Maxim Mironov |

Maxim Mironov

Bilowgii horumarinta firfircoon ee xirfadda caalamiga ah ee mid ka mid ah kiraystayaasha ugu gaarka ah ee waqtigeena, Maxim Mironov, ayaa la dhigay 2003, markii jilaa da 'yar, oo wakhtigaas a soloist ee masraxa Moscow "Helikon-Opera", qaatay. kaalinta labaad ee tartanka "Codka Cusub" ("Neue Stimmen") ee Germany.

Fannaanka mustaqbalka wuxuu ku dhashay Tula oo markii hore kama fikirin xirfad cod ah. Fursaddu waxay gacan ka geysatay beddelka mudnaanta nolosha. Baahinta riwaayad saddex kireyste ah oo ka timid Paris oo uu ku arkay 1998 ayaa go'aansaday wax badan: horraantii 2000 - 2001 Maxim Mironov wuxuu si guul leh ugu soo bandhigay Moscow ee dugsiga gaarka ah ee Vladimir Devyatov wuxuuna noqday ardaygeedii. Halkan, markii ugu horeysay, wuxuu ku dhacayaa fasalka Dmitry Vdovin, oo magaciisa la xidhiidha kor u kaca jilitaanka heerka sare ee aqoonsiga caalamiga ah.

Sannado waxbarasho oo degdeg ah oo uu la yeeshay macalinkiisa - markii ugu horreysay ee dugsiga Vladimir Devyatov, ka dibna Gnessin State Medical University, halkaas oo ardaygii ballanqaaday uu u soo galay beddelka dugsiga codka - wuxuu bixiyaa aasaaska aasaasiga ah ee fahamka siraha codka codka. taas oo u horseedda heesaaga guushiisii ​​ugu horeysay - guul aan caadi ahayn oo muhiim ah oo ka dhacday tartan ka dhacay Jarmalka. Waad ku mahadsan tahay iyada in uu isla markiiba ku dhaco beerta aragtida impresarios shisheeye oo uu helo qandaraasyadii ugu horeeyay ee ka baxsan Ruushka.

Heesaaga wuxuu sameeyay kulankiisii ​​​​ugu horreeyay ee Galbeedka Yurub bishii Noofambar 2004 ee Paris masraxa Théâtre des Champs Elysées: waxay ahayd qayb ka mid ah Don Ramiro ee Rossini's Cinderella. Si kastaba ha ahaatee, tan waxaa ka horreeyay ma aha oo kaliya in lagu barto dugsiga codka iyo kulliyadda. Waqtigaas, shandadaha hal-abuurka ee jilitaanka ayaa horey u lahaa hal riwaayad masraxeed - "Peter the Great" ee Gretry ee masraxa "Helikon-Opera", oo ku dhex jira kooxda heesaaga ah ee la aqbalay, iyada oo weli arday dhigta dugsiga. Waxqabadka qaybta ugu muhiimsan ee opera waxay keentay dareen dhab ah 2002: ka dib, dhammaan muusikada Moscow waxay si dhab ah u bilaabeen inay si dhab ah uga hadlaan gabayga da'da yar ee Maxim Mironov. Sannadkii 2005 wuxuu u keenay qayb kale oo ka mid ah opera Rossini, markan ee seria opera, wuxuuna siiyay fursad naadir ah oo heesaa hami leh si uu ula kulmo agaasimaha caanka ah ee Talyaaniga Pier Luigi Pizzi wax soo saar: waxaan ka hadlaynaa qaybta Paolo Erisso ee Mohammed labaad ee masraxa masraxa caanka ah ee Venetian "La Fenice".

Sannadka 2005 ayaa sidoo kale loo calaamadeeyay Maxim Mironov by diiwaangelinta dugsiga xagaaga ee fannaaniinta da'da yar ee Pesaro (Rossini Academy) ee Bandhigga Opera Rossini, kaas oo, sida festifaalka laftiisa, uu madax u yahay Alberto Zedda. Sannadkaas, fannaanka ka yimid Ruushka ayaa laba jeer lagu aaminay inuu sameeyo qayb ka mid ah Count Liebenskoff ee soo saarista xafladaha dhalinyarada ee safarka Rossini ee Reims, iyo sanadka soo socda, barnaamijka ugu weyn ee xafladda, wuxuu ku hawlanaa inuu ciyaaro doorka Lindor oo ku jira Gabadha Talyaaniga ee Algiers. Maxim Mironov noqday kireystaha Ruush ugu horeysay ee taariikhda iidda sharafta leh si ay u helaan martiqaad, oo xaqiiqadan waxaa loo arkaa wax kasta oo ka sii cajiib badan sababtoo ah taariikhda iidda wakhtigaas - 2005 - waxay dhammaatay rubuc qarni ah (tirinteedu waxay bilaabatay 1980). Wax yar ka hor Pesaro, wuxuu markii ugu horreysay sameeyay qaybta Lindor ee xafladda Aix-en-Provence, qaybtan, oo uu marar badan ku heesay tiyaataro badan oo adduunka ah, ayaa maanta si kalsooni leh loogu yeeri karaa mid ka mid ah qaybaha saxiixiisa.

