdinta leh ee xirfada wadada Milan-Venice, ayaa waxaa ka buuxsamay guulo. Qofka Cappuccili, farshaxanka codka ee qarnigii labaatanaad wuxuu helay jilaagii ugu fiicnaa ee muusiga Talyaaniga ee qarnigii hore - iyo in ka sarreeya dhammaan muusikada Verdi.

Nabucco aan la ilaawi karin, Charles V ("Ernani"), Doge Foscari ("Laba Foscari"), Macbeth, Rigoletto, Germont, Simon Boccanegra, Rodrigo ("Don Carlos"), Don Carlos ("Force of Destiny"), Amonasro, Iago , Cappuccili wuxuu lahaa cod weyn oo weyn. Hadda waa dib-u-eegisuhu inta badan wuxuu sii daayaa ammaano caajis ah oo aan muuqaal xun ahayn, jilitaanka dabacsanaan, dareenka qosolka, muusikada kuwa ka shaqeeya masraxa opera, iyo dhammaan sababtoo ah dib-u-eeguhu wuxuu ka maqan yahay waxa ugu muhiimsan - codkiisa. Looma sheegin Cappuccili: waxay ahayd cod buuxa, xoog leh, midab madow oo qurux badan, cad cad. Qaamuuskiisu wuxuu noqday maahmaah: heesaaga laftiisa ayaa sheegay in isaga "heeso ay la macno tahay in lagu hadlo heeso." Qaar baa fannaanadii ku caayeen caqli-xumo darteed. Waxaa laga yaabaa inay aad u cadaalad badan tahay in laga hadlo xoogga aasaasiga ah, is-xakamaynta farshaxankiisa. Cappuccili naftiisa uma tudhin, ma uusan badbaadin tamartiisa: mar kasta oo uu soo baxo masraxa, wuxuu si deeqsinimo ah u siiyay dhagaystayaasha quruxda codkiisa iyo xiisaha uu u geliyay waxqabadka doorarka. "Weligay ma aanan qabin cabsi masraxa. Marxaladda ayaa i siinaysa farxad,” ayuu yidhi.

Ma ahayn kaliya baritone Verdi. Escamillo heer sare ah oo ku yaal Carmen, Scarpia ee Tosca, Tonio ee Pagliacci, Ernesto ee Pirate, Enrico ee Lucia di Lammermoor, De Sirier ee Fedora, Gellner ee Valli, Barnaba ee Gioconda ”, Don Giovanni iyo Figaro ee operas Mozart. Cappuccili wuxuu ahaa baritone kii ugu jeclaa Claudio Abbado iyo Herbert von Karajan. La Scala labaatan sano ma uu lahayn cid la tartanta.

Waxa lagu xaman jiray in uu heeso laba boqol oo bandhig sannadkii. Dabcan, tani waa buunbuunin. Fannaanka laftiisu waxa uu soo bandhigay wax aan ka badnayn shan iyo siddeetan ilaa sagaashan bandhig. Adkeysiga codku wuxuu ahaa xooggiisa. Ka hor dhacdada naxdinta leh, wuxuu sii waday qaab aad u wanaagsan.

Dabayaaqadii fiidkii Ogosto 28, 1992, ka dib aaskii Nabucco, Cappuccili wuxuu ku sii socday autobahn, kuna sii jeeday Monte Carlo. Ujeedada safarka ayaa ah kulan kale oo uu la yeeshay badda, kaas oo isaga oo u dhashay Trieste, uu ku lahaa dhiiggiisa. Waxaan rabay inaan bil ku qaato shirkadda doonta mooto ee aan jeclahay. Balse meel aan ka fogeyn Bergamo, ayaa waxaa ku rogmaday Gaariga fannaanka, waxaana laga soo tuuray qeybta rakaabka. Cappuccili ayaa madaxa si adag ugu dhuftay, laakiin noloshiisu khatar kuma jirin. Qof kastaa wuu hubay inuu si dhakhso ah u bogsan doono, laakiin nolosha ayaa si kale u xukuntay. Fanaanadu waxay ku sii jirtay xaalad miyir-beeleed muddo dheer. Sanad ka dib wuu soo kabtay, laakiin kuma soo noqon karo masraxa. Xiddigga masraxa opera-ga, Piero Cappuccili, waxa uu joogsaday in uu ka iftiimo hawada opera saddex iyo toban sannadood ka hor intii aanu dunidan ka tagin. Heesaaga Cappuccili ayaa dhintay - macalin codka ah ayaa dhashay.

Pierrot weyn! Adigu ma lihid! Waxa uu dhameeyay xirfadiisa Renato Bruzon (kaas oo hore uga weynaa todobaatan), wali qaab qurux badan Leo Nucci – isaga oo todoba iyo lixdan jir ah. Waxay u muuqataa in ka dib marka labadan heeso dhammeeyaan, sida baritone waa in uu ahaado kaliya xusuus.