Соиле Исокоски (Soile Isokoski) |
Soile Isokoski
Finland yar, oo hodan ku ah caadooyinkeeda muusikada, waxay siisay adduunka heesaa badan oo cajiib ah. Waddada "xiddigaha" intooda badan waxay maraan waxbarashadooda Akadeemiyada. Sibelius. Kadib - tartankii codka qaranka ee sharafta lahaa ee Lappeenranta - wuxuu ahaa tartankan kan noqday furitaanka suunka fannaaniinta sida Karita Mattila, Jorma Hünninen, iyo Martti Talvela ayaa ahaa guushii ugu horreysay ee 1960-kii.
“Xiddig…”, — “Soprano Silver” Soile Isokoski ayaa falsafad maanta, — “... cirka xiddiguhu aad bay u fog yihiin, lamana gaari karo…” Xitaa kama fikirin xirfadda heesaaga opera, iyo xitaa si ka sii badan si xirfadeed iyada "nooca xiddiga". Wuxuu caruurnimadiisii ku qaatay gobolka Posio ee waqooyiga Finland ee fog. Aabaheed wuxuu ahaa wadaad, hooyadeed, hooyo Lapland, Soile waxay dhaxashay cod qurux badan iyo heeso hab-dhaqameedka "kaftan". Muusiga qadiimiga ayaa sidoo kale laga jeclaa guriga. Iyagoo ku nool meel ka durugsan xarumaha muusiga, waxay dhagaysteen raadiyaha, cajaladaha gramophone-ka, waxayna ku heeseen "lafo badan oo qoyska ah." Inta lagu guda jiro sannad dugsiyeedka, Soile Isokoski baratay biyaano, laakiin markii ay da'da shan iyo toban jir ah, awoodin in ay u adkeysan tartanka walaalkeed ka weyn, way joojisay oo bilaabay inuu sawiro. Waxay wax ka baratay kulliyadda dhaqaalaha, iyada oo ka fikiraysa xirfad qareennimo, isla markaana waxay bilowday inay qaadato casharro cod ah. "Sanamkeygii ugu horreeyay wuxuu ahaa Elly Ameling. Kadib waxaa jiray waqtiyo Kalas, Kiri Te Kanawa, Jesse Norman, "Isokoski ayaa ku yiri wareysi hore. Iyaga oo u hoggaansamaya qancinta mid ka mid ah qaraabadeeda, oo wax ka bartay laanta akadeemiyada Sibelius ee Kupio, waxay gashay kulliyadda muusikada kaniisadda, iyada oo si daacad ah "u adeegay" halkaas muddo shan sano ah, waxay dib ugu noqotaa waqooyiga, halkaas oo ay tagto si uu uga shaqeeyo sidii organist magaalada Pavola, oo laga soo bilaabo magaalada ugu dhow ee Oulu ilaa 400 km.
Waxay ka timid halkan in qabowgii jabay ee Janaayo 1987, ay u timid tartanka Lapeenranta - sinaba guul uma aha, laakiin si fudud "si aad naftaada tijaabiso, isku day naftaada masraxa." Marka la eego xaqiiqda ah in sopranos aan ka weyneyn 30 ayaa loo oggolaaday inay ka qaybgalaan tartanka, Soile Isokoski ayaa helay fursadii ugu dambeysay. Si lama filaan ah qof walba, iyo marka hore nafteeda, way ku guuleysatay. Waxay u suurtagashay in ay ku guuleysato, sababtoo ah waxaa ka haray oo kaliya hal bil ka hor "khadka" soddon jirka ah "! "Waxaan haystay waqti igu filan oo aan ugu diyaargaroobo tartanka laftiisa, laakiin nafsiyan diyaar uma ahayn inaan ku guuleysto. Wareeg kasta ka dib, kaliya waxaan la yaabay inaan sii wadi karo, oo markii ay ku dhawaaqeen guusha, waxaan si fudud u baqay: "Maxaan hadda sameeyaa?!" Nasiib wanaag, dhammaan "waxqabadyada qasabka ah" ee soo socda ee riwaayadaha qolka iyo orkestras, waxaa suurtagal ah in lagu heeso riwaayadaha tartanka waxaana lagu guuleystay wakhti si loo diyaariyo barnaamijyo cusub. Haddaba si lama filaan ah oo dhalaalaya xiddiggeedii ayaa iftiimay, ka dibna waxa loo baahan yahay oo kaliya in la helo wakhti ay ku sii waddo qaddarkeeda. Isla sanadkaas, waxay gashay kaalinta labaad ee "Fannaanadda Tartanka Adduunka ee BBC-Wales ee Cardif", waxay heshay martiqaad ay uga shaqeyso Opera National Finnish, sanadka soo socda, 1988, waxay ku guuleysatay laba tartan oo caalami ah - in Tokyo iyo tartanka Elly Ameling. Holland. Guusha waxaa raacay martiqaadyo loo diray London iyo New York, iyo waxqabadka, dhab ahaantii, ee heesta "bilawga" ee heesaaga kali ah ee Amsterdams Concertgebouw - kiis aad dhif u ah dhaqanka hoolkan - wuxuu ahaa qurxinta aan la doodi karin ee hordhacan cajiib ah.
