Marianna Pizzolato |

Marianna Pizzolato

Kuwa jecel muusikada Gioachino Rossini oo inta badan booqda Bandhiga Rossini ee Pesaro waxay si fiican u yaqaanaan Marianna Pizzolato, mezzo-soprano oo ka socda Sicily. Waxay weli u tagtaa "dhallinyarada", in kasta oo ay ku faantaa rikoodh adag: waxay ka kooban tahay kuwa ugu caansan iyo kuwa jecel doorarka dadweynaha ee Rossini, sida Tancred, Talyaaniga ee Algiers, Cinderella, Barber of Seville. Waxa kale oo jira naadir: "Hermione", "Zelmira", "Journey to Reims".

Marianna waa hilibka hilibka kulul ee Sicilian, jacaylka ay had iyo jeer xoogga saarto. Awooweyaasheeda hooyadeed waxay la xiriiraan muusikada, waxay sameeyeen qalab, laakiin ma jiraan fannaaniin xirfad leh oo qoyskeeda ah. Waxay ku kortay magaalada yar ee Chiusa Sclafani oo ku taal gobolka Palermo (in ka badan 21 qof) waxayna ku heesi jirtay hobolada maxalliga ah ee loogu magac daray Matteo Sclafani, tirinta dhexe ee aasaastay magaalada lafteeda. Waxay heshay macalin wanaagsan, Claudia Carbi: Marianne waxay sheegtay inay ahayd iyada oo siisay dugsi aasaasi ah, "ka soo saartay" waxa ku jira codkeeda, baray sida loo neefsado si sax ah, sida loo isticmaalo diaphragm. Waxa kale oo ay caawisay in la ogaado waxa damiirka faneed iyo masuuliyaddu yihiin. Marianna waxay heshay shahaadadeeda heesaa ahaan Palermo Conservatory ee fasalka Elvira Italiano. Wax yar ka dib markii ay ka qalin jabisay konserfatifka, waxay ogaatay in xaflad lagu qabanqaabinayo Piacenza, ujeeddadeeduna ahayd in la doorto fannaaniinta soo saarista Rossini's Tancred. Tani waa sida ay wax walba ku bilowdeen: Marianne waxaa loo doortay doorka ugu muhiimsan! Soddon cod-yaqaanno ah ayaa ka qaybqaatay bandhigga, iyo Sicilian da'da yar wuxuu ahaa lambarka siddeed iyo labaatanka liiska. Markaa, ka hor intaanay gelin maxkamadda komishanka, oo guddoomiyahoodu ahaa Enzo Dara, waxay dhegeysatay dhammaan tartamayaasha. Kadibna waxay timid dhalashada rasmiga ah ee fannaanka Marianna Pizzolato: December 2002, XNUMX, waxay ka dhigtay iyada ugu horeysay doorka ugu adag ee Tancred ee Piacenza.

Wixii markaas ka dambeeyay, shaqadeeda si xawli ah ayay u bilaabatay. Marianna ma aha mid ka mid ah kuwa halkaas ku hakaday: waxay qaadatay koorsada heesaha qolka Nuremberg waxayna fursad u heshay inay ka shaqeyso riwaayad Rossini ah oo leh kiraystaha caanka ah ee Raul Jimenez. Markii ugu horeysay ee doorka Tancred waxaa raacay doorarka Cimarosa's Desperate Husband ee Caserta, ee Vivaldi's Rosemir ee aan aaminka ahayn ee Rome, Handel's Xerxes ee Paris, Cavalli's Love of Apollo iyo Daphne ee La Coruña.

