Larisa Ivanovna Avdeeva |

Larisa Avdeeva

Wuxuu ku dhashay Moscow, oo ka tirsan qoyska heesaha opera. Aan weli ka fikirin xirfadda opera, waxay hore u soo koray sidii heesaa, dhageysiga heesaha dadweynaha, jaceylka, opera aria ka dhawaajisay guriga. Da'da 11, Larisa Ivanovna waxay ku heesi jirtay kooxda heesaha ee Guriga Waxbarashada Farshaxanka ee Carruurta ee Degmada Rostokinsky, iyada oo qayb ka ah kooxdan waxay xitaa ku samaysay fiidkii galaaska ee Tiyaatarka Bolshoi. Si kastaba ha ahaatee, marka hore, heesaha mustaqbalka ayaa ka fogaaday inuu ku fekero inuu noqdo heesaa xirfadle ah. Ka dib markii uu ka qalin jabiyay dugsiga intii lagu jiray dagaalkii weynaa ee Patriotic, Larisa Ivanovna waxay gashay dhismaha dhismaha. Laakiin ugu dhakhsaha badan waxay ogaatay in xirfadeeda dhabta ah ay weli tahay masraxa muusiga, oo laga bilaabo sanadka labaad ee machadka waxay aadaa Opera iyo Studio Studio. KS Stanislavsky. Halkan, iyada oo ay hogaaminayso macalin khibrad leh oo xasaasi ah Shor-Plotnikova, waxay sii waday waxbarashadeeda muusikada waxayna heshay waxbarasho xirfadeed sida heesaa. Dhammaadkii studio ee 1947, Larisa Ivanovna waxaa loo aqbalay masraxa Stanislavsky iyo Nemirovich-Danchenko. Shaqada masraxaani waxay ahayd mid muhiimad weyn u leh samaynta sawirka hal-abuurka ee heesaha da'da yar. Dabeecadda fekerka leh ee ku wajahan shaqada hal-abuurka ah ee ka dhex jirta masraxa markaas wadajirka ah, halganka ka dhanka ah clichés opera iyo joogtada ah - waxaas oo dhan waxay bareen Larisa Ivanovna inay si madax-bannaan uga shaqeyso sawirka muusikada. Olga ee "Eugene Onegin", Marwada Buurta Copper ee "Ubax Dhagaxa" ee K. Molchanova iyo qaybaha kale ee lagu heeso masraxa ayaa ka marag kacay xirfadda si tartiib tartiib ah u sii kordheysa ee heesaha da'da yar.

Sanadkii 1952, Larisa Ivanovna waxaa la siiyay tiyaatarka Bolshoi ee doorka Olga, ka dib markii ay noqotay soloist ee Bolshoi, halkaas oo ay si joogto ah u qabatay 30 sano. Cod qurux badan oo weyn, dugsi cod wanaagsan, diyaargarow heer sare ah ayaa u oggolaaday Larisa Ivanovna inay gasho riwaayadda ugu weyn ee mezzo-soprano ee masraxa waqti gaaban.

Dhaleeceynta sanadahaas waxay xuseen: "Avdeeva waa mid soo jiidasho leh doorka coquettish iyo cayaaryahan Olga, oo runtii gabay ku leh qaybta suugaanta ee Guga ("The Snow Maiden") iyo doorka naxdinta leh ee Marfa schismatic murugo leh ("Khovanshchina") oo nafteeda ku xukumaysa dhimasho…”

Laakiin weli, qaybaha ugu wanaagsan ee riwaayadaha fannaanka ee sanadahaas waxay ahaayeen Lyubasha ee aroosadda Tsar, Lel ee Snow Maiden iyo Carmen.

