Fikirka fanka |

Fikirka fanka, fikradda tilmaamaysa ka go'naanta farshaxanimada ee hab gaar ah oo fikrado ah iyo bulsheed, akhlaaqda iyo bilicda habboon ee u dhigma, qaabka maldahan ee fikradahan fanka. I. xilli kasta waxa loola jeedaa I. horumaray, oo lagu muujiyay jihaynta ruuxiga ah ee farshaxanku u leeyahay bulshooyinka horumarsan. xoog. U hoggaansanaanta fikradaha falcelinta iyo waxqabadka si loo hirgeliyo ayaa liddi ku ah fikirka dhabta ah ee horumarka leh. Fikirka sare waxa kale oo uu ka soo horjeedaa fikrado la'aanta - danayn la'aanta macnaha ruuxiga ah ee bulshooyinka. dhacdo, ka tanaasulida mas'uuliyadda xallinta anshaxa bulshada. dhibaatooyinka.

I. fanku waa halbeeg lagu qiimeeyo fanka. wuxuu ka shaqeeyaa arrimaha bulshada muhiimka ah. Waxay si dabiici ah uga jirtaa nuxurka fanka. shaqeeya, oo ay ku jiraan ballet. I. waxa uu tilmaamayaa mawduuca bulsheed, falsafad, siyaasadeed ama anshaxeed ee mawduuca, bulsho iyo fikradeed. jihada hal-abuurka, runta fanka. fikrado. Fanka fikradu waa shucuur shucuur ah, fikrad guud oo salka ku haysa nuxurka fanka. shaqeeya, oo ay ku jiraan waxqabadka ballet.

I. waxa uu isku muujiyaa fanka ma aha fikir aan la taaban karin, laakiin waxa uu ka muuqdaa jidhka nool ee fanka. image, sida macnaha gudaha ee jilayaasha iyo dhacdooyinka. Xitaa qoob ka ciyaarka guriga ugu fudud (goob kubbadda cagta) waxaa jira fikrad ah quruxda aadanaha. In Nar. qoob ka ciyaarka waxaad ka heli kartaa fikrado la xidhiidha ansixinta Dec. noocyada shaqada iyo sifooyinka qaranka. nolosha. Ballet-ka, farshaxanka choreographic wuxuu u kacaa qaab-dhismeedka fikradaha falsafada-kalsooni iyo bulsheed. Waxqabadku, oo aan macno mabda’ lahayn, waa faaruq iyo macno la’aan. Bandhig faneedkasta oo dhamaystiran, Ph.D. bini'aadantinimo muhim ah. fikradda: gudaha "Giselle" - jacayl go'an, furashada sharka; gudaha "Quruxda hurdada" - guusha wanaagsan ee khiyaanada iyo xoogga madow; in "The Flames of Paris" - guushii kacaanka. dadka ka sarreeya fasallada duugoobay; gudaha "Spartacus" - naxdin leh. Geeridii halgankii guntiga dhiisha iskaga dhigay. farxad iwm.

