Rhapsode |

Rhapsode (Giriiga rapodos, ka rapto - waan tolaa, waxaan curiyaa oo odn - hees) - Giriiggii hore. heesaa-sheeko wareegaya. Wakiilada marxaladda qadiimiga ah ee horumarinta qadiimiga. fanka hal-abuurnimo, R. waxa loo yaqaanaa jilayaasha muusiga iyo gabayada. prod. "Oyme" (oimn). Waxaa jira caddayn in mararka qaarkood R. uu sameeyay hal-abuur. gabayo, qoob-ka-cayaar ama si firfircoon u xiisaynaya, taas oo muujinaysa xidhiidhka ay la leeyihiin synkretic qadiimiga ah. dacwad. Xaalado kale, R. waxay la socdeen halabuuradooda iyagoo ciyaaraya xargaha. qalabyada - kataarad, cithara iyo samaynta. Farshaxanka R. aad ayaa loogu qiimeeyay Dr. Greece. Waxaa ka mid ah halyeeyada qadiimiga ah ama halyeyga semi-heer R. - Amphion, Orpheus, Musaeus, Lin, Pan, Famiris, Pamph, Eumolpus, Olen, Demodocus, Phemius, iyo kuwa kale. xilli Farshaxanka R. waxa lagu gartaa hab-dhaqan gaar ah, oo lagu muujiyey go'aan qaadashada fanka deggan. qaab-dhismeedka, iyo hal-abuurnimada la xidhiidha hordhaca laxanka shakhsi ahaaneed. kacdoono. Muuse. dhinaca sheegashada R. weli wax yar baa laga bartay. Waxaa jira sabab lagu rumaysto in hab-dhaqameedka shaqadoodu ay sabab u tahay marxaladda anhemitonic ee muuska. fikirka (fiiri miisaanka Anhemitone).

Tixraacyo: Tolstoy I., Aedy. Abuurayaasha qadiimiga ah iyo sidayaal ee qadiimiga qadiimiga ah, M., 1958; Losev AF, Homer, M., 1960; Guhrauer H., Musikgeschichtliches aus Homer, Lpz., 1886; Diehl E., Fuerent ante Homerum gabayaa, "Rheinisches Museum für Philologie", 1940, Maya 89, S. 81-114; Henderson I., Miyuusig Giriigii hore, gudaha: New Oxford History of music, v. 1 - Muusigga qadiimiga iyo bariga, L., 1957, p. 376-78.

EV Gertzman