Muuqaalka ugu sarreeya ee kartida Avdeeva da'da yar wuxuu ahaa bilawga lyrical. Tani waxay sabab u ahayd dabeecadda codkeeda - iftiin, dhalaal iyo diirran timbre. Heestan ayaa sidoo kale go'aamisay asalka fasiraadda marxaladda qayb gaar ah, oo Larisa Ivanovna ku heesay. Naxdin leh waa qaddarka Lyubasha, oo noqotay dhibane jacaylkeeda Gryaznoy iyo dareenka aargoosiga ee Martha. NA Rimsky-Korsakov wuxuu siiyay Lyubasha dabeecad xoog leh oo xoog leh. Laakiin dabeecadda marxaladda Avdeeva, dhaleeceynta sannadahaas ayaa lagu xusay: "Ugu horreyntii, qofku wuxuu dareemayaa is-xilqaannimada jacaylka Lyubasha, sababtoo ah Gryazny, oo wax walba illoobay -" aabbe iyo hooyo ... qabiilkeeda iyo qoyskeeda ", iyo a Ruush oo qura, dumarnimo soo jiidasho leh oo ku dhex jirta gabadhan jacaylka iyo rafaadsan ee aan dhammaadka lahayn… Codka Avdeeva wuxuu u muuqdaa mid dabiici ah oo muujinaya, isagoo raacaya qalooca laxanka ah ee laxannada aadka loo heeso ee ka jira qaybtan.

Door kale oo xiiso leh oo ay fanaanadu ku guulaysatay bilawga xirfadeeda waxay ahayd Lel. Doorka adhijirka - heesaa iyo jecel qorraxda - Larisa Ivanovna Avdeeva ayaa soo jiidatay dhagaystaha xamaasadda dhalinyarada, farshaxan la'aanta qaybta heesaha oo buuxisa qaybtan cajiibka ah. Sawirka Lelya wuxuu ahaa mid si guul leh u heesaya in inta lagu jiro duubista labaad ee "The Snow Maiden" waxay ahayd iyada oo lagu martiqaaday in ay duubto 1957.

Sannadkii 1953, Larisa Ivanovna waxay ka qayb qaadatay wax soo saarka cusub ee G. Bizet's opera Carmen, waxaana la filayaa inay ku guulaysato. Sida dhaleeceynta muusikada ee sanadahaas ay xuseen, "Carmen" by Avdeeva waa, marka hore, qof dumar ah oo dareenka buuxinaya nolosheeda ay xor ka tahay heshiisyo iyo silsilado kasta. Taasi waa sababta ay tahay mid dabiici ah in Carmen ay si dhakhso ah ugu daashay jacaylka aan jeclayn Jose, taas oo aysan helin farxad iyo farxad midna. Sidaa darteed, muujinta jacaylka Carmen ee Escamillo, atariishada ayaa dareemaya ma aha oo kaliya daacadnimada dareenka, laakiin sidoo kale farxadda xorriyadda. Si buuxda ayaa loo beddelay, Karmen-Avdeeva waxay ka muuqataa xaflad ku taal Seville, faraxsan, xitaa wax yar oo sharaf leh. Iyo dhimashadii Karmen-Avdeeva ma jirto istiqaalad ilaa xad, ama cadaab dilaa ah. way dhimataa, iyada oo ay ka buuxsantay dareen aan is-xilqaan lahayn oo jacayl Escamillo ah.

Sawir qaade iyo sawir qaade LI Avdeeva:

1. Film-opera "Boris Godunov", filim ee 1954, L. Avdeeva - Marina Mnishek (doorarka kale - A. Pirogov, M. Mikhailov, N. Khanaev, G. Nelepp, I. Kozlovsky, iwm.)
2. Duubista "Eugene Onegin" ee 1955, oo ay sameeyeen B. Khaikin, L. Avdeev - Olga (lammaanahaaga - E. Belov, S. Lemeshev, G. Vishnevskaya, I. Petrov iyo kuwa kale). Hadda, CD-ga waxaa soo saaray shirkado badan oo gudaha iyo dibadda ah..
3. Duubista "The Snow Maiden" ee 1957, oo uu sameeyay E. Svetlanov, L. Avdeev
4. Lel (lamaanayaasha - V. Firsova, V. Borisenko, A. Krivchenya, G. Vishnevskaya, Yu. Galkin, I. Kozlovsky iyo kuwa kale).
5. CD-ga shirkadda Maraykanka ee "Allegro" - duubista (nool) ee 1966 ee opera "Sadko" oo ay sameeyeen E. Svetlanov, L. Avdeev - Lyubava (lamaanayaasha - V. Petrov, V. Firsova iyo kuwa kale).
6. Duubista "Eugene Onegin" ee 1978, oo ay sameeyeen M. Ermler, L. Avdeev - Nanny (lammaanaha - T. Milashkina, T. Sinyavskaya, Y. Mazurok, V. Atlantov, E. Nesterenko, iwm).