Pyotr Ivanovich Slovtsov (Pyotr Slovtsov) |
Fanaaniinta

Pyotr Ivanovich Slovtsov (Pyotr Slovtsov) |

Pyotr Slovtsov

Taariikhda Dhalashada
30.06.1886
Taariikhda dhimashada
24.02.1934
Mihnadda
Fanaanada
Nooca codka
tenor
Country
Ruushka, USSR

Pyotr Ivanovich Slovtsov (Pyotr Slovtsov) |

Carruurnimo. Sanado waxbarasho.

Fannaanka cajiibka ah ee Ruushka Pyotr Ivanovich Slovtsov wuxuu ku dhashay July 12 (30-kii Juun ee qaabkii hore) 1886 tuulada Ustyansky, degmada Kansky, gobolka Yenisei, ee qoyska kaniisadda kaniisadda.

In caruurnimada hore, da'da 1,5 sano, wuxuu waayay aabbihiis. Markii Petya uu ahaa 5 sano jir, hooyadeed waxay u guurtay Krasnoyarsk, halkaas oo Slovtsov yar uu ku qaatay caruurnimadiisa iyo dhallinyaradiisa.

Sida laga soo xigtay dhaqanka qoyska, wiilka ayaa loo diray inuu wax ka barto dugsiga fiqiga, ka dibna siminaarka fiqiga (hadda dhismaha cisbitaalka milatariga), halkaas oo macalinkiisa muusiga uu ahaa PI Ivanov-Radkevich (kadibna borofisar ka ah Conservatory Moscow). ). Xataa caruurnimadiisii, saddexleyda qalinka ah ee wiilka ayaa soo jiitay dareenka qof kasta oo ku xeeran quruxdiisa iyo baaxadiisa ballaaran.

Dugsiga iyo seminaarka, dareenka gaarka ah ayaa la siiyay heesaha, Pyotr Slovtsov ayaa heesay wax badan oo ka mid ah heesaha. Codkiisa ayaa si muuqata uga dhex muuqday codadka siminaarrada, waxaana la bilaabay bandhig faneedyo isaga lagu aaminay.

Qof kasta oo dhegaystay isaga ayaa sheegay in xirfad farshaxan oo cajiib ah uu sugayay fannaanka da'da yar iyo, haddii codka Slovtsov si sax ah loo dhigo, mustaqbalka wuxuu qaadan karaa booska hormuudka heesaha ee marxalad kasta oo weyn.

Sanadkii 1909, Slovtsov da'da yar ayaa ka qalin jabiyay seminaarka fiqiga, isaga oo ka tagay shaqadiisa qoyska sida wadaadnimada, wuxuu galay kulliyadda sharciga ee Jaamacadda Warsaw. Laakiin lix bilood ka dib, soo jiidashada muusikada ayaa u horseedaysa Moscow Conservatory, oo uu galo fasalka Professor I.Ya.Gordi.

Ka dib markii uu ka qalin jabiyay konserfatifka 1912, Slovtsov wuxuu noqday soloist ee Tiyaatarka Opera Kyiv. Cod cajiib ah - heeso heeso ah, jilicsan oo sharaf leh timbre, dhaqan sare, daacadnimo weyn iyo muujinta waxqabadka, si dhakhso ah ayuu u keenay heesaha da'da yar jacaylka dhagaystayaasha.

Bilowga waxqabadka hal-abuurka.

Horeba bilawga xirfadiisa faneed, Slovtsov wuxuu ku soo bandhigay opera ballaaran iyo riwaayad qolka, oo lagu duubay diiwaanka shirkado badan. Sannadahaas, kireysteyaal badan oo heerka koowaad ah ayaa ku heesay masraxa opera ee Ruushka: L. Sobinov, D. Smirnov, A. Davydov, A. Labinsky iyo tiro kale oo badan. Slovtsov Young ayaa isla markiiba galay galaxyada cajiib ah ee fanaaniinta sida siman.

Laakiin tani waa in lagu daraa in dhagaystayaal badan oo wakhtigaas ah ay isku raaceen fikrad la mid ah in Slovtsov uu lahaa cod dhif ah oo aan caadi ahayn oo tayo leh, oo ay adag tahay in la qeexo. Tenor heeso ah, timbre salaaxaya, aan la taaban, cusub, xoog gaar ah oo leh cod macaan, wuxuu addoonsaday oo ka adkaaday dhegaystayaashii wax walba ilaaway oo si buuxda ugu jira awoodda codkan.