Soile waxay ku soo bandhigtay hawl qabadkeedii ugu horeeyay iyada oo ah Mimi gudaha Puccini's La bohème ee Opera National Finnish (1987). Waxay ahayd inaan barto fikradda "diyaarinta marxaladda" isla markaaba ku celcelinta. "Laga bilaabo Mimi waa fikir cabsi leh! Waxa kaliya oo ay ahayd “mahadsanid” waayo aragnimadayda baaxadda leh ee aan si cabsi la'aan ah u go'aansan karay tan. Si kastaba ha ahaatee, farshaxanka dabiiciga ah, muusikada, rabitaan weyn, shaqo adag, oo ay weheliso cod - soprano lyric iftiin ah - ayaa ahaa furaha guusha. Mimi waxaa raacay doorarka Countess ee Le Figaro, Micaela ee Carmen, Agatha gudaha Weber's Gunner Free. Doorarka Pamina ee Flute Magic-ka ee Festival Savonlinna, Donna Elvira ee Don Giovanni ee Jarmalka iyo Austria, Fiordiligi ee Markaa Qof kastaa Samee Stuttgart ayaa shaaca ka qaaday Isokoski karti aad u wanaagsan oo ah jilaa ka mid ah repertoire Mozart. Ka shaqee noocyo kala duwan oo qalab ah, hagaajinta taxadarka iyo dareenka ee qalabku waxay gacan ka geysteen kobcinta timbre sifo codkeeda, soo bixitaanka midabada codka cusub.
Codka dhaleeceynta sanadahaas si xamaasad leh ayaa loo xakameeyay ("Sawaxan badan oo ka yimid "maxay" waa sifada si taxadar leh u cakiran ee mid ka mid ah daabacadaha 91). Dhab ahaantii "dabeecad aan la aqbali karin", xishoodka gobolka, maaha dhammaan muuqaalka Hollywoodka (maqaal kale oo ku saabsan heesaha ayaa lagu muujiyay sawir caadi ah, laakiin leh caricature!) waqti dheer. Waxa ugu weyn ayaa ah in la'aanta "dallacaad" aysan haba yaraatee hoos u dhigin feejignaanta kirishbooyada iyo madaxda guryaha opera-yada ee waaweyn.
Muddo dhowr sano ah, "heeso ka timid qabow" waxay u suurtagashay in ay ka shaqeyso La Scala, Hamburg, Munich, Vienna Staatsoper, Bastille Opera, Cavent Garden, Berlin oo leh "kooxaha" kirishbooyada, oo ay ku jiraan magacyada Z. Meta. , S. Ozawa, R. Muti, D. Barenboim, N. Järvi, D. Conlon, K. Davies, B. Haitink, E.-P. Salon iyo kuwa kale. Waxay si joogto ah uga qaybqaataa Salzburger Festspiele iyo Savonlinna Opera Festival.
Sanadkii 1998, C. Abbado, ka dib laba sano oo iskaashi guul leh oo lala yeeshay heesaaga (duubista Don Juan waa mid ka mid ah natiijooyinka), wareysi uu siiyay wargeyska Helsingin Sanomat ee Finland, wuxuu soo saaray "xukun": "Soile waa milkiilaha cod aad u wanaagsan, oo awood u leh inuu la qabsado qayb kasta."