Marianna waxay dooratay muusiga baroque, muusiga qarnigii siddeed iyo tobnaad iyo rosini repertoire oo ah goobta adeegsiga kartideeda. Waxay leedahay mezzo-soprano qurux badan, qoto dheer, diirran oo leh coloratura: Ilaah qudhiisa ayaa ku amray inay ka farxiso daawadayaasha doorka Isabella iyo Rosina. Markii ugu horeysay ee Bandhiga Rossini ee Pesaro ma ahayn mid aad u dheer: markii ugu horeysay, heesaha Sicily ayaa ka soo muuqday 2003 sida Marquise Melibea ee Journey to Reims. Kaliya hal sano ka dib, dadwaynuhu waxay heleen fursad ay ku dhagaystaan ​​iyada oo ku sugan mid ka mid ah qaybaha xurmada leh ee Rossini, Tancrede. Sannadkii 2006, Marianna waxay ku heesay Isabella ee Gabadha Talyaaniga ah ee Algiers oo uu hagayo Dario Fo iyo hoosteeda usha Donato Renzetti (Lindoro waxay ahayd Maxim Mironov), 2008-dii waxay heshay guul weyn oo shaqsiyadeed iyada oo tarjumaaddeeda doorka Andromache ee dhif ah wuxuu sameeyay opera Hermione”. ROF-gii ugu dambeeyay, waxay ku bedeshay Kate Aldrich Cinderella.

Kuwa jecel muusiga ee Bologna iyo Zurich (Rosina), ee Bad Vilbad (Isabella ee "Gabadha Talyaaniga ee Algiers" iyo Malcolm ee "Lady of the Lake") Rome (Tancred) waxay fursad u heshay inay ku raaxaystaan ​​tafsiirkeeda doorarka operas Rossini . Waxay sidoo kale ku heesi jirtay Isabella gudaha Bologna, Klagenfurt, Zurich iyo Naples, Cinderella ee A Coruña, Pamplona iyo Cardiff, Rosina ee Liege. Iyo meel kasta oo heesaha da'da yar uu ku faani karo wadashaqeynta la-hawlgalayaasha wanaagsan: way adagtahay in laga hadlo kuwa waaweyn waqtigeena, laakiin kiiskeeda waxay had iyo jeer yihiin kuwa ugu fiican "suuqa" maanta: halyeey Nello Santi, Daniele Gatti, Carlo Rizzi , Roberto Abbado, Michele Mariotti. Waxay ku hoos heesaysay Riccardo Muti. Alberto Zedda waxay ku jirtaa meel gaar ah fankeeda, wadnaha iyo xirfadeeda, mana noqon karto si kale: magaca Maestro ayaa si sax ah ula xiriira dad badan oo leh fikradda tusaale ahaan marka ay timaado muusikada Rossini.

Marianna nafteeda ma aha oo kaliya in ay xirfadeeda masraxa. Waxay ku heesi badan tahay qolka iyo muusiga kaniisadda, iyadoo si firfircoon u duubeysa CD-yada. Kuwa aan maqlin Marianna Pizzolato "nool" waxay si fudud u buuxin karaan farqigan. Waxay duubtay Cherubini's Solemn Mass, Handel's Fernando, King of Castile, Vivaldi's aamin-darrada Rosemira iyo Roland Feigning Madness, Cavalli's The Love of Apollo iyo Daphne, Monteverdi's The Coronation of Poppea, Cimarosa's Desperate Husband, "Ascanio ee Albatalio in Algiers" iyo "Hermione", "Linda di Chamouni" ee Donizetti (qayb ka mid ah Pierotto).

Marianna Pizzolato waa qof firfircoon, soo jiidasho leh. Laga yaaba in aan lagu siin jacayl dhalaalaya oo aan la ilaawi karin: si kastaba ha ahaatee, wali waxay haysataa wakhti ay ku horumariso awooddeeda oo ay khibrad u hesho. ROF-gii ugu dambeeyay, waxay muujisay Cinderella oo aad u taabatay, in kasta oo dhaleeceeyayaashu ay isku khilaafeen codkeeda. Muuqaalkeeda aadka u buuran ayaa kharribay kiiska: marxaladda casriga ah waxaa ka buuxa fannaaniin khafiif ah oo soo jiidasho leh. Dalka Talyaaniga, guusheeda waxaa laga yaabaa inay caqabad ku noqoto sawirka Daniela Barcellona, ​​oo ka soo baxda door la mid ah iyada, heesaa aad u wanaagsan, khibrad badan iyo "buuniyey", oo aad caan u ah dadweynaha oo si joogto ah u hesha buundooyin sare. ka dhaleecayn. Nasiib wacan, Marianne!