Farshaxan kasta oo dhab ah ayaa ka jira, I. waxay isu muujisaa ballet si gaar ah. Inkastoo uusan jirin erey ku jira ballet, qoob-ka-cayaarka ayaa muujin kara hadhka noocaas ah ee dawladaha iyo dareenka qofka ee aan la heli karin ereyga. Waxa ay muujisaa fikir isu beddelay dareen, iyo dareen ka buuxo fikir. Fikradda waxay ku dhex jirtaa ballet sidoo kale iyada oo loo marayo macnaha xaaladaha, isku dhacyada, dhacdooyinka choreographic. ficillada. Waa, sida ay ahayd, gabagabada ka soo horjeeda isbarbardhigga, isbarbardhigga, horumarinta iyo horumarinta ficilka, laga soo bilaabo dhammaan qaab-dhismeedka jaantuska ee waxqabadka oo ka kooban macnaheeda gudaha. Dhammaan qaybaha waxqabadku waxay ku xiran yihiin qaabka fikradiisa. Tan dambe waxa kaliya oo shuruudo iyo qiyaas ahaan lagu sheegi karaa qaab kooban oo odhaah ah (tusaale ahaan, guul laga gaadho xumaanta, is-waafajin la’aanta naxdinta leh ee jacaylka iyo xaaladaha nololeed ee arxan-darrada ah, geesinimada ay dadku u leeyihiin iska caabinta cadawga, iwm). Nuxur ahaan, dhammaan buuxnaantiisa gaarka ah ayaa lagu muujiyey choreographic-ga sawirka. waxqabadka guud ahaan. Waddooyinka loo maraa way kala duwan yihiin waxaana lagu sheegi karaa gabayo. dareenka ("Chopiniana", ballet waxaa qoray M. M. Fokin, 1907; "Symphony Classic" ee muusigga S. S. Prokofiev, ballet by K. F. Boyarsky, 1961), sheekada iyo jilayaasha jilayaasha ["Isha Bakhchisarai" (1934) iyo The Bronze Horseman (1949) ballet. R. V. Zakharov], gabayaa. tusaale ahaan - calaamad, shakhsiyad, sarbeeb ("1905" ee muusiga 11-aad ee Shostakovich, ballet by I. D. Belsky, 1966; "Abuuritaanka Adduunka" Petrov, ballet by V. N. Elizariev, 1976), isku-dhafan adag oo isku-dhafan oo isku-dhafan oo dareen-qaadis ah, sheeko-sheeko iyo tusaale-calaamadaha. guud ahaan (Ubax Dhagax, 1957; Spartacus, 1968, ballet by Yu. N. Grigorovich). Ciyaarta The Legend of Love (1961, ballet by Grigorovich), dhacdo kasta waxay hoos timaadaa muujinta fikradda weynaanta qofka naftiisa u muujiya jacayl, naftiisa u huray magaca waajibaadka. Ma aha oo kaliya dhacdooyinka waxqabadka, laakiin sidoo kale choreographic. xal, qoob gaar ah. balaastigga dhammaan qaybaha waxaa loogu talagalay in lagu dhejiyo fikradda dhexe ee shaqada, taas oo ka heleysa choreographic. hilib unug u eg. Farshaxannimada toosan ee rasmiga ah, oo ku baahsan dalal badan oo hanti-wadaag ah. Galbeedka, oo lagu garto fikrado la'aan, madhnaan ruuxi ah, rasmi ah. Owliyo. choreographic fanka I. waa sifo heer sare ah. Waa mid ka mid ah mabaadi'da ugu muhiimsan ee xaqiiqada hantiwadaagga, muujinta xisbinimada fanka. Haddii qarnigii 19-aad ballet, maxkamad xaddidan-aristocratic. bilicda, marka la eego heerkeeda, I. dib u dhac ku yimid fannaanka kale, taasoo keentay dhaleecayn ka timid wakiilada fikradda horumarsan, ka dibna guumaystaha. waqtiga ballet, sida fanka oo dhan, arrimaha guud ee fikirka ayaa la go'aamiyaa. hawlaha ay soo bandhigtay nolosha dadka. By hodannimada iyo qoto dheer ee fikradaha guumaysyada. Ballet waa tallaabo hore loogu qaaday horumarinta qoob-ka-ciyaarka adduunka. Si kastaba ha ahaatee, waxay ka dhigan tahay. fikrado, in kasta oo ay ka dhigan yihiin shuruud qoto dheer oo macno leh ee muuqaalka, laftoodu weli si toos ah uma hubiyaan awoodda saameynteeda. Fanka loo baahan yahay. Iftiiminta qaab-dhismeedka fikradahan, qancinta xalalkooda sawireed ee waafaqsan waxyaabaha gaarka ah ee choreographic.

Marxaladda ugu horreysa ee horumarinta ee guumaysta. choreographers ballet waxay rabeen in ay qeexaan macnaha. bulshooyinka. fikrado ku jira shuruudo, astaan-xumayn. foomamka, taas oo inta badan keentay in ay schematism iyo abstraction (symphony qoob ka ciyaarka "The Greatness of Universe" in music of symphony 4th by L. Beethoven, 1923, "The Red Whirlwind" by Deshevov, 1924, qoob ka ballet FV Lopukhov). 30kii. choreographers waxay gaadheen dhexdhexaad. guulaha laga gaaray habka isku soo dhawaanshaha ballet ee suugaanta iyo riwaayadaha. masraxa, taas oo gacan ka geysatey xoojinta I., fikradahana waxay huwanaayeen hilib iyo dhiig macquul ah. waxqabadka (Isha Bakhchisarai, 1934, ballet by Zakharov; Romeo iyo Juliet, 1940, ballet by Lavrovsky). Laga soo bilaabo con. 50-meeyadii ee ballet-ka owls-ka waxaa ku jiray qaabab choreographical aad u adag. go'aamadii soo koobay guulihii xilliyadii hore oo loo oggolaaday inay muujiyaan macnaha. fikradaha falsafada iyo akhlaaqda ayaa aad u gaar ah. loogu talagalay ballet ee jidka (waxqabadyada Grigorovich, Belsky, OM Vinogradov, ND Kasatkina iyo V. Yu. Vasilev, iwm.). In guumaystaha casriga ah. Ballet waxay isticmaashaa dhammaan noocyada kala duwan ee qaababka qaabaynta. nuxurka fikradeed. Isaga I. lama kala sooci karo farshaxanimada, gaar ahaan. saamaynta choreographic. fanka daawadaha.

Ballet Encyclopedia, SE, 1981