Evgeny Glebov (Eugeny Glebov) |

Eugeny Glebov

Qaar badan oo ka mid ah boggaga ugu fiican ee dhaqanka muusikada ee casriga casriga ah ee Belarus waxay ku xiran yihiin shaqada E. Glebov, oo ugu horreyn ku jira noocyada symphonic, ballet iyo cantata-oratorio. Shaki la'aan, soo jiidashada laxanka ee foomamka masraxa ballaaran (marka lagu daro ballet-yada, wuxuu abuuray opera Your Spring - 1963, operetta The Parable of the Heirs, ama Fadeexada Underworld - 1970, majaajilada muusiga ee Millionaire - 1986). Jidka Glebov ee fanku ma fududayn – kaliya markuu 20 jir ahaa waxa uu awooday in uu bilaabo casharo muusig oo xirfad leh, kaas oo had iyo jeer riyo qaali ah u ahaa nin dhalinyaro ah. Qoyskiisa shaqaalaha tareenka ee dhaxalka ah, waxay had iyo jeer jeclaayeen inay heesaan. Xitaa caruurnimada, oo aan aqoonin qoraallada, muusigga mustaqbalka wuxuu bartay inuu ciyaaro gitaarka, balalaika iyo mandolin. Sanadkii 1947, markii uu galay Dugsiga Farsamada ee Roslavl Tareenka sida waafaqsan dhaqanka qoyska, Glebov kama tago hamigiisa - wuxuu si firfircoon uga qaybqaataa bandhigyada hiwaayadda, abaabulo heeso iyo koox qalab ah. Sannadkii 1948-kii, waxaa soo muuqday halabuurkii ugu horreeyay ee qoraaga da'da yar - heesta "Sagootinta Ardayga". Guusheeda waxay siisay Glebov isku kalsooni.

Markii uu u soo guuray Mogilev, halkaas oo uu ka shaqeeyo kormeere baabuur, Glebov wuxuu dhigtaa fasallada dugsiga muusikada ee deegaanka. Kulanka uu la yeeshay muusikada caanka ah ee Belarusian I. Zhinovich, oo igula taliyay inaan galo konservatory, ayaa noqday mid go'aansan. Sannadkii 1950kii, riyadii Glebov ayaa rumowday, ugu dhakhsaha badanna, iyada oo ay ugu wacan tahay adkaysigiisa iyo go'aankiisa aan caadiga ahayn, waxa uu noqday mid ka mid ah ardayda ugu fiican fasalka halabuurka ee Professor A. Bogatyrev. Isagoo u shaqeynayay wax badan oo miro leh, Glebov waligiis waxaa qaaday folklore Belarus, kaas oo si qoto dheer u galay shaqadiisa. Laxamiistaha ayaa si joogto ah u qoraa shaqooyinka orchestra ee qalabka dadweynaha Belarusian, oo loogu talagalay qalabyada kala duwan.

Waxqabadka Glebov waa mid dhinacyo badan leh. Tan iyo 1954, wuxuu u jeestay barbaarinta, markii ugu horreysay (ilaa 1963) ee Kulliyadda Muusikada ee Minsk, ka dibna wax ku baraya halabuurka konservatory. U shaqee sida madaxa noocyada kala duwan iyo heesaha heesaha ah ee Telefishinka Qaranka iyo Raadiyaha Raadiyaha ee BSSR, shineemo (tifaftiraha muusiga ee Belarusfilm), masraxa jamhuuriyadda ee daawadayaasha da'da yar (maamulaha iyo laxamiistaha) ayaa si firfircoon u saameeyay hal-abuurka. Sidaas daraaddeed, repertoire carruurtu weli Glebov jacayl aan kala go 'lahayn (heesaha, oratorio "Casuumaadda Dhulka Carruurnimada" - 1973, qaybo qalab, iwm). Si kastaba ha ahaatee, in kasta oo kala duwan ee hiwaayadaha, Glebov ugu horrayn waa laxamiistaha symphonic. Oo ay la socdaan halabuurka barnaamijka ("Gabay-Halyeeyad" - 1955; "Polessky Suite" - 1964; "Alpine Symphony-Ballad" - 1967; 3 suites ee ballet "The la doortay" - 1969; 3 suites ka ballet "Til Ulenspiegel" ", 1973- 74; Concerto for orchestra "The Call" - 1988, iwm) Glebov abuuray 5 symphonies, 2 ka mid ah kuwaas oo sidoo kale waa barnaamij (First, "Partisan" - 1958 iyo shanaad, "To the World" - 1985). Muuqalku wuxuu ka kooban yahay astaamaha ugu muhiimsan ee shakhsiyadda faneed ee curiyaha - rabitaanka inuu muujiyo hodantinimada nolosha ku xeeran, adduunyada ruuxiga ah ee kakan ee jiilka casriga ah, riwaayadaha waayaha. Maaha wax nasiib ah in mid ka mid ah shaqadiisa ugu wanaagsan - Symphony Labaad (1963) - uu u heellan yahay curiyaha dhalinyarada.

