Margarita Alekseevna Fedorova |
biyaano

Margarita Alekseevna Fedorova |

Margarita Fedorova

Taariikhda Dhalashada
04.11.1927
Taariikhda dhimashada
14.08.2016
Mihnadda
biyaano, macalin
Country
Ruushka, USSR

Margarita Alekseevna Fedorova |

Sannadkii 1972-kii, sannad-guuradii 100-aad ee dhalashada Scriabin ayaa loo dabaaldegay. Munaasabado farshaxan oo badan oo loo qoondeeyay taariikhdan, dareenka dadka jecel muusikada ayaa soo jiitay wareegga habeenkii ee Scriabin ee Hoolka Yar ee Moscow Conservatory. Lix barnaamij oo aad u daran, Margarita Fedorova waxay samaysay dhammaan (!) Halabuurka muusigga Ruushka ee cajiibka ah. Shaqooyinka dhifka ah ee ka soo muuqda riwaayadaha riwaayadaha ayaa sidoo kale lagu qabtay halkan - in ka badan 200 oo cinwaan! Marka la eego wareeggan, IF Belza wuxuu ku qoray wargeyska Pravda: "Xusuus dhab ah oo cajiib ah, farsamo aan fiicneyn, farsamo si buuxda loo horumariyey iyo farshaxan farshaxan oo qarsoodi ah ayaa ka caawiyay inay fahamto oo ay gudbiso sharafnimada, qaninimada shucuurta ee shaqada Scriabin, iyo isla waqtiga kakanaanta raadinta iyo asalka, si ay u kala soocaan taariikhda fanka muusikada. Waxqabadka Margarita Fedorova ayaa ka marag kacaya kaliya maahan farshaxanimada sare, laakiin sidoo kale caqli-galnimada qoto dheer, taas oo u ogolaatay pianist-ka inuu muujiyo kala duwanaanshaha fannaaniinta cajiibka ah…”. Margarita Fedorova waxay muujinaysaa dhammaan tayada lagu xusay by musicologists Soviet caanka ah ee wareegyada kale.

Farshaxanku wuxuu sidoo kale fiiro gaar ah u leeyahay shaqada Bach: riwaayadeeda waxaa ka mid ah dhammaan riwaayadaha muusiga ee muusiga, waxayna sidoo kale ku qabataa shaqadiisa harpsichord. "Waxaan xiiseeyey harpsichord," ayay tiri Fedorova, "waqti dheer ka hor, markii aan ka qaybqaatay tartanka Bach iyo dabbaaldegyada Leipzig. Waxay u muuqatay mid xiiso leh oo ka badan dhawaaqa dabiiciga ah ee shaqooyinka waaweyn ee asalka ah. Waxaan bilaabay inaan naftayda u barto qalab cusub, oo tan iyo markii aan bartay, waxaan ku ciyaaraa muusigga JS Bach oo keliya harpsichord. Durba fiidnimadii ugu horeysay ee aktarada ee xilkan cusub waxay kicisay jawaabo wanaagsan. Haddaba, A. Maykapar waxa ay xustay miisaanka ciyaarteeda, caddaynta qorshaha fulinta, sawirka cad ee xadhkaha codka badan leh. Beethoven si weyn ugama muuqan barnaamijyadeeda - dhammaan sonatasyada iyo dhammaan riwaayadaha piano! Isla mar ahaantaana, waxay u keentaa dareenka dhageystayaasha marar dhif ah ayay sameeyeen shaqada Beethoven, tusaale ahaan, Toban Kala duwanaansho oo ku saabsan mawduuca duet "La stessa, la stessima" ee Salieri's opera "Falstaff". rabitaanka dhismaha mawduucyada barnaamijyada ("Piano Fantasies", "Variations"), oo loogu talagalay bandhigga hal-abuurka ah ee shaqada laxamiistaha ("Schubert", "Chopin", "Prokofiev", "Liszt", "Schumann") iyo qorayaasha Soofiyeedka guud ahaan waa mid ka mid ah sifooyinka gaarka ah ee muuqaalka farshaxanka ee Fedorova. Sidaa darteed, wareegga saddexda riwaayadood ee "Ruushka iyo Soofiyeedka Piano Sonata", oo ay ku jiraan shaqooyinka waaweyn ee P. Tchaikovsky, A. Scriabin, N. Medtner, N. Myaskovsky, S. Prokofiev, Academy of Sciences, ayaa noqday dhacdo la taaban karo. Alexandrov, D. Shostakovich, A. Khachaturian, D. Kablevsky, G. Galynin, N. Peiko, A. Laputin, E. Golubev, A. Babadzhanyan, A. Nemtin, K. Volkov.

Xiisaha hal-abuurka muusiga Soofiyeedka ayaa had iyo jeer ahaa dabeecadda pianist-ga. Magacyada la xusay waxaa lagu dari karaa magacyada halabuurayaasha Soofiyeedka sida G. Sviridov, O. Taktakishvili, Ya. Ivanov, iyo kuwa kale oo inta badan ka muuqda barnaamijyadeeda.

Si kastaba ha ahaatee, shaqada Scriabin waxay si gaar ah ugu dhowdahay piano-ga. Waxay xiisaynaysay muusigiisa xitaa wakhtiga ay arday ka ahayd konserfatifka Moscow ee fasalka GG Neuhaus (waxay ka qalin jabisay 1951 waxayna wax ku baratay dugsiga sare ilaa 1955). Si kastaba ha ahaatee, marxaladaha kala duwan ee jidka hal-abuurka ah, Fedorova, sida ay ahayd, waxay u beddeshaa dareenkeeda hal ama qalab kale oo qalab ah. Marka la eego, guulaheeda tartanka ayaa sidoo kale tilmaamaya. Tartanka Bach ee Leipzig (1950, abaalmarinta labaad), waxay muujisay faham aad u wanaagsan oo ku saabsan qaabka polyphonic. Sannad ka dib waxay noqotay abaalmarinta Smetana Competition ee Prague (abaalmarinta labaad) iyo tan iyo markaas qayb weyn oo ka mid ah barnaamijyada riwaayadeeda waxaa iska leh muusikada muusikada Slavic. Shaqooyin badan oo uu sameeyay Chopin ka sokow, riwaayadda pianist-ka waxaa ka mid ah qaybo ka mid ah Smetana, Oginsky, F. Lessel, K. Shimanovsky, M. Shimanovskaya, waxay si joogto ah u ciyaartaa hawlwadeennada Ruushka ah, oo ay ugu horreeyaan Tchaikovsky iyo Rachmaninoff. La yaab ma leh LM Zhivov wuxuu ku xusay mid ka mid ah dib u eegistiisa in "waa halabuurka si dhow ula xiriira caadooyinka suugaanta piano ee Ruushka kuwaas oo hela qaabka ugu firfircoon, dareenka dareenka ee fasiraadda Fedorova."

Grigoriev L., Platek Ya., 1990

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