Edison Vasilyevich Denisov |

Edison Denisov

Quruxda aan la dhayalsan karin ee shaqooyinka waaweyn ee farshaxanku waxay ku nool yihiin cabbirkooda waqtigooda, iyagoo noqonaya xaqiiqada ugu sarreysa. E. Denisov

Muusigga Ruushka ee maalinteena waxaa matalaya tiro tiro badan oo waaweyn. Kuwa ugu horreeya waxaa ka mid ah Muscovite E. Denisov. Markii uu bartay ciyaarta piano (Tomsk Music College, 1950) iyo waxbarashada jaamacadda (Fiisigiska iyo Xisaabta kuliyada Tomsk University, 1951), curiyaha laba iyo labaatan jirka ah wuxuu galay Conservatory Moscow V. Shebalin. Sannadaha raadinta ka dib markii ay ka qalin jabiyeen konserfatifka (1956) iyo dugsiga sare (1959) ayaa lagu calaamadeeyay saamaynta D. Shostakovich, kuwaas oo taageeray kartida curiyaha da'da yar oo Denisov noqday saaxiibo wakhtigaas. Halabuurkii da’da yaraa oo garwaaqsaday in muxaafidku uu baray sida wax loo qoro, ee aanay ahayn sida wax loo qoro, ayaa halabuurkii da’da yaraa waxa uu bilaabay in uu si fiican u barto hababka casriga ah ee curinta oo uu raadiyo jidkiisa. Denisov wuxuu bartay I. Stravinsky, B. Bartok (Xiddiga Labaad ee Quartet - 1961 wuxuu u heellan yahay xasuustiisa), P. Hindemith ("oo isaga soo afjaray"), C. Debussy, A. Schoenberg, A. Webern.

Qaabka Denisov wuxuu si tartiib tartiib ah u qaabeeyaa curiyeyaasha horraantii 60-meeyadii. Bilawgii ugu horreeyay ee dhalaalaya ee qaabka cusub wuxuu ahaa "The Sun of the Incas" ee soprano iyo 11 qalab (1964, qoraal G. Mistral): gabayada dabeecadda, oo leh dhawaaqyo sawirada animist ee qadiimiga ah, ayaa ka muuqda dhar ka samaysan midabyo muusik oo aad u daran Waji kale oo ka mid ah qaabka ayaa ku jira Saddex qaybood oo loogu talagalay cello iyo piano (1967): qaybaha aadka u daran waa muusik qoto dheer oo qotodheer, cantilena cello ah oo kacsan oo leh dhawaaqyada ugu jilicsan ee piano ee diiwaanka sare, marka la barbardhigo Tamar laxanka ugu weyn ee "dhibcaha, daloolinta, dharbaaxada" asymmetrical, xitaa "daroogada" celceliska ciyaarta. Saddexda Piano ee Labaad (1971) ayaa sidoo kale halkan ku xiran - muusiga wadnaha, khiyaano, gabay, fikrad ahaan muhiim ah.

Habka Denisov waa mid aad u kala duwan. Laakiin waxa uu diiday wax badan oo hadda ah, moodada muusikada casriga ah - ku dayashada qaabka qof kale, neo-primitivism, bilicsanaanta banality, omnivorousness waafaqsan. Halabuurku wuxuu leeyahay: "Quruxdu waa mid ka mid ah fikradaha ugu muhiimsan fanka." Waqtigeena, halabuurayaal badan ayaa leh rabitaan la taaban karo si ay u raadiyaan qurux cusub. 5 qaybood oo loogu talagalay biibiile, laba biyaano iyo garaacis, Silhouettes (1969), sawirada sawirada dheddigga caanka ah waxay ka soo baxaan dhar jilicsan ee codka - Donna Anna (oo ka socota WA Mozart's Don Juan), Glinka's Lyudmila, Lisa (oo ka socota Boqoradda Spades) P. Tchaikovsky), Lorelei (laga bilaabo heesta F. Liszt), Maria (oo ka socota A. Berg's Wozzeck). Heesta shimbiraha ee piano iyo cajalad (1969) waxay keentaa udgoonka kaynta Ruushka, codadka shimbiraha, qaylada iyo dhawaaqyada kale ee dabiiciga ah ee hoolka riwaayadaha, isha nolosha saafiga ah oo xorta ah. "Waxaan ku raacsanahay Debussy in aragtida qorrax-soo-baxa ay siin karto curiyaha wax ka badan dhageysiga Symphony Beethoven's Pastoral." Riwaayadda "DSCH" (1969), oo ku qoran sharaf Shostakovich (ciwaanka waa xarafkiisa), mawduuc xaraf ah ayaa loo isticmaalaa (Josquin Despres, JS Bach, Shostakovich qudhiisu wuxuu ka kooban yahay muusikada mawduucyadaas). Shaqooyinka kale, Denisov wuxuu si ballaaran u adeegsadaa EDS-ka chromatic innation, kaas oo laba jeer ku dhawaaqaya magaciisa iyo magaca qoyska: EDiSon DEniSov. Denisov waxaa si weyn u saameeyay xiriirka tooska ah ee Ruushka. Ku saabsan wareegga "Baroorashada" ee soprano, garaaca iyo piano (1966), laxamiistaha ayaa leh: "Ma jiro hal hees oo dad ah halkan, laakiin dhammaan xariiqda codka (guud ahaan, xitaa qalab) ayaa ku xiran habka ugu tooska ah Sheeko-yaqaannada Ruushku iyada oo aan wax wakhti ah la samaynin iyo iyada oo aan wax xigasho ah ".

