Eduard van Beinum |

Eduard van Beinum

Nasiib wanaag, Holland yar ayaa adduunka siisay laba sayid oo cajiib ah muddada laba jiil.

Qofka Eduard van Beinum, orchestra ugu fiican ee Nederland - Concertgebouw caanka ah - wuxuu helay beddelka u qalma ee caanka ah Willem Mengelberg. Markii, 1931-kii, arday ka qalin jabiyay Conservatory Amsterdam, Beinum, wuxuu noqday kaariyihii labaad ee Concertgebouw, "diiwaanka raadraaca" horeyba waxaa ku jiray dhowr sano oo hogaamiyihii orchestras ee Hiedam, Haarlem, iyo ka hor, muddo dheer oo shaqo ah sida violist ee orkestra, halkaas oo uu ka bilaabay ciyaaraha laga bilaabo da'da lix iyo toban jir, iyo pianist in ensembles qolka.

Amsterdam, wuxuu ugu horreyntii u soo jeediyay naftiisa isaga oo soo bandhigaya riwaayadaha casriga ah: shuqullada Berg, Webern, Roussel, Bartok, Stravinsky. Tani waxay ka soocday asxaabtii da'da weyn iyo kuwa khibradda leh ee la soo shaqeeyay orchestra - Mengelberg iyo Monte - waxayna u ogolaatay inuu qaato jago madax banaan. Sanadihii la soo dhaafay, waa la xoojiyay, oo horeyba 1938, boostada "labaad" ee kormeeraha koowaad ayaa si gaar ah loogu aasaasay Beynum. Intaa ka dib, wuxuu horey u qabtay riwaayado ka badan kan waayeelka V. Mengelberg. Dhanka kale, kartidiisa ayaa aqoonsi ka helay dibadda. Sannadkii 1936-kii, Beynum waxa uu ka qabtay Warsaw, halkaas oo uu markii ugu horreysay ku soo bandhigay Symphony-ka labaad ee H. Badings oo isaga u heellan, ka dib waxa uu booqday Switzerland, Faransiiska, USSR (1937) iyo dalal kale.

Laga soo bilaabo 1945 Beinum wuxuu noqday agaasimaha kaliya ee orchestra. Sannad kasta waxa u keenay isaga iyo kooxda guulo cusub oo cajiib ah. Fannaaniinta Dutch-ka ayaa ku soo bandhigay jihada isaga oo ku dhow dhammaan waddamada Galbeedka Yurub; kirishbooyada laftiisa, marka laga soo tago tan, wuxuu si guul leh u booqday Milan, Rome, Naples, Paris, Vienna, London, Rio de Janeiro iyo Buenos Aires, New York iyo Philadelphia. Meel kastana dhaleecayntu waxay siisay dib u eegis mug leh oo farshaxankiisa. Si kastaba ha ahaatee, safarro badan ma aysan keenin qanacsanaanta farshaxanka - wuxuu doorbiday taxaddar, shaqo adag oo la leh orkestra, isaga oo aaminsan in kaliya wadashaqeyn joogto ah oo u dhexeeya kaari iyo fannaaniin ay keeni karto natiijooyin wanaagsan. Sidaa darteed, wuu diiday dalabyo badan oo faa'iido leh haddii aysan ku lug lahayn shaqo ku celcelin dheer. Laakiin intii u dhaxaysay 1949 ilaa 1952 waxa uu si joogto ah dhawr bilood ku qaatay London, isaga oo hogaaminayay kooxda Orchestra ee Philharmonic, 1956-1957 waxa uu si la mid ah uga shaqeeyay magaalada Los Angeles. Beinum waxa uu awoodiisa oo dhan siiyay fannaankii uu jeclaa waxa uuna ku dhintay shaqada – inta lagu guda jiro tababar uu la qaadanayo orchestra Concertgebouw.

Eduard van Beinum waxa uu door weyn ka ciyaaray horumarinta dhaqanka muusiga qaranka ee dalkiisa, isaga oo kor u qaadaya hal-abuurka asxaabtiisa, isaga oo gacan ka geysta horumarinta fanka orchestral-ka. Isla mar ahaantaana, kaari ahaan, waxaa lagu kala soocay awood naadir ah oo uu ku turjumayo muusigga xilliyo iyo qaabab kala duwan oo leh xirfad iyo dareen isku mid ah. Malaha, muusiga Faransiiska ayaa ugu dhowaa isaga - Debussy iyo Ravel, iyo sidoo kale Bruckner iyo Bartok, kuwaas oo uu shaqadiisa ku sameeyay dhiirigelin gaar ah iyo khiyaano. Shaqooyin badan oo ay sameeyeen K. Shimanovsky, D. Shostakovich, L. Janachek, B. Bartok, Z. Kodai ayaa markii ugu horreysay lagu qabtay Nederlaan isaga oo hagaya. Baynum wuxuu lahaa hadiyad la yaab leh oo loogu talagalay dhiirigelinta fannaaniinta, isaga oo u sharaxaya hawlaha iyaga oo aan erayo lahayn; dareen qani ah, mala-awaal cad, la'aanta cliches ayaa siisay fasiraaddiisa dabeecadda isku-dhafka naadir ah ee xorriyadda farshaxanka shakhsi ahaaneed iyo midnimada lagama maarmaanka ah ee dhammaan orchestra.

Baynum wuxuu ka tagay tiro badan oo cajalado ah, oo ay ku jiraan shaqooyinka Bach, Handel, Mozart, Beethoven, Brahms, Ravel, Rimsky-Korsakov (Scheherazade) iyo Tchaikovsky (suite ka Nutcracker).

L. Grigoriev, J. Platek