Gian Francesco Malipiero |
Isxirbarayaasha

Gian Francesco Malipiero |

Gian Francesco Malipiero

Taariikhda Dhalashada
18.03.1882
Taariikhda dhimashada
01.08.1973
Mihnadda
kombuyuutar
Country
Italy

Gian Francesco Malipiero |

Ka dhashay qoys fannaaniin ah. Laga soo bilaabo da'da 9 wuxuu bartay ciyaarta violin. 1898-99 wuxuu ka qayb galay Conservatory Vienna (cashirada is-waafajinta). Laga soo bilaabo 1899 wuxuu bartay halabuurka iyo la dhaqanka ME Bossi ee Musical Lyceum B. Marcello ee Venice, ka dibna Musical Lyceum ee Bologna (wuxuu ka qalin jabiyay 1904). Si madaxbanaan u bartay shaqada sayidyadii hore ee Talyaani. 1908-09 waxa uu ka qayb galay muxaadaro uu M. Bruch ka jeediyay Berlin. 1921-24 waxa uu wax ka dhigay Conservatory. A. Boito oo ku yaal Parma (aragti muusig), 1932-53 borofisar (fasalka curinta; ilaa 1940 sidoo kale agaasimaha) ee Conservatory. B. Marcello ee Venice. Ardaydiisa waxaa ka mid ah L. Nono, B. Maderna.

Malipiero waa mid ka mid ah halabuurayaashii Talyaani ee ugu weynaa qarnigii 20aad. Waxa uu leeyahay shaqooyin noocyo kala duwan leh. Waxa uu saameyn ku yeeshay Impressionists Faransiis, iyo sidoo kale NA Rimsky-Korsakov. Shaqada Malipiero waxaa lagu kala soocaa dabeecad qaran oo dhalaalaysa (ku tiirsanaanta dadka iyo dhaqamadii hore ee Talyaaniga), iyo isticmaalka baahsan ee hababka muusikada casriga ah. Malipiero waxa uu ka qayb qaatay soo noolaynta muusiga qalabka talyaaniga oo ku salaysan aasaas cusub. Waxa uu diiday horumar mawduuceed joogto ah, isaga oo ka door biday is-barbardhigga mosaic ee qaybaha gaarka ah. Kaliya shaqooyinka qaarkood farsamooyinka dodecaphone ayaa loo isticmaalaa; Malipiero wuxuu ka soo horjeeday qorshayaasha avant-garde. Malipiero waxa uu muhimad wayn ku soo qaatay muujinta laxanka iyo soo bandhigida walaxda, waxa uu ku dadaalay fududaynta iyo dhamaystirka qaabka.

Waxa uu si weyn uga qayb qaatay horumarinta masraxa faneedka Talyaaniga. operas-kiisa tirada badan (in ka badan 30), oo inta badan loo qoray librettos u gaar ah, niyadda xun ayaa jirta.

Tiro ka mid ah shaqooyinka ku salaysan maadooyinka qadiimiga ah (Euripides, W. Shakespeare, C. Goldoni, P. Calderon, iyo kuwa kale), laxamiistaha ayaa ka adkaaday qarsoodinimadiisa. Malipiero sidoo kale wuxuu ahaa cilmi-baare, aqoon-yahan iyo dhiirigeliyaha muusigii hore ee Talyaaniga. Wuxuu madax ka ahaa Machadka Talyaaniga ee Antonio Vivaldi (Siena). Sida ku cad tifaftirayaasha Malipiero, shuqulladii la ururiyey ee C. Monteverdi (vols. 1-16, 1926-42), A. Vivaldi, shuqullada G. Tartini, G. Gabrieli iyo kuwa kale ayaa la daabacay.

