Evgenia Matveevna Verbitskaya (Evgenia Verbitskaya) |

Evgenia Verbitskaya

Iyadoo weli arday ka ah Kiev Conservatory, Evgenia Matveevna waxay u istaagtay quruxdeeda timbre iyo codad badan, taas oo u ogolaatay inay heesto mezzo-soprano iyo qaybaha contralto. Iyo, ka sokow, heesta da'da yar waxaa lagu kala soocay awood naadir ah oo shaqo. Waxay ku soo bandhigtay bandhigyo muxaafid ah, waxay ka qayb qaadatay riwaayadaha ardayda. Verbitskaya wuxuu ku heesi jiray opera Arias, jaceylka ay sameeyeen halabuurayaasha Ruushka iyo Yurubta Galbeed, waxaa u shaqeeya Lyatoshinsky iyo Shaporin. Wax yar ka dib markii uu ka qalin jabiyay konserfatifka, Verbitskaya waxaa loo aqbalay Kiev Opera iyo Tiyaatarka Ballet, halkaas oo ay ku heesay qaybaha Niklaus ee Tales of Hoffmann, Siebel ee Faust, Polina iyo Molovzor ee Boqoradda Spades. Sannadkii 1931-kii, heesaagii ayaa loo qoray sidii soloist ee Tiyaatarka Mariinsky. Halkan waxa ay ka shaqeysaa iyada oo ay hogaaminayaan madaxa masraxa masraxa, muusikiiste aad u fiican V. Dranishnikov, oo magaciisa Evgenia Matveevna lagu xasuusto dareen mahadnaq qoto dheer nolosheeda oo dhan. Tilmaamaha Dranishnikov iyo macallimiinta codka ah ee ka shaqeynayay masraxa ayaa ka caawiyay inay u heesaan qaybaha Jadwiga ee William Tell, Judith ee opera A. Serov, Princess in The Mermaid, Olga ee Eugene Onegin, Konchakovna ee Prince Igor iyo, Ugu dambeyntii, Ratmira ee "Ruslan iyo Lyudmila". Dhageystayaasha baahida Leningrad ee sanadahaas waxay jeclaadeen heesaha da'da yar, kuwaas oo si aan kala go 'lahayn u hagaajiyay xirfadaheeda. Qof kastaa wuxuu si gaar ah u xusuustaa shaqada Evgenia Matveevna ee opera SS Prokofiev The Love for Three Oranges (qayb Clarice). Sannadkii 1937-kii, heesaagu wuxuu ka qaybqaatay tartankii ugu horreeyay ee Leningrad ee waxqabadka ugu wanaagsan ee ay sameeyeen fannaaniinta Soofiyeedka, waxayna heshay horyaalka abaalmarinta tartankan, laba sano ka dib, mar horeba tartanka Vocal All-Union, waxaa la siiyay shahaadada. "Tani, ilaa xad ballaaran, waa mudnaanta macalinkaygii ugu horreeyay, Professor MM Engelkron, oo wax ku bartay koleejka muusiga ee Dnepropetrovsk, ka dibna Kyiv Conservatory," heesaa ayaa dib u xasuusatay. "Waxay ahayd kii igu beeray ixtiraamka shaqada joogtada ah ee maalinlaha ah, taas oo la'aanteed aan la malayn karin inaan horay u sii socdo ama opera ama masraxa riwaayadaha ..."

In 1940, Verbitskaya oo ay la socdaan kooxda Mariinsky Tiyaatarka, ka qayb qaatay tobankii sano ee Leningrad ee Moscow. Waxay ku heesay Vanya gudaha Ivan Susanin iyo Babarikha ee Sheekada Tsar Saltan. Saxaafaddu waxay xustay waxqabadka wanaagsan ee qaybahan. Maamulka Tiyaatarka Bolshoi ayaa ka fiirsanaya.

Intii lagu jiray dagaalkii Great Patriotic Verbitskaya wuxuu u shaqeeyay sidii soloist ee Leningrad Philharmonic, oo ka soo muuqday riwaayadaha, marxaladaha naadiyada shaqada, cutubyada militariga iyo isbitaallada Novosibirsk, halkaas oo Philharmonic markaas ku yaal. In 1948, Verbitskaya lagu martiqaaday tiyaatarka Bolshoi. Marxaladdiisa caanka ah, waxay ku heesaa ku dhawaad ​​​​dhammaan repertoire mezzo-soprano. Evgenia Matveevna waxay samaysay iyada oo ah Princess ee Rusalka, ka dibna waxay heesay qaybta Yegorovna ee Napravnik's Dubrovsky. Guusha cajiibka ah ee fanaanadu waxay ahayd qayb ka mid ah Countess ee Boqorada Spades. Atariishada ayaa si qoto dheer u fahantay oo u gudbisay si guul leh jawiga xun ee ku xeeran kii mar loogu yeeri jiray Versailles "Venus of Moscow." Hibada heerka sare ee E. Verbitskaya ayaa si gaar ah si cad loogu muujiyay goobta caanka ah ee qolka jiifka ee Countess. Evgenia Matveevna wuxuu ku heesay qayb ka mid ah Vanya iyo qaybta yar ee Vlasyevna ee The Maid of Pskov oo leh xirfad dhab ah, oo siinaya muhiimad, waxay u muuqan doontaa, sawirkan sare, oo ku siinaya soo jiidasho dhab ah, gaar ahaan halka sheekada ku saabsan Princess Lada ka dhawaajisay. Dhaleeceynta iyo dadweynaha sanadahaas waxay xuseen waxqabadka wanaagsan ee doorka Nanny ee Eugene Onegin. Sida dib-u-eegayaashu u qoreen: "Dhegeystuhu wuxuu dareemayaa jacaylka taabashada ah ee Tatyana ee haweeneydan fudud oo Ruush ah." Sidoo kale waa wax aan macquul aheyn in la xuso waxqabadka qaybta Verbitskaya ee dumaashida ee NA Rimsky-Korsakov "May Night". Qaybtan, heesaagu waxay muujisay sida ay ugu dhowdahay kaftanka dadweynaha ee casiir leh.

