Jean-Alexandre Talazac |

Jean-Alexandre Talazac

Jean-Alexandre Talazac waxa uu ku dhashay Bordeaux 1853. Waxa uu wax ku bartay Conservatory Paris. Waxa uu ka soo muuqday masraxa opera sannadkii 1877-kii ee Masraxa Lyric, kaas oo caan ku ahaa sannadahaas (duulimaadka adduunka ee Faust iyo Romeo iyo Juliet ee Ch. Gounod, The Pearl Seekers iyo The Beauty of Perth by J. Bizet ayaa ka dhacay halkan ). Sannad ka dib, heesaagu wuxuu galaa majaajilada caanka ah ee Opera, halkaas oo xirfaddiisa ay si guul leh u horumarinayso. Agaasimaha masraxa wakhtigaas wuxuu ahaa fannaanka caanka ah iyo masraxa Leon Carvalho (1825-1897), ninkeeda fannaanka caanka ah ee Maria Miolan-Carvalho (1827-1895), oo ah fanaankii ugu horeeyay ee qaybaha Margarita, Juliet iyo a tirada kale. Carvalho "waa dhaqaaqay" (sida aan hadda dhihi karno) kireystaha da'da yar. Sannadkii 1880-kii, Jean-Alexandre waxa uu guursaday heesaagii E. Fauville (oo loo yaqaanay ka qaybqaadashadeedii hore ee fanka adduunka ee Felicien David's opera Lalla Rook, oo wakhtigaas caan ku ahaa). Saddex sano ka dib, saacaddiisii ​​ugu fiicnayd ayaa timid. Waxaa loo xilsaaray doorka Hoffmann ee bandhigga adduunka ee farshaxankan Jacques Offenbach. U diyaar garowga bandhiga ayaa ahaa mid adag. Offenbach waxa uu dhintay Oktoobar 5, 1880, afar bilood ka hor bandhiga (Febraayo 10, 1881). Waxa uu ka tagay oo kaliya clavier ee opera, isaga oo aan haysan waqti uu ku abaabulo. Tan waxaa lagu sameeyay codsi ka yimid qoyska Offenbach oo uu sameeyay curiyaha Ernest Guiraud (1837-1892), oo si fiican loogu yaqaan curinta akhrinta Carmen. Markii ugu horeysay, opera waxaa lagu sameeyay qaab la gooyey, iyada oo aan la helin Juliet, taas oo u muuqatay agaasimayaasha aad u adag marka loo eego riwaayadaha (kaliya barcarolle ayaa la ilaaliyay, taas oo ah sababta ficilka Antonia loo wareejiyay Venice) . Si kastaba ha ahaatee, inkastoo dhammaan dhibaatooyinkaas, guusha ayaa ahayd mid aad u weyn. Heesaaga quruxda badan Adele Isaac (1854-1915), oo soo bandhigay qaybaha Olympia, Antonia iyo Stella, iyo Talazak waxay si cajiib ah ula qabsadeen qaybahooda. Xaaska muusiga Erminia, oo, sida muuqata, ma haysan awood maskaxeed oo ku filan oo ay ku aaddo bandhigga, saaxiibo daacad ah ayaa ka warbixiyay horumarkeeda. Heesta Hoffmann ee “The Legend of Kleinsack”, oo aad muhiim ugu ah hordhaca, waxay ahayd guul weyn, Talazakna mudnaan la taaban karo ayuu ku lahaa tan. Waxaa laga yaabaa in masiirka fannaanka uu si kale isu rogi lahaa haddii opera-du ay isla markiiba socod guul ah ku dhex martay tiyaatarada Yurub. Si kastaba ha ahaatee, duruufo naxdin leh ayaa taas ka hortagay. Diseembar 7, 1881, opera waxaa lagu soo bandhigay Vienna, maalintii xigtay (intii lagu jiray bandhigga labaad) waxaa tiyaatarka ka kacay dab aad u xun, kaas oo ay ku dhinteen dad badan oo daawadayaal ah. "Habaar" ayaa ku dul dhacay masraxa opera-ka oo muddo dheer waxay ka baqayeen inay masraxa ka dhigaan. Laakin shilkii masiiriga ahaa intaas kuma ekaan. Sannadkii 1887-kii, Opera Comic-ka ayaa gubtay. Ma jirin wax khasaare ah oo ka dhashay. Iyo agaasimaha tiyaatarka, L. Carvalho, oo uu uga mahadcelinayo Tales of Hoffmann waxay heleen marxaladda noloshooda, ayaa lagu xukumay.

Laakiin dib ugu noqo Talazak. Guusha Tales ka dib, xirfadiisa ayaa si degdeg ah u horumartay. Sanadkii 1883-kii, bandhiggii adduunka ee Lakme ee L. Delibes (qeybkii Gerald), halkaas oo lammaanaha fannaanka uu ahaa Maria van Zandt (1861-1919). Ugu dambeyntiina, Janaayo 19, 1884, waxaa dhacay bandhigga caanka ah ee Manon, oo ay ku xigto guusha guusha ee opera ee marxaladaha opera ee Yurub (waxaa lagu soo bandhigay Ruushka 1885 ee Tiyaatarka Mariinsky). Labada Heilbronn-Talazak ayaa si caalami ah loo majeertay. Wadashaqeyntooda hal-abuurka ah waxay sii socotay 1885-kii, markii ay ku sameeyeen bandhigga adduunka ee opera Cleopatra's Night ee uu sameeyay laxankii caanka ahaa ee Victor Masset qarnigii 19-aad. Nasiib darro, geeridii hore ee fannaanka ayaa hakad galisay midowgii faneed ee miro dhalka ahaa.

Guulaha Talazak ayaa gacan ka geystay xaqiiqda ah in tiyaatarada ugu weyn ay bilaabeen inay ku martiqaadaan isaga. 1887-89 wuxuu ku soo booqday Monte Carlo, 1887-kii ee Lisbon, 1889 ee Brussels, ugu dambeyntii isla sanadkaas heesaaga wuxuu sameeyay kulankiisii ​​​​ugu horreeyay ee Covent Garden, halkaas oo uu ka heesay qaybaha Alfred ee La traviata, Nadir ee Bizet's The Pearl Seekers, Faust. Waa inaan sidoo kale xusno bandhig kale oo caalami ah - E. Lalo's opera The King from the City of Is (1888, Paris). Horumar muhiim ah oo ka mid ah mihnadda heesaaga waxay ahayd ka qaybqaadashada bandhiga Paris ee "Samson iyo Delilah" ee C. Saint-Saens (1890, doorka lahaanshaha), oo lagu soo bandhigay dalkiisa 13 sano oo keliya ka dib bandhigga adduunka ee Weimar (oo uu sameeyay F. Liszt, Jarmal). Talazak waxa kale oo uu hogaamiyay hawlo riwaayadeed oo firfircoon. Qorshayaal halabuureed oo waaweyn ayuu lahaa. Si kastaba ha ahaatee, geeridii lama filaanka ahayd ee 1896 ayaa hakad galisay xirfadda guusha leh. Jean-Alexandre Talazac ayaa lagu aasay mid ka mid ah xaafadaha magaalada Paris.

E. Tsodokov