MM Yakovlev


Halabuurka:

riwaayado – Canossa (1911, post. 1914, Costanzi Theatre, Rome), Riyada Dayrta Qorrax dhaca (Songo d'un tramonto d'autunno, ka dib G. D'Annunzio, 1914), Orpheid trilogy (Dhimashada maaskaro - La morte delle maschere, Toddoba heeso - Seite canzoni; Orpheus, ama Heesta Sideedaad - Orfeo ovvero l'ottava canzone, 1919-22, post. 1925, Dusseldorf), Filomela oo ay ku xifdisay (Filomela e l'infatuato, 1925, boostada. 1928, Masraxa Jarmal, Prague), Saddexda majaajilada ee Goldoni (Tre commedie Goldoniane: Coffee House - La bottega da caffé, Signor Todero-Bruzga - Sior Todaro brontolon, Chiogin skirmishes - Le baruffe chiozzotte; 1926, Hesse Operat House, Dark Operat), Tartanka (Torneo notturno, 7 nocturnes, 1929, post. 1931, National Theatre, Munich), Venetian mystery trilogy (Il mistero di Venezia: Eagles of Aquile - Le aquile di Aquileia, Lzhearlekin - Il finto Arlecchino, Mark Ravens of St. - I corvi di San Marco, ballet, 1925-29, post. 1932, Coburg), Halyeeyga Wiilka Aasaasay (La favola del figliocombiato, 1933, boostada. 1934, Br aunschweig), Julius Caesar (sida laga soo xigtay W. Shakespeare, 1935, post. 1936, tiyaatarka "Carlo Felice", Genoa), Antony iyo Cleopatra (sida uu Shakespeare, 1938, masraxa "Comunale", Florence), He Ecuba, ka dib Euripides, 1939, post. 1941, masraxa "Opera", Rome), shirkadda Merry (L'alegra brigata, 6 sheeko gaaban, 1943, post. 1950, La Scala Tiyaatarka, Milan), Jannada iyo Caalamka Hellish (Mondi celesti e infernali, 1949, Isbaanish 1950, raadiyaha, boostada. 1961, tiyaatarka "Fenice, Venice), Donna Urraca (ka dib P. Merime, 1954, Tr Donizetti, Bergamo), Captain Siavento (1956, post. 1963, San Carlo Masraxa, Naples), Captive Venus (Venere prigioniera, 1956, post. 1957, Florence), Don Giovanni (4 muuqaalada ka dib Pushkin ee Stone Guest, 1963, Naples), prude Tartuffe (1966), Metamorphoses of Bonaventure (1966), Heroes ee Bonaventure (1968, post. 1969, masraxa "Piccola Scala", Milan), Iscariot (1971) iyo kuwa kale; balastarro - Panthea (1919, post. 1949, Vienna), Masquerade of the Captive Princess (La mascherata delle principesse prigioniere, 1924, Brussels), New World (El mondo novo, 1951), Stradivarius (1958, Dortmund); cantatas, siraha iyo halabuuro kale oo cod iyo qalab ah; Orchestra - 11 symphonies (1933, 1936, 1945, 1946, 1947, 1947, 1948, 1950, 1951, 1967, 1970), aragtiyo ka yimid dabeecadda (Impressionni dal vero, 3 wareegyo, 1910 aamusnaan del silenzio, 1915 wareeg, 1922, 2), Armenia (1917), Passacaglia (1926), Fantasy Maalin kasta (Fantasie di ogni giorno, 1917); Wadahadallada (No 1952, oo leh Manuel de Falla, 1951), iwm.; riwaayado leh orkester - 5 fp. (1934, 1937, 1948, 1950, 1958), ilaa 2 fp. (1957), 2 ee Skr. (1932, 1963), ee wlc. (1937), ee Skr., Vlch. iyo fp. (1938), Kala duwanaansho aan lahayn mawduuc biyaano. (1923); qalabaynta qolka - 7 xadhig. afar-geesood, iwm; qaybo biyaano; jaceylka; muusiga masraxa riwaayadaha iyo shaleemada.

Shaqooyinka suugaanta: Orchestra, Bologna, 1920; Tiyaatarka, Bologna, 1920; Claudio Monteverdi, Mil., 1929; Stravinsky, Venice, [1945]; Cossn wuxuu tagaa adduunka [автобиография], Mil., 1946; Labyrinth-ka is-waafajinta, Mil., 1946; Antonio Vivaldi, [Mil., 1958].

Leave a Reply