Baaxadda baaxadda iyo neefsashada cajiibka ah waxay u oggolaaneysaa heesaaga in uu siiyo codka oo dhan hoolka masraxa, waxba ma qarinayo, waxba ma qarinayo meel qaldan oo neefsashada ah.

Sida laga soo xigtay qaar badan oo ka mid ah dib-u-eegayaasha, codka Slovtsov wuxuu la xiriiraa Sobinovsky, laakiin xoogaa ballaaran oo xitaa diiran. Si sahlan loo siman yahay, Slovtsov wuxuu sameeyay Lensky's aria iyo Alyosha Popovich's aria oo ka yimid Grechaninov's Dobrynya Nikitich, kaas oo kaliya lagu samayn karo kirayste heersare ah.

Pyotr Ivanovich's asxaabtiisu waxay inta badan ku doodeen noocyada noocyada Slovtsov ee ku fiicnaa: muusikada qolka ama opera. Oo inta badan ma ay iman karin in la isku raacsan yahay, tan iyo mid kasta oo iyaga ka mid ah Slovtsov ahaa sayid weyn.

Laakin kan loo jecelyahay marxalada nolosha waxa lagu gartaa xishood aan caadi ahayn, naxariis iyo kibir aan caadi ahayn. Sanadkii 1915, heesaa ayaa lagu martiqaaday kooxda Petrograd House House. Halkan waxa uu ku celceliyay FI Chaliapin ee operas "Prince Igor", "Mermaid", "Faust", Mozart iyo Salieri, "The Barber of Seville".

Farshaxan weyn ayaa si diiran uga hadlay kartida Slovtsov. Waxa uu siiyay sawir isaga oo ay ku qoran tahay: "Xussuus wanaagsan oo leh rabitaanka qalbiga ee guusha adduunka farshaxanka." PISlovtsov oo ka socda F.Chaliapin, December 31, 1915 St. Petersburg.

Guurka MN Rioli-Slovtsova.

Saddex sano ka dib markii uu ka qalin jabiyay konserfatifka, isbedel weyn ayaa ka dhacay nolosha PI Slovtsov, 1915 ayuu guursaday. Xaaskiisa, nee Anofrieva Margarita Nikolaevna, iyo ka dib Rioli-Slovtsova ayaa sidoo kale ka qalinjabisay Moscow Conservatory 1911 ee fasalka codka ee Professor VM Zarudnaya-Ivanova. Si wada jir ah iyada, fasalka Professor UA Mazetti, heesaa cajiib ah NA Obukhova dhammeeyey koorsada, kuwaas oo ay la saaxiibo xoog leh sanado badan, kaas oo ka bilaabay konservatory ah. 'Marka aad caan tahay,' Obukova waxay ku qortay sawirkeeda la siiyay Margarita Nikolaevna, 'ha ka quusan saaxiibadii hore'.

Sharaxaadda la siiyay Margarita Nikolaevna Anofrieva by Professor VM Zarudnaya-Ivanova iyo ninkeeda, laxamiistaha iyo agaasimaha Conservatory MM Ippolitov-Ivanov, ma aha oo kaliya waxqabadka, laakiin sidoo kale tayada barbaarinta ee ardayga dibloomada ayaa la xusay. Waxay qoreen in Anofrieva ay qaban karto shaqada barbaarinta ma aha oo kaliya xarumaha waxbarashada muusikada sare, laakiin sidoo kale xarumaha ilaalinta.

Laakiin Margarita Nikolaevna waxay jeclayd masraxa opera waxayna halkan ku gaadhay kaamil, iyada oo doorar hogaamineed ka qaadatay guryaha opera ee Tiflis, Kharkov, Kyiv, Petrograd, Yekaterinburg, Tomsk, Irkutsk.

Sanadkii 1915, MN Anofrieva waxay guursatay PI Slovtsov, hadda wixii ka dambeeyana, jidkooda masraxa opera-ga iyo bandhigyada riwaayadaha ayaa si dhow ula shaqeeya.

Margarita Nikolaevna waxay ka qalin jabisay konserfatifka ma aha oo kaliya heesaa, laakiin sidoo kale pianist. Way caddahay in Pyotr Ivanovich, oo ku soo bandhigay riwaayadaha qolka, uu Margarita Nikolaevna u ahaa wehelka uu jecel yahay, kaas oo si fiican u yaqaan dhammaan sheekooyinkiisa qani ah oo leh amar aad u fiican oo ah farshaxanka wehelnimada.

