Dhalashada |
Fikrad bilicsan oo tilmaamaysa xidhiidhka fanka ee dadka, shuruuda hal-abuurka faneed ee nolosha, halganka, fikradaha, dareenka iyo rabitaanka dadka. tiro badan, muujinta farshaxanka cilmi nafsiga, danaha iyo fikradaha. N. waa mabda'a ugu muhiimsan ee xaqiiqada hantiwadaagga. Nuxurkeeda waxa habeeyey VI Lenin: “Fanka waxaa iska leh dadka. Waa in ay xididada ugu qotomaan gunta hoose ee tirada badan ee shaqada. Waa in ay fahmaan shacabkan oo ay jecel yihiin. Waa inay midaysaa dareenka, fikirka iyo rabitaanka shacabkan, kor u qaaddo. Waa in ay kicisaa fannaaniinta dhexdooda oo ay horumariso” (Zetkin K., Memories of Lenin, 1959, p. 11). Qodobadan, kuwaas oo go'aaminaya siyaasadda Shuuciga. dhinacyada fanka, tixraac dhammaan noocyada fanka. hal-abuurka, oo ay ku jiraan choreography.
Ballet, N. waxaa lagu muujiyay siyaabo badan: runta iyo dabeecadda horumarka ee fikradda, abuurista choreographic. sawirada dadka iyo dadka. geesiyaal, oo la xidhiidha sawirada ballet ee gabayada dadweynaha. hal-abuurnimo, nar aad loo isticmaalo. qoob-ka-cayaarka ama kobcinta qoob-ka-ciyaarka qadiimiga ah ee leh canaasiirta dadwaynaha, helitaan iyo nat. asalka ah ee shuqullada choreographic.
Inkasta oo ballet-ka uu kacay oo uu horumariyay wakhti dheer oo ku dhex jira qaabka maxkamada-aristocratic. masraxa, wuxuu la xiriiri jiray Nar. asalka qoob-ka-ciyaarka, gaar ahaan la xoojiyay xilligii fanka fanka ballet-ka. In taariikhda ballet, N. waxaa lagu muujiyay qaab fikrado muhiimad caalami ah (guusha wanaagsan ee xumaanta, adkeysi iyo daacadnimo waajib ku ah tijaabooyinka, dhimashada naxdinta leh ee jacaylka xaaladaha nololeed ee naxariistarada ah, riyo qurux badan iyo duni kaamil ah, iwm), in hirgelinta sawirada a fabul, folk -poetic. fantasiyo, ee abuurista masraxa. fursadaha nar. qoob ka ciyaar, iwm.
Guumaystaha Ballet-ka, muhiimadda N. ayaa kordhay; Bilawgiiba, waxaa jiray rabitaan lagu muujinayo kacaanka. fikradaha iyo aragtida dadka. nolosha. Kacaankii Hantiwadaaga Oktoobar ee weynaa ka dib, ballet, sida dhammaan noocyada farshaxanka, ayaa noqday mid ay dadku heli karaan. Dabeecad cusub oo dimuqraadi ah ayaa timid tiyaatarka ballet. daawade. Isagoo ka jawaabaya codsiyadiisa iyo dalabaadkiisa, jaantusyada riwaayada waxay damceen inay aqoonsadaan Nar run ahaantii. content ee dhaxalka classic, abuurista bandhigyo cusub, ka tarjumaysa Nar. nolosha. N. ayaa lagu muujiyay rafcaanka guusha leh ee guumaystaha. ballet mawduuca casriga ah (The Red Poppy, ballet ee LA Lashchilin iyo VD Tikhomirov, 1927; Petrov's Shore of Hope, ballet by ID Belsky, 1959; Goryanka by Kazhlaev, ballet by OM Vinogradov, 1967; Eshpay's Angara, qoob ka ciyaarka ballet Yu. (The Flames of Paris, ballet by VI Vainonen, 1976; The Fountain of Bakhchisarai, ballet by RV Zakharov, 1932; Laurencia, 1934, La Gorda, 1939, ballet by VM Chabukiani, "Ivan the Terrible" in music by SS Prokofiev, ballet Grigorovich, 1949, iwm.), horumarinta fanka qoob ka ciyaarka ee Nar. iyo horumarinta noocyada kala duwan ee ay isku darka prof. fanka iyo fulinta ee qoob qadiimiga ah (gaar ahaan in bandhigyada Vainonen, Chabukiani, Grigorovich, iwm. ).
Alaabooyinka Choreographic, oo lagu garto N., waxay muujinayaan ruuxa iyo nafta dadka iyaga u dhashay, waxay wataan sifooyinka nat. waxyaabaha u gaarka ah noloshiisa. Sidaa darteed, waxay yihiin kuwo la fahmi karo oo la heli karo daawadayaasha ugu ballaaran, waxay ku guuleystaan aqoonsigiisa iyo jacaylkiisa. Mid ka mid ah sifooyinka N. art waa u gelitaankeeda tirada badan ee shaqada. Si ka duwan fanka bourgeois-ka caanka ah, oo loogu talagalay dhowr door ah, guumaystaha. Ballet waxaa loola jeedaa dadka oo dhan, muujinaya rabitaankooda iyo danahooda, ka qayb qaadashada samaynta adduunkooda ruuxiga ah iyo akhlaaqda iyo quruxda. fikradaha.
Ballet Encyclopedia, SE, 1981