Waxay ahayd doorka Lindor in Maxim Mironov uu ku soo laabtay Ruushka ka dib lix sano oo uu maqnaa, isagoo ku soo bandhigay guul saddex bandhig oo heersare ah masraxa Stanislavsky iyo Nemirovich-Danchenko Moscow Musical Theatre (dhammaadka May - bilowga Juun 2013). .

Ilaa hadda, heesaagu wuxuu si joogto ah u deggan yahay Talyaaniga, lix sano oo dheerna wuxuu sugayay kulan cusub oo uu la yeeshay farshaxankiisa dhiirigelinta iyo farxadda leh wuxuu u noqday mid aad u dheer oo loogu talagalay dadka jecel muusikada gudaha, sababtoo ah ka hor inta aan la bilaabin Moscow ee Gabadha Talyaaniga ee Algeria , dadweynaha reer Moscow waxay heleen fursadii ugu dambeysay ee ay ku maqlaan jilaaga mashruuc opera ah oo dhererkiisu dhan yahay. fursada kaliya ee 2006: waxay ahayd bandhig faneedka Cinderella marxaladda Hoolka Weyn ee Conservatory.

Sanadihii ka soo wareegay tan iyo markii ugu horeysay ee Parisian ee Cinderella, heesaa iyo jilaa Maxim Mironov wuxuu noqday tarjumaan heersare ah, qaabaysan oo si aan caadi ahayn oo soo jiidasho leh oo ku saabsan muusigga Rossini. Qaybta Rossini ee riwaayadda riwaayadaha, riwaayadaha majaajilada ee curiyaha ayaa ka adkaaday: Cinderella, Barber of Seville, Haweenaydii Talyaani ee Aljeeriya, Turkigii Talyaaniga, Jaranjaradii Xariirta, Socdaalka Reims, Count Ory. Rossini-da halista ah, marka lagu daro Mohammed II, mid ayaa magacaabi kara Otello (qaybta Rodrigo) iyo Lady of the Lake (qaybta Uberto/Jacob V). Dib u buuxinta liiskan ayaa la filayaa dhawaan opera "Ricciardo iyo Zoraida" (qaybta ugu weyn).

Kharashka Rossini waa midka ugu muhiimsan ee shaqada heesaha: kala duwanaanta codkiisa iyo awoodiisa farsamo ayaa si fiican u buuxinaya shuruudaha gaarka ah ee waxqabadka noocan ah, sidaas darteed Maxim Mironov ayaa si sax ah loogu yeeri karaa mid dhab ah. Rossini tenor. Iyo, sida laga soo xigtay heesaaga, Rossini waa qayb ka mid ah riwaayadiisa, ballaarinta taas oo ah hawl muhiim ah isaga. Intaa waxaa dheer, wuxuu si dhab ah u jecel yahay raadinta naadirka ee leh sheeko yar. Tusaale ahaan, xilli ciyaareedkii hore ee Rossini ee dabbaaldegga Wildbad ee Jarmalka, wuxuu sameeyay qaybta Ermano ee Mercadante's The Robbers, qayb ku qoran ultra-high tessitura gaar ahaan Rubini. Heesaha heesahiisa waxa kale oo ka mid ah qayb majaajillo ah oo virtuoso ah sida qayb ka mid ah Tonio ee Donizetti's Daughter of the Regiment.

Waqti ka waqti, heesaagu wuxuu u soo baxaa fanka opera baroque (tusaale ahaan, wuxuu ku heesay nooca Faransiiska ee Gluck's Orpheus iyo Eurydice iyo doorka Castor ee Rameau's Castor iyo Pollux). Waxa kale oo uu u janjeeraa dhanka opera-ga faneed ee qarnigii XNUMX-aad, qaybo loo qoray kirayste iftiin sare ah (tusaale ahaan, wakhti aan fogayn ka hor waxa uu ku heesay qaybta Alphonse ee Aubert's Mute ee Portici). Weli waxaa jira qaybo yar oo Mozart ah oo ku jira heesaha heesaha (Ferrando ee "Così fan tutte" iyo Belmont ee "Afduubka Seraglio"), laakiin lakabka shaqada ayaa sidoo kale tilmaamaya ballaarinta mustaqbalka.

Maxim Mironov wuxuu ku heesi jiray kirishbooyada sida Alberto Zedda, Donato Renzetti, Bruno Campanella, Evelino Pidó, Vladimir Yurovsky, Michele Mariotti, Claudio Shimone, Jesus Lopez-Cobos, Giuliano Carella, Gianandrea Noseda, James Conlon, Antonino Fogliani, Riccardo Frizza. Marka laga soo tago tiyaatarada iyo xafladaha la sheegay, heesaagu waxa uu soo bandhigay marxalado kale oo qiimo badan, sida Teatro Real Madrid iyo Vienna State Opera, Paris National Opera iyo Glyndebourne Festival, Tiyaatarka La Monnay ee Brussels iyo Las Palmas. Opera, Flemish Opera (Belgium) iyo Tiyaatarka Comunale ee Bologna, Masraxa San Carlo ee Naples iyo Massimo Masraxa Palermo, Tiyaatarka Petruzzelli ee Bari iyo Semperoper ee Dresden, Hamburg Opera iyo Opera Lausanne, Majaajilada Opera ee Paris iyo Tiyaatarka An der Wien. Taas waxaa weheliya Maxim Mironov sidoo kale heesay masraxyada tiyaatarada ee America (Los Angeles) iyo Japan (Tokyo).