Iyadoo ay weheliso shaqada masraxa opera, Evgenia Matveevna waxay siisay dareen weyn oo ku saabsan waxqabadyada riwaayadaha. Riwaayaddeedu waa mid ballaaran oo kala duwan: laga soo bilaabo waxqabadka Beethoven's Sinth Symphony ee sagaalaad ee uu sameeyay EA Mravinsky, cantatas "On the Kulikovo Field" ee Shaporin iyo "Alexander Nevsky" ee Prokofiev ilaa jacaylka by halabuurayaasha Ruushka. Juqraafiga bandhigyada fannaanka waa mid aad u fiican - waxay u safartay dalka oo dhan. Sanadkii 1946, EM Verbitskaya wuxuu u safray dibadda (Austria iyo Czechoslovakia), isagoo siinaya riwaayado badan oo kali ah.

Sawir qaade iyo sawir qaade EM Verbitskaya:

1. Qaybta soddohda, "May Night" ee NA Rimsky-Korsakov, oo la duubay 1948, heeso iyo orchestra ee Tiyaatarka Tiyaatarka Bolshoi ee uu qabtay V. Nebolsin (oo ay la socdaan S. Lemeshev, V. Borisenko, I. Maslennikova, S. Krasovsky iyo kuwa kale.). (Hadda waxaa lagu sii daayay CD-ga dibedda)
2. Qayb ka mid ah hooyada Xenia, Boris Godunov oo uu qoray MP Mussorgsky, oo la duubay 1949-kii, heeso iyo orchestra ee Tiyaatarka Tiyaatarka Bolshoi oo uu sameeyay N. Golovanov (oo ay la socdaan A. Pirogov, N. Khanaev, G. Nelepp, M. Mikhailov, V. Lubentsov, M. Maksakova, I. Kozlovsky iyo kuwo kale). (Waxa lagu sii daayay CD-ga dibada)
3. Qayb ka mid ah hooyada Xenia, double of "Boris Godunov", oo la duubay 1949 la Mark Reizen (halabuurka waa la mid ah sida kor ku xusan, sidoo kale dibadda lagu sii daayay CD).
4. Qaybta Ratmir, "Ruslan iyo Lyudmila", oo la duubay 1950-kii, heeso iyo orchestra ee Tiyaatarka Bolshoi ee uu sameeyay K. Kondrashin (oo la socda I. Petrov, V. Firsova, V. Gavryushov, G. Nelepp, A. Krivchenya, N) Pokrovskaya, S. Lemeshev iyo kuwo kale). (Waxaa lagu sii daayay CD-ga, oo uu ku jiro Ruushka)
5. Qaybta Babarikha, "Sheekada Tsar Saltan" ee NA Rimsky-Korsakov, oo la duubay 1958, heeso iyo orchestra ee Tiyaatarka Bolshoi ee uu qabtay V. Nebolsin (oo ay la socdaan I. Petrov, E. Smolenskaya, G. Oleinichenko, V. Ivanovsky , P. Chekin, Al. Ivanov, E. Shumilova, L. Nikitina iyo kuwo kale). (Waxaa u dambaysay oo ay Melodiya ku sii daysay diiwaannada gramophone-ka horraantii 80-meeyadii)
6. Qayb ka mid ah hooyada Xenia, Boris Godunov, oo la duubay 1962, heesa iyo orkestra ee Tiyaatarka Bolshoi oo uu sameeyay A. Sh. Melik-Pashaev (oo la socda I. Petrov, G. Shulpin, V. Ivanovsky, I. Arkhipova, E. Kibkalo, A. Geleva, M. Reshetin, A. Grigoriev iyo kuwa kale). (Hadda waxaa lagu sii daayay CD-ga dibedda)
7. Qayb ka mid ah Akhrosimova, "Dagaalka iyo Nabadda" ee S. Prokofiev, oo la duubay 1962, heesa iyo orkester ee Tiyaatarka Bolshoi oo uu qabtay A. Sh. Melik-Pashaev (oo ka kooban G. Vishnevskaya, E. Kibkalo, V. Klepatskaya, V. Petrov, I. Arkhipova, P. Lisitsian, A. Krivchenya, A. Vedernikov iyo kuwa kale). (Hadda waxaa lagu sii daayay CD-ga Ruushka iyo dibadda)
8. Film-opera "Boris Godunov" 1954, doorka Xenia hooyadeed.