Tan iyo dhamaadkii 90-meeyadii, S. Isokoski waxay si cajiib ah u caddaynaysay saxnaanta hadalka weyn ee maestro: 1998, waxay ku guulaysatay guul weyn doorka Alice Ford ee wax soo saarka cusub ee Verdi's Falstaff ee Berlin Staatsoper, Elsa ee Lohengrin (Athens), Eve ee "Meistersinger" (Covent Garden), Mary ee "Aroosadda Bartered" Smetana (Covent Garden). Dabadeed waxa la gaadhay waqtigii uu gacantiisa ku tijaabin lahaa repertoire-ka Faransiiska – wax-qabadkiisii sidii Rachel ee opera Halévy ee Zhydovka (1999, Vienna Staatsoper) ayaa ammaantii ugu sarraysay ka heshay dhaleecayn caalami ah.
Isokoski waa taxaddar - tanina waxay amar ku bixisay ixtiraam. "Bilawgii dambe", ma aysan u hoggaansamin rabitaanka ah in lagu qasbo dhacdooyinka, inkastoo xaqiiqda ah in aysan jirin wax martiqaad ah, ilaa toban sano ma aysan go'aansanin doorkeedii ugu horreeyay ee Verdi (halkan waxaan ka hadlaynaa iyada "Siyaasadda opera", riwaayadaha waxay ku heesi doontaa wax walba - vocal-symphonic, oratorio, qolka muusik wakhti kasta iyo qaab kasta - pianist Marita Viitasalo ayaa iyada kula soo bandhigtay riwaayadaha qolka sanado badan). Dhawr sano ka hor, habeenka ugu horreeya ee "ujeedka" go'aansan ee ku wajahan ballaarinta riwaayadda, heesaha ayaa ku yiri wareysiga: "Waan jeclahay Mozart weligayna ma joojin doono heestiisa, laakiin waxaan rabaa inaan tijaabiyo awoodeyda ... Haddii ay caddaato in Si uun ayaan u qiimeeyay iyaga - si fiican, waxaan noqon doonaa "mid kale oo ka sii hodansan" (hal khibrad ka sii hodan ah). Dabcan, tani waxay ahayd coquetry aan waxba galabsan ee xirfadle isku kalsoon, kaas oo, habka, had iyo jeer ahaa shaki ku saabsan "dib-u-celinta" ee asxaabtiisa arrimaha daryeelka caafimaadka jirka ("ha cabbin biyo qabow, ha tegin. Sauna ah). Bandhiga Savonlinna-2000, laga yaabee "fariinta" ugu horeysay waa in laga saaro "bangiga doofaarka" ee khibradaha xun. S. Isokoski waxay markaas ku mashquulsanayd Gounod's Faust (Margarita), maalin ka hor waxay dareentay xanuun, laakiin waxay go'aansatay inay qabato. Wax yar ka hor intaanay tagin masraxa, oo horeba u leh dharka iyo qurxinta, waxay si lama filaan ah u ogaatay in aysan heesan karin. Beddelka hore looma sii diyaarin, wax qabadkuna khatar buu ku jiray. "Ka bax" sida ugu lama filaanka ah. Fanaanada caanka ah ee Iswidhishka, soloist-ka Royal Opera, Lena Nordin, ayaa ku dhacday daawadayaasha. Lena, iyada oo dhibcaha gacmaheeda ku jirta, ayaa lagu qariyay meel u dhow masraxa, Soile wuxuu ku heesay waxqabadka oo dhan codka Lena Nordin! Kaneecadu sanka may afaysan. Dhegaystayaasha (marka laga reebo, laga yaabee, kaliya taageerayaasha Isokoski) kaliya ayaa ka bartay beddelka ka dib wargeysyada, heesaaguna wuxuu noqday "hal khibrad hodan ah". Oo wakhti ku habboon. Horaantii 2002, waxay samayn doontaa mas'uul ka ah masraxa Opera Metropolitan. Halkaa waxay ku soo bandhigi doontaa sida Countess ee Le nozze di Figaro ee ay jeceshahay iyo "lagu kalsoonaan karo" Mozart.
Marina Demina, 2001
