Polymetry |
Shuruudaha Muusiga

Polymetry |

Qaybaha qaamuuska
shuruudaha iyo fikradaha

laga bilaabo polus Giriigga - badan iyo metron - cabbir

Isku xirka laba ama saddex mitir oo isku mid ah, mid ka mid ah noocyada ugu caansan ee ururinta polyrhythm.

P. waxa lagu gartaa is-waafajinta mitirka. lahjadaha ee codadka kala duwan. P. waxa uu samayn karaa codad, kaas oo cabbirkiisu aanu isbeddelin ama is bedbeddela, iyo kala duwanaanshiyaha aan had iyo jeer lagu tilmaamin qoraallada waraaqaha. calaamadaha dhijitaalka ah.

Tibaaxaha ugu yaabka badan ee P. waa isku darka furfurnaanta. mitirka oo dhan Op. ama qayb weyn oo ka mid ah. P. noocan oo kale ah ayaa la kulma naadir; tusaale si fiican loo yaqaan waa goobta kubbadda ee Mozart's Don Giovanni oo leh bar-tilmaameedka saddexda qoob-ka-ciyaarka ee 3/4, 2/4, 3/8 saxiixyada waqtiga.

Polymetric gaaban oo caadi ah. Dhacdooyinka dhacaya waqtiyo aan degganayn oo qadiimiga ah. foomamka, gaar ahaan ka hor cadences; sida walxaha ciyaarta, waxay ku jiraan xaaladaha qaarkood ee loo isticmaalo scherzo, halkaas oo ay ka samaysan yihiin inta badan iyadoo lagu saleynayo saamiga hemiola (eeg tusaale qaybta 2aad ee rubuc 2aad ee AP Borodin).

Nooc gaar ah waa dhiirigelinta P., mid ka mid ah aasaaska halabuurka IF Stravinsky. P. ee Stravinsky inta badan waxay leedahay laba ama saddex lakab, mid walbana waxaa lagu qeexay dhererka iyo qaab dhismeedka ujeeddada. Xaaladaha caadiga ah, mid ka mid ah codadka (bass) ayaa si laxan leh, dhererka ujeeddada ku jirta waxba iska beddelin, halka codadka kale ay isbeddelaan; xariiqda bar waxa loo dejiyay in ay la mid noqoto dhammaan codadka (eeg tusaale ka soo jeeda goobta 1-aad ee "Sheekada Askariga" HADDII Stravinsky).

AP Borodin. Afarta 2aad, qaybta II.

HADDII Stravinsky. "Sheekada Askariga", muuqaalka I.

V. Ya Kholopova

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