Ku noqo Krasnoyarsk. National Conservatory.

Laga soo bilaabo 1915 ilaa 1918 Slovtsov wuxuu ka shaqeeyay Petrograd ee Tiyaatarka Bolshoi ee Guriga Dadka. Ka dib markii ay go'aansadeen in ay wax yar ku quudiyaan Siberiya, ka dib jiilaalka Petrograd gaajaysan, Slovtsovs waxay aadaan Krasnoyarsk xagaaga si ay u heesaan hooyadeed. Dilaaca jabhadda Kolchak ma ogola inay soo noqdaan. Xilligii 1918-1919 lamaanaha heesa waxay ka shaqeeyeen Tomsk-Yekaterinburg Opera, iyo xilli ciyaareedkii 1919-1920 ee Opera Irkutsk.

Bishii Abriil 5, 1920, Krasnoyarsk waxaa laga furay Conservatory dadka (hadda Krasnoyarsk College of Arts). PI Slovtsov iyo MN Rioli-Slovtsova ayaa qaybta ugu firfircoon ka qaatay ururkeeda, iyaga oo abuuray fasal cod ah oo ku dayasho mudan oo caan ka noqday Siberia oo dhan.

In kasta oo ay jireen dhibaatooyin waaweyn intii lagu jiray sannadihii burburka dhaqaale - dhaxalkii dagaalladii sokeeye - shaqada muxaafidku waxay ahayd mid xooggan oo guul leh. Waxqabadkeedu waxay ahaayeen kuwa ugu hamiga badan marka la barbardhigo shaqada machadyada kale ee muusikada ee Siberiya. Dabcan, waxaa jiray dhibaatooyin badan: ma jirin qalab muusiko oo ku filan, qolal loogu talagalay fasallada iyo riwaayadaha, macallimiintu waxay ahaayeen kuwo aan mushahar lahayn muddo bilo ah, fasaxyada xagaaga oo dhan lama bixin.

Tan iyo 1923, iyada oo loo marayo dadaalka PI Slovtsov iyo MN Rioli-Slovtsova, bandhigyada opera ayaa dib u bilaabay Krasnoyarsk. Si ka duwan kooxihii opera ee hore uga shaqeeyay halkan, kuwaas oo lagu abuuray kharashka soo booqda fanaaniinta, kooxdani waxay ka koobnayd gebi ahaanba fannaaniinta Krasnoyarsk iyo fannaaniin. Oo tani waa mudnaanta weyn ee Slovtsov, kuwaas oo u suurtagashay in ay midoobaan dhammaan kuwa jecel music opera ee Krasnoyarsk. Ka qaybqaadashada opera, ma aha oo kaliya sida jilayaasha tooska ah ee qaybaha mas'uulka ka ah, Slovtsovs waxay sidoo kale ahaayeen agaasimayaal iyo hoggaamiyeyaasha kooxaha soloists - vocalists, taas oo ay fududeeyeen dugsigooda codka ee ugu fiican iyo khibrad qani ah oo ku saabsan fanka masraxa.

Slovtsovs waxay isku dayeen inay dadka deggan Krasnoyarsk maqlaan heesaaga wanaagsan ee suurtogalka ah iyagoo ku martiqaaday bandhigyada martida opera. Waxaa ka mid ahaa fanaaniinta caanka ah ee caanka ah sida L. Balanovskaya, V. Kastorsky, G. Pirogov, A. Kolomeitseva, N. Surminsky iyo kuwo kale oo badan. 1923-1924 waxaa la sameeyay operas sida Mermaid, La Traviata, Faust, Dubrovsky, Eugene Onegin.

Mid ka mid ah maqaallada sanadahaas, wargeyska "Krasnoyarsk Rabochiy" ayaa xusay in "diyaarinta wax-soo-saarka noocan oo kale ah oo leh farshaxanno aan xirfad lahayn, waa hab, feat."

Kuwa jecel muusikada Krasnoyarsk sannado badan ayaa dib u xusuustay sawirada quruxda badan ee uu abuuray Slovtsov: Prince in Dargomyzhsky's 'Mermaid', Lensky ee Tchaikovsky's 'Eugene Onegin', Vladimir ee Napravnik's 'Dubrovsky', Alfred ee Verdi's 'La Traviata', Faust in Gounod's opera isku magac.

