Polyladovost |
Shuruudaha Muusiga

Polyladovost |

Qaybaha qaamuuska
shuruudaha iyo fikradaha

laga bilaabo polus Giriigga - badan iyo wada noolaanshaha

Qaab adag oo isku daraya walxo habab kala duwan leh oo leh hal tonic. Isla mar ahaantaana codka canaasiirta habab kala duwan waxay abuurtaa saameyn midabyo badan oo gaar ah P.

SS Prokofiev. "Betrothal in a monastery", dhamaadka sawirka 2aad.

Saamayntan waxaa inta badan loogu dhawaaqaa tonic dhawaaqa, laakiin sidoo kale waxaa lagu gaari karaa tonic yar oo qeexan, haddii miisaanka qaabdhismeedka isku dhafan la qeexay (tusaale, diatonic):

HADDII Stravinsky. "The Rite of Spring", "Ciyaarta Labada Magaalo".

P. waxay la xiriirtaa kala duwanaanshiyaha-chromatic-variant ee tillaabooyinka ku jira frets Ruush. nar. muusig ("tallaabooyin la beddelay" oo leh "chromatism meel fog", AD Kastalsky); isku darka iyaga oo ku dhex jira qaab-dhismeed isku mid ah waxay abuurtaa suurtogalnimada dhawaaqa isku mar ah. Kacaannada Polymodal ayaa mararka qaarkood laga helaa dhexda dhexe iyo Renaissance polyphony (G. de Machaux), oo u muuqda inay hoos yimaadaan saamaynta horumarinta chromatism (modal two-lakab, eeg Polytonality; musica ficta iyo musica falsa). Ka saar muunad P. Dabaqa 1aad. Qarnigii 16-aad - "Dansiga Yuhuudda" ee X. Neusiedler (badanaa waxaa lagu soo qaatay tusaale ahaan polytonality), halkaas oo P. dhabta ah loo isticmaalo sida gaar ah. sheegi doonaa. macneheedu waa (modal foundations e, h, dis):

Waayihii Baroque iyo Classico-Romantic. Xiliga P. ayaa marmar soo baxa hl. arr. sababtoo ah isku dhafka noocyada isku midka ah (tusaale ahaan, laxanka, noocyada dabiiciga ah iyo kuwa harmonic ee yaryar; JS Bach ee qaybta 2aad ee "Concerto Talyaani" iyo kuwa kale). P. waa mid meel walba ku yaal muusiga qarnigii 20aad. waa dabiici. qaabka shaqada ee nidaamka modal-chromatic.

Tixraacyo: Kholopov Yu. N., On sifooyinka casriga ah ee is-waafajinta S. Prokofiev, ee Sat.: Tilmaamaha S. Prokofiev's style, M., 1962; isaga, On saddex nidaamka qalaad ee wada noolaanshaha, ee Sat: Music iyo Modernity, vol. 4, M., 1966; Tyulin Yu. N., Is-waafajinta casriga ah iyo asalkeeda taariikheed, ee: Su'aalaha muusiga casriga ah, L., 1963, gudaha: Dhibaatooyinka aragtida muusikada ee qarnigii XX, vol. 1, M., 1967; Dyachkova LS, Polytonality ee shaqada Stravinsky, gudaha: Su'aalaha Aragtida Muusikada, vol. 2, M., 1970; Koptev SV, Ku saabsan ifafaalaha hal-abuurnimada, hal-abuurnimada iyo hal-abuurka badan ee farshaxanka dadweynaha, ururinta: Dhibaatooyinka is-waafajinta, M., 1972; Rivano IG, Akhristaha is waafaqaya, qaybta 4, M., 1973, ch. kow iyo toban; Vyantskus AA, samaynta Fret. Polymodality iyo polytonality, gudaha: Dhibaatooyinka Sayniska Muusiga, vol. 11, M., 2.

Yu. Haa Kholopov

Leave a Reply