Farsamaynta curiyaha waxa lagu gartaa fiiqan yahay habab qeexitaan, fududayn mawduucyo (badanaa asal ahaan sheeko-xariireedka), dareen sax ah oo qaab ah, heer sare oo heer sare ah ee palette orkestral, gaar ahaan deeqsinimada buundooyinka symphonic. Tayada qoraaga-symphonist-ka ayaa si aan caadi ahayn u soo jiidatay si aan caadi ahayn oo xiiso leh oo ka mid ah kubbadaha Glebov, kaas oo meel adag ka qaatay ma aha oo kaliya marxaladda gudaha, laakiin sidoo kale waxaa lagu soo bandhigay dibadda. Faa'iidada weyn ee muusigga ballet-ka laxamiistaha waa caagadnimadeeda, xiriir dhow oo la leh choreography. Masraxa, dabeecadda cajiibka ah ee ballet-ka ayaa sidoo kale go'aamisay ballaadhka gaarka ah ee mawduucyada iyo muqaalada wax looga qabanayo xilliyo iyo dalal kala duwan. Isla mar ahaantaana, nooca waxaa loo tarjumay si aad u jilicsan, oo ka soo jeeda dabeecado yaryar oo yaryar, sheeko falsafad falsafad ah ilaa riwaayado muusig oo badan oo ka warramaya masiirka taariikhiga ah ee dadka ("Riyo" - 1961; "Belarusia Partisan" - 1965). Sheekooyinka riwaayadaha ah "Hiroshima", "Blues", "front", "Dollar", "Dance Isbaanish", "Musketeers", "Souvenirs" - 1965; "Alpine Ballad" - 1967; "Kidda la doortay" - 1969; " Til Ulenspiegel" - 1973; Saddex yar oo loogu talagalay kooxda qoob ka ciyaarka dadweynaha ee BSSR - 1980; "Amiirka Yar" - 1981).

Farshaxan Glebov had iyo jeer wuxuu u janjeeraa dhanka jinsiyadda. Tani waxay si cad uga muuqataa halabuurkiisa cantata-oratori. Laakiin mawduuca dagaalka ka dhanka ah, oo aad ugu dhow fanaaniinta Belarus, waxay helayaan dhawaaq gaar ah oo ku jira shaqada laxamiistaha, kaas oo si xoog leh ugu dhawaaqay ballet "Alpine Ballad" (oo ku salaysan sheekada V. Bykov), ee shanaad. Symphony, ee wareegga cod-semphonic "Waan xusuustaa" (1964) iyo " Ballad of Memory" (1984), ee Concerto ee codka iyo orkestra (1965).

Shaqada laxamiistaha waxay heshay aqoonsi qaran, run ahaantii naftiisa, Evgeny Glebov wuxuu sii wadaa inuu "si firfircoon u difaaco xaqa uu u leeyahay inuu ku noolaado" muusiggiisa.

G. Zhdanova