Anna Yesipova (Anna Yesipova) |

Anna Yesipova

1865-70 waxay wax ku baratay Conservatory St. Petersburg T. Leshetitsky (xaaskiisa 1878-92). Waxay samaysay ciyaarteedii ugu horeysay ee 1868 (Salzburg, Mozarteum) waxayna sii waday inay bixiso riwaayadaha sida soloist ilaa 1908 (waxqabadkii ugu dambeeyay wuxuu ahaa St. Petersburg Maarso 3, 1908). 1871-92 waxay ku noolayd inta badan dibadda, inta badan waxay ku bixisay riwaayadaha Ruushka. Waxay guul ku soo booqatay waddamo badan oo Yurub ah (guusha gaarka ah ee England) iyo gudaha USA.

Esipova wuxuu ahaa mid ka mid ah wakiilada ugu weyn ee fanka pianistic ee dabayaaqadii 19th iyo horraantii qarniyadii 20aad. Ciyaarteeda waxa lagu kala soocay fikrado ballaadhan, dhawrsanaan gaar ah, laxannimo cod, iyo taabasho jilicsan. Muddadii hore ee waxqabadka waxqabadka (kahor 1892), oo la xidhiidha bandhig faneedka degdegga ah, Esipova ciyaartiisa waxaa u badnaa sifooyin caadi ah oo ka mid ah jihada virtuosic-ka-dambeed ee farshaxanka pianistic (rabitaanka waxqabadka bannaanka ee cajiibka ah). Isku-dheellitirnaan buuxda oo tuducyada, aqoonta ugu habboon ee farsamooyinka "ciyaaraha luul" ayaa si gaar ah u fiicnaaday farsamada qoraallada labanlaaban, octaves iyo chords; Qaybaha bravura iyo marinnada, waxaa jira u janjeera dhanka kuleyl aad u degdeg badan; dhanka odhaahda, jajab, tifaftiran, "wavy" odhaahda.

Astaamahan qaabka wax-qabadka, waxaa sidoo kale jiray u janjeerta tarjumaadda bravura ee shuqullada wanaagga leh ee F. Liszt iyo F. Chopin; Marka la eego fasiraadda Chopin's nocturnes, mazurkas iyo waltzes, ee heesaha heesaha F. Mendelssohn, hooska habdhaqanka caanka ah ayaa la dareemay. Waxay ka mid ahayd barnaamijyada salon-xaragoodu u shaqeeyo M. Moszkowski, riwaayadaha B. Godard, E. Neupert, J. Raff iyo kuwa kale.

Horeba xilliga hore ee pianism-keeda, waxaa jiray u janjeera in si adag loo dheellitiro, caqli-gal gaar ah oo tafsiiro ah, si loo saxo qoraalka qoraaga. Geedi socodka horumarinta hal-abuurka, ciyaarta Esipova ayaa si isa soo taraysa u muujisay rabitaanka fududaynta dabiiciga ah ee hadalka, runta gudbinta, oo ka imanaysa saamaynta dugsiga Ruushka ee pianism-ka, gaar ahaan AG Rubinshtein.

Xilligii dambe ee "Petersburg" (1892-1914), markii Esipova ay nafteeda u hurtay inta badan barashada barbaarinta oo ay horeba si firfircoon u qabatay riwaayado kali ah, iyada oo ciyaareysa, oo ay weheliso dhalaalid virtuoso, khatarta fulinta fikradaha, xaddidaadda xaddidan waxay bilaabeen inay noqdaan kuwo badan. si cad u muuqday. Tani waxay qayb ahaan sabab u tahay saamaynta goobada Belyaevsky.

Repertoire Esipova waxaa ka mid ahaa shuqullada BA Mozart iyo L. Beethoven. In 1894-1913 waxay ku soo bandhigtay ensembles, oo ay ku jiraan fiidkii sonata - in a duet la LS Auer (shaqaale by L. Beethoven, J. Brahms, iwm), in saddex la LS Auer iyo AB Verzhbilovich. Esipova wuxuu ahaa tafatiraha qaybaha piano, wuxuu qoray qoraallo habaysan ("Dugsiga Piano ee AH Esipova wuxuu ahaa mid aan dhammaanayn").

Tan iyo 1893, Esipova waxay ahayd borofisar ka tirsan Conservatory St. Mabaadi'da barbaarinta Esipova waxay inta badan ku salaysnaayeen mabaadi'da fanka iyo habka ee dugsiga Leshetitsky. Waxay tixgelisay horumarinta xorriyadda dhaqdhaqaaqa, horumarinta farsamada farta ("faraha firfircoon") si ay u noqoto midka ugu muhiimsan ee pianism, waxay ku guulaysatay "diyaarinta la beegsanayo ee chords", "octaves liidata"; dhadhamiyey ciyaar iswaafajisa, dheeldheel ah, adag oo xarrago leh, oo aan dhamaystirnayn tafaasiisha iyo qaabka fulinta si fudud.

Ardayda Esipova waxaa ka mid ah OK Kalantarova, IA Vengerova, SS Polotskaya-Emtsova, GI Romanovsky, BN Drozdov, LD Kreutzer, MA Bikhter, AD Virsaladze, S. Barep, AK Borovsky, CO Davydova, GG Sharoev, HH Poznyakovskaya, SS. Prokofiev et al. ; in muddo ah MB Yudina iyo AM Dubyansky waxay la shaqaynayeen Esipova.

B. Yu. Delson