Isku dhafka cajiibka ah ee quruxda quruxda badan ee dhawaaqyada la safeeyey iyo qoraalka caqli-galnimada ayaa ah codka ugu muhiimsan ee wareegga tobanka dhaqdhaqaaq "Buugga Buluugga ah" (oo ku yaal xariiqyada A. Vvedensky iyo D. Kharms, 1984) ee soprano, akhristaha, violin, cello , laba biyaano iyo saddex kooxood oo gambaleel ah. Iyada oo loo marayo caqiidada cajiibka ah iyo qaniinyada qafiska ah ("Ilaah wuxuu ku dhex daalay qafis halkaas ku yaal indho la'aan, gacmo la'aan, lugo la'aan ..." - No. 3), ujeedooyinka naxdinta leh ayaa si lama filaan ah u jabay ("Waxaan arkayaa adduun qalloocan, waxaan maqlayaa qaylo-dhaanta lyres" - No. 10).

Ilaa 70-kii. sii kordheysa Denisov wuxuu u jeestaa qaabab waaweyn. Kuwani waa riwaayado qalabaysan (St. 10), Requiem cajiib ah (1980), laakiin waa maanso falsafad sare leh oo ku saabsan nolosha aadanaha. Guulaha ugu wanaagsan waxaa ka mid ah Concerto Violin (1977), heestii Cello Concerto (1972), Concerto piccolo asalka ah (1977) ee saxophonist (ciyaarida saxophones kala duwan) iyo koox faneed weyn (6 kooxood), ballet "Confession "waxaa qoray A. Musset (post 1984), opera "Foam of Days" (oo ku salaysan sheeko-yaqaanka B. Vian, 1981), oo lagu sameeyay guul weyn ee Paris bishii March 1986, "Afar Gabdhood" (oo ku salaysan P. Picasso, 1987). Guud ahaan qaabka qaan-gaarka ah wuxuu ahaa Symphony for orchestra weyn (1987). Erayada laxamiistaha waxa ay u noqon karaan hal-abuur: "Muusikgeyga, lyricism waa waxa ugu muhiimsan." Baaxadda neefsashada simphonic-ka waxaa lagu gaaraa noocyo kala duwan oo sonooriyaal ah - laga bilaabo neefsashada ugu dabacsan ilaa hirarka xoogga badan ee cadaadiska muujinta. Marka la eego sannad-guuradii 1000-aad ee baabtiiska Ruushka, Denisov wuxuu abuuray shaqo weyn oo loogu talagalay kooxda heesta cappella "Light Quiet" (1988).

Farshaxanka Denisov wuxuu ruux ahaan la xidhiidha khadka "Petrine" ee dhaqanka Ruushka, dhaqanka A. Pushkin, I. Turgenev, L. Tolstoy. Ku dadaalida quruxda sare, waxay ka soo horjeedaa fududeynta soo noqnoqda waqtigeena, dhammaan-aad-u-fududeynta fudud ee fikirka pop.

Y. Kholopov