Samuil Aleksandrovich Stolerman (Stolerman, Samuil) |

Stollerman, Samuel

Farshaxan sharafta leh ee Georgian SSR (1924), Fanaanka Dadka ee SSR Yukreeniyaan (1937). Magaca fanaankani waxa uu si aan kala go' lahayn ugu xidhan yahay kobcinta masraxa muusiga ee jamhuuriyado dhawr ah. Tamarta aan daalin iyo awoodda lagu fahmo dabeecadda iyo qaabka dhaqamada muusikada qaranka waxay ka dhigtay saaxiib cajiib ah oo ka mid ah curiyeyaasha Georgia, Armenia, Azerbaijan, Ukraine, kuwaas oo siisay nolosha masraxa shaqooyin badan.

Si aan caadi ahayn, wiil uu dhalay harqaanle miskiin ah, oo ku dhashay magaalada bariga fog ee Kyakta, ayaa u yimid xirfadda kirishbooyada. Carruurnimadiisii, wuxuu yaqaanay shaqo adag, baahi iyo wax la'aan. Laakiin maalin maalmaha ka mid ah, markii uu maqlay ciyaarta violinist indhoole, ninkii dhallinyarada ahaa waxa uu dareemay in xirfaddiisu ay tahay muusigga. Waxa uu ku lugeeyay boqolaal kiiloo mitir cag ah - ilaa Irkutsk - waxaana u suurtagashay in uu galo kooxda naxaasta milatariga, halkaas oo uu ka shaqeeyay siddeed sano. Bartamihii 90-meeyadii, Stolerman wuxuu markii ugu horeysay isku dayay gacantiisa isagoo ah kaari ahaan masraxa fanka ee masraxa riwaayadaha. Intaa ka dib, waxa uu ka shaqeeyay kooxda operetta ee socotada ah, ka dibna wuxuu bilaabay inuu sameeyo riwaayado sidoo kale.

Sannadkii 1905, Stolerman ayaa markii ugu horreysay yimid Moscow. V. Safonov ayaa u soo jiitay isaga, kaas oo ka caawiyay muusikada da'da yar in ay helaan meel ka mid ah masraxa Aqalka Dadweynaha. Ka dib markii uu halkan ku soo bandhigay "Ruslan" iyo "Aroosadda Tsar", Stolerman wuxuu helay dalab ah inuu aado Krasnoyarsk oo uu hoggaamiyo orkester-ka heesaha.

Dhaqdhaqaaqa Stolerman wuxuu u furmay si aan caadi ahayn kacaankii ka dib. Ka shaqeynta tiyaatarada Tiflis iyo Baku ka dibna, oo hogaaminaya guryaha opera ee Odessa (1927-1944) iyo Kyiv (1944-1949), ma jebiyo xiriirka jamhuuriyada Transcaucasia, isagoo siinaya riwaayado meel kasta. Tamar aan caadi ahayn, farshaxanku wuxuu qaataa soo saarista riwaayado cusub oo calaamad u ah dhalashada dhaqamada muusikada qaranka. Tbilisi, oo hoos timaada jihada, ayaa markii ugu horeysay arkay iftiinka qulqulka "The Legend of Shota Rustaveli" ee D. Arakishvili, "Insidious Tamara" ee M. Balanchivadze, "Keto iyo Kote" iyo "Leila" by V. Doolidze 1919-1926. Magaalada Baku, waxa uu ku sameeyay riwaayadaha Arshin Mal Alan iyo Shah Senem. Ukraine, isaga oo ka qaybqaadanaya, bandhigyada riwaayadaha Taras Bulba by Lysenko (daabacaad cusub), Rupture by Femilidi, The Golden Hoop (Zakhar Berkut) ee Lyatoshinsky, Captive by the Apple Trees by Chishko, iyo Habeenka naxdinta leh Dankevich ayaa dhacay. Mid ka mid ah riwaayadaha uu jecel yahay Stolerman waa Spendiarov's Almast: 1930-kii wuxuu ku sameeyay markii ugu horeysay Odessa, Yukreