Anatoly Ivanovich Vedernikov (Anatoly Vedernikov) |

Anatoly Vedernikov

Farshaxankan waxaa badanaa loogu yeeraa muusikiiste barre. Iyo xaq. Marka la eego barnaamijyada riwaayadihiisa, ma adka in si gaar ah loo qeexo qaab gaar ah: ku dhawaad ​​mid kasta oo iyaga ka mid ah waxa uu lahaa wax cusub - ha ahaato mid horudhac ah ama dib u cusboonaysiin halabuur aan la iloobin. Tusaale ahaan, iyadoo si nidaamsan wax looga qabanayo S. Prokofiev, pianist-ga ayaa sidoo kale ciyaaraya shuqulladaas oo aad dhif u ah masraxa riwaayadaha, tusaale ahaan, qaybaha "Fikirka", Concerto afaraad (markii ugu horreysay ee waddankeena), habayntiisa ee Scherzo ka Symphony shanaad.

Haddii aan dib u soo celinno bandhigyada suugaanta Soofiyeedka ee piano, halkan waxaan ku magacaabi karnaa sonatas by G. Ustvolskaya, N. Sidelnikov, "Seven Concert Pieces" by G. Sviridov, "Album Hungarian" by G. Frid. "Anatoly Vedernikov," wuxuu ku nuuxnuuxsaday L. Polyakova, "waa fannaan fakar ah oo jecel muusigga Soofiyeedka oo yaqaan sida loo isticmaalo adduunka muuqaalkiisa."

Waxay ahayd Vedernikov oo u soo bandhigay dhagaystayaasheenna tusaalayaal badan oo muusig shisheeye ah qarnigii XNUMX-aad - shaqooyin kala duwan oo ay sameeyeen P. Hindemith, A. Schoenberg, B. Bartok, K. Shimanovsky. B. Martin, P. Vladigerov. Goobta qadiimiga ah, dareenka asaasiga ah ee farshaxanku wuxuu u badan yahay inuu soo jiito shaqooyinka Bach, Mozart, Schumann, Debussy.

Waxa ka mid ah guulaha ugu wanagsan ee pianist-ga waxa ka mid ah tarjumaada muusiga Bach. Dib u eegista majaladda Musical Life ayaa tiri: "Anatoly Vedernikov wuxuu si geesinimo leh u ballaariyaa arsenal-ka firfircoon ee piano, isagoo u soo dhowaanaya dhawaaqa siman ee harpsichord, ama xubin midab leh, oo ku habboon labadaba pianissimo ugu fiican iyo xoogga xoogga leh ... ciyaartiisu waa oo lagu garto dhadhan adag, xisaabin la'aanta muuqaal kasta oo bannaanka ah… Fasiraadda Vedernikov waxay xoojinaysaa iftiinka xigmadda leh ee muusigga Bach iyo darnaanta qaabkeeda. Isla mar ahaantaana, wuxuu si ula kac ah u ciyaaraa "caadiga ah" opuses Chopin, Liszt, Rachmaninov. Kaasi waa bakhaarka tayadiisa.

"Muusikiiste hibada leh Anatoly Vedernikov wuxuu leeyahay xirfad waxqabad oo dhalaalaya oo asal ah, amar aad u fiican oo qalab ah," N. Peiko ayaa qoray. "Barnaamijyada riwaayadihiisa, ee qaabka joogtada ah, waxay markhaati u yihiin dhadhan adag. Ujeedadoodu maaha inay muujiyaan guulaha farsamada ee jileeyaha, laakiin waa inay ku baraan dhagaystayaashooda shaqooyin dhif iyo naadir ah lagu qabto masraxa bandhiga.

Dabcan, ma aha oo kaliya waqtiyada garashada soo jiidashada riwaayadaha Vedernikov. Ciyaartiisa, sida uu qabo naqdiye Y. Olenev, "macquulnimada, dhammaystirnaanta iyo xitaa qaar ka mid ah caqli-galnimada fikradaha farshaxanimada ayaa si dabiici ah loogu daray dhawaaqa naadir ah, xorriyadda pianistic-ga weyn, farsamada caalamiga ah iyo dhadhanka aan fiicnayn." Waxaa lagu daraa kuwan tayada isku-dhafka ugu fiican ee piano-ga. Dad badan ayaa xusuusta bandhigyada wadajirka ah ee Vedernikov iyo Richter, markii ay sameeyeen shuqullada Bach, Chopin, Rachmaninov, Debussy iyo Bartok ee laba biyaano. (Vedernikov, sida Richter, wax ku bartay Moscow Conservatory GG Neuhaus oo ka qalin jabiyay 1943). Later, in duet oo leh heesaa V. Ivanova, Vedernikov ayaa sameeyay barnaamijka Bach. Riwaayadda farshaxanku waxa ka mid ah in ka badan laba darsin riwaayadaha biyaano.

Qiyaastii 20 sano, pianist wuxuu sii waday shaqadiisa barbaarinta ee Machadka Gnessin, ka dibna Moscow Conservatory.

Grigoriev L., Platek Ya.