Laakiin dadka deggan Krasnoyarsk maaha kuwo xasuus yar oo loogu talagalay riwaayadaha qolka Slovtsov, kuwaas oo had iyo jeer la filayay fasax ahaan.

Pyotr Ivanovich wuxuu lahaa shaqooyin gaar ah oo uu jecel yahay, oo uu ku sameeyay xirfad weyn iyo dhiirigelin: Jacaylka Nadir ee Bizet's opera 'The Pearl Seekers', heesta Duke ee Verdi's 'Rigoletto', Tsar Berendey's cavatina oo ka socota Rimsky-Korsakov's 'The Snow Maiden', Werther's arioso ka Massenet's opera isla magaca, Mozart's Lullaby iyo kuwa kale.

Abuuritaanka "Kooxda Opera Labor" ee Krasnoyarsk.

Dhammaadkii 1924, hindisaha ururka shaqaalaha farshaxanka (Rabis), oo ku salaysan kooxda opera by PI Slovtsov, waxaa la abuuray koox weyn oo opera, oo loo yaqaan 'Kooxda Opera Labor'. Isla markaana waxaa heshiis lala galay golaha deegaanka ee ku saabsan adeegsiga dhismaha masraxa ee loogu magac daray MAS Pushkin, waxaana loo qoondeeyay kabid dhan saddex kun oo Rubbi, iyadoo ay jirto xaalad dhaqaale oo adag oo dalka ka jirta.

In ka badan 100 qof ayaa ka qayb qaatay shirkadda opera. AL Markson, oo sameeyay bandhigyada, iyo SF Abayantsev, oo agaasime ka ahaa kooxda heesta, ayaa xubin ka noqday guddiga iyo agaasimayaasha farshaxanka. Soloists hormoodka ah ayaa lagu martiqaaday Leningrad iyo magaalooyinka kale: Maria Petipa (coloratura soprano), Vasily Polferov (lyric riwaayadaha tenor), fannaanka caanka ah ee opera Lyubov Andreeva-Delmas. Farshaxankani waxa uu lahaa mid la yaab leh oo isugu jira cod weyn iyo bandhig heersare ah. Mid ka mid ah shuqulladii ugu fiicnaa ee Andreeva-Delmes, qaybta Carmen, ayaa mar ku dhiirrigelisay A. Blok inuu abuuro meertada gabayada ee Carmen. Dadkii hore ee arkay bandhigan ee Krasnoyarsk waxay muddo dheer xasuustaan ​​waxa dareenka aan la ilaawi karin ee kartida iyo xirfadda farshaxanku ku sameeyay daawadayaasha.

Guriga ugu horreeya ee Krasnoyarsk Opera House, oo ay abuurtay dadaallo badan oo Slovtsovs ah, ayaa u shaqeeyay si xiiso leh oo miro leh. Dib-u-eegayaashu waxay xuseen dhar wanaagsan, noocyo kala duwan oo xayeysiis ah, laakiin, dhammaan ka sarreeya, dhaqanka sare ee waxqabadka muusikada. Kooxda opera waxay shaqeysay 5 bilood (laga bilaabo Janaayo ilaa Maajo 1925). Muddadaas, 14 operas ayaa la sameeyay. 'Dubrovsky' ee E. Napravnik iyo 'Eugene Onegin' ee P. Tchaikovsky ayaa lagu soo bandhigay ka qaybgalka Slovtsovs. Opera Krasnoyarsk ma ahayn mid ka baxsan raadinta qaababka cusub ee muujinta farshaxanka. Iyadoo la raacayo tusaalaha masraxyada caasimadda, waxaa la sameeyay riwaayadda 'Halganka Bulshada', taas oo agaasimayaashu ay isku dayeen inay dib u fekeraan qaab cusub. Libretto waxay ku salaysnayd dhacdooyinkii wakhtiga Paris Commune, iyo muusiga – laga soo bilaabo D. Puccini's 'Tosca' (raadinta farshaxanimada noocan oo kale ah waxay sifo u ahaayeen labaataneeyadii).

Nolosha Krasnoyarsk.

Dadka Krasnoyarsk yaqaan Pyotr Ivanovich ma aha oo kaliya farshaxan. Isagoo jacayl u qabay shaqada beeralayda fudud tan iyo carruurnimadiisa, wuxuu waqtigiisa firaaqada ah u huray beerashada inta uu noolaa Krasnoyarsk. Isagoo faras haysta, isaga qudhiisa ayaa daryeeli jiray. Dadka magaaladu waxay inta badan arkeen sida Slovtsovs ay u dhex mareen magaalada iyagoo wata gaari fudud, oo u socda inay ku nastaan ​​​​meel u dhow. Ma dheera, buurbuuran, oo leh weji furan oo Ruush ah, PI Slovtsov ayaa dadka ku soo jiitay qalbigiisa iyo fududaanta cinwaanka.

Pyotr Ivanovich wuxuu jeclaa dabeecadda Krasnoyarsk, wuxuu booqday taiga iyo 'Tiirarka' caanka ah. Geeskan cajiibka ah ee Siberiya ayaa soo jiitay dad badan, iyo qof kasta oo yimid Krasnoyarsk had iyo jeer wuxuu isku dayay inuu halkaas booqdo.

Goobjoogayaal ayaa ka hadlay hal kiis markii Slovtsov ay ahayd inuu heeso meel ka fog goobta bandhig faneedka. Koox fanaaniin ah oo soo booqday ayaa soo ururay, waxayna waydiisteen Peter Ivanovich inuu tuso 'Tiirarka'.

Warka ah in Slovtsov uu ku jiray 'Tiirarka' isla markiiba wuxuu ogaaday stolbists, waxayna ku qanciyeen fanaaniinta inay la kulmaan qorrax ka soo baxa 'Tiirka Koowaad'.

Kooxda uu hogaamiyo Petr Ivanovich ayaa waxaa hogaaminayay fuuliyaal khibrad leh - walaalaha Vitaly iyo Evgeny Abalakov, Galya Turova iyo Valya Cheredova, kuwaas oo caymis dhab ah u qaaday tallaabo kasta oo stolbists ah. Xagga sare, taageerayaasha fannaanka caanka ah ayaa waydiistay Pyotr Ivanovich inuu heeso, kooxda oo dhanna waxay ku heeseen isaga oo midaysan.

Dhaqdhaqaaqa riwaayadaha ee Slovtsovs.

Pyotr Ivanovich iyo Margarita Nikolaevna Slovtsov ayaa isku daray shaqada barbaarinta iyo waxqabadka riwaayadaha. Sanado badan ayay riwaayado ku soo bandhigeen magaalooyin kala duwan oo Midowgii Soofiyeeti. Meel kastana bandhiggoodu waxa uu helay qiimayntii ugu xamaasadda badnayd.

Sanadkii 1924-kii, riwaayadaha dalxiiska ee Slovtsov ayaa ka dhacay Harbin (Shiinaha). Mid ka mid ah dib u eegista tirada badan ayaa lagu xusay: 'Xirfad muusiga Ruushku wuxuu helayaa soo bandhigayaal aad iyo aad u fiican indhaheenna… Labinsky, Smirnov iyo kuwa kale waqtigan, marka la barbar dhigo hodantinimada quruxda badan ee Slovtsov, waa kaliya diiwaanka gramophone-ka qaaliga ah ee 'hore aan dib loo soo celin karin'. Slovtsovna waa maanta: qorrax leh, oo ku jajaban dheeman dhalaalid muusik ah, oo Harbin uusan ku dhicin inuu ku riyoodo ... Laga soo bilaabo aria ugu horeysay, guushii shalay ee Petr Ivanovich Slovtsov ee bandhigyada ayaa isu rogay sacab taagan. Diiran, duufaano, sacab aan kala go' lahayn ayaa riwaayadda u rogay guul joogto ah. In sidaas la dhaho waa ilaa xad si loo qeexo dareenka cajiibka ah ee riwaayadii shalay. Slovtsov wuxuu u heesay si aan la isbarbar dhigin oo farxad leh, wuxuu u heesay si rabaani ah… PI Slovtsov waa heesaa gaar ah oo gaar ah…'

Dib-u-eegis isku mid ah ayaa xusay guusha MN Rioli-Slovtsova ee riwaayadan, oo aan si qurux badan u heesin, laakiin sidoo kale waxay la socotay ninkeeda.

Moscow Conservatory.

Sannadkii 1928, PI Slovtsov ayaa lagu martiqaaday inuu noqdo borofisar heeso ee Isku-dhafka Farshaxanka Dhexe ee Moscow (GITIS ka dib, iyo hadda RATI). Iyada oo la socota waxqabadyada waxbaridda, Petr Ivanovich wuxuu ku heesay Tiyaatarka Waxbarashada Bolshoi ee USSR.

Saxaafadda magaaladu waxay ku qeexday inuu yahay "qof weyn, cod-qaade dhammaystiran, oo ku raaxaysanaya sumcad weyn." Wargeyska Izvestia bishii Noofambar 30, 1928, ka dib mid ka mid ah riwaayadihiisii, wuxuu qoray: "Waxaa lagama maarmaan ah in la baro tirada badan ee dhegeystayaasha fanka heesaha Slovtsov."

Isagoo guul weyn ka gaaray Moscow iyo Leningrad, wuxuu ku heesay "La Traviata" - oo uu la socdo A. Nezhdanova, "Mermaid" - oo ku saabsan V. Pavlovskaya iyo M. Reizen. Wargeysyada sannadahaas ayaa qoray: "La Traviata" waxay soo noolaatay oo dib u soo noolaaday, isla markii ay taabteen sayidyada cajiibka ah ee doorarka ugu weyn ka ciyaaray: Nezhdanova iyo Slovtsov, Immisa kirayste lyric ayaan haysanaa kuwaas oo yeelan lahaa dugsi aad u fiican iyo xirfad sare sida?

Sanadkii ugu dambeeyay ee nolosha fanaanada.

Xilliga jiilaalka ee 1934, Slovtsov wuxuu safar ku tagay Kuzbass riwaayado, riwaayadihii ugu dambeeyay ee Pyotr Ivanovich ayaa horay u xanuunsanaa. Waxa uu ku degdegay Krasnoyarsk, oo halkan ugu dambeyntii xanuunsaday, iyo February 24, 1934 uu tegey. Fannaanka ayaa ku dhintay heerkii ugu sarreeyay ee kartidiisa iyo xooggiisa, wuxuu ahaa kaliya 48 sano jir. Dhammaan Krasnoyarsk waxay arkeen farshaxankooda iyo waddankooda ay jecel yihiin safarkiisii ​​​​ugu dambeeyay.

Xabaalaha Pokrovsky (dhanka midig ee kaniisadda) waxaa ku yaal taallo marmar cad ah. Dusheeda waxaa ku xardhan erayada Massenet's opera 'Werther': 'Ah, ha i kicin, neef gu'. Halkan waxaa ku yaal mid ka mid ah fannaaniinta caanka ah ee Ruushka, oo ay si kalgacal leh ugu yeeraan habeenkii Siberian.

In geeridii, koox ka mid ah fanaaniinta Soofiyeedka, oo uu madax u yahay Farshaxanka Dadweynaha ee Jamhuuriyadda Ippolitov-Ivanov, Sobinov, iyo kuwo kale oo badan, waxay xuseen in dhimashada Slovtsov "ay ka muuqan doonto xanuunka qoto dheer ee quluubta tirada badan ee dhagaystayaasha ee Soofiyeedka. Ururka, iyo bulshada muusikadu waxay muddo dheer xasuusan doonaan heesaagii cajiibka ahaa iyo fannaanka weyn."

Xusuus-qorku wuxuu ku dhammaanayaa wicitaan: "Oo yaa, marka hore, haddii aan Krasnoyarsk ahayn, waa inuu hayaa xusuusta dheer ee Slovtsov?" MN Rioli-Slovtsova, geeridii Petr Ivanovich ka dib, waxay sii waday hawlaheeda waxbarasho ee Krasnoyarsk muddo labaatan sano ah. Waxay dhimatay 1954-kii, waxaana lagu aasay ninkeeda agtiisa.

Sannadkii 1979-kii, shirkadda Leningrad 'Melody' waxay sii daysay disc u heellan PI Slovtsov ee taxanaha 'Fannaaniinta Waagii hore'.

Qalabka loo diyaariyey sida ku cad buugga BG Krivoshey, LG Lavrushev, EM Preisman 'nolosha muusiga ee Krasnoyarsk', guriga daabacaadda buugaagta Krasnoyarsk ee 1983, dukumentiyada Kaydka Gobolka ee Territory Krasnoyarsk, iyo Matxafka Gobolka Krasnoyarsk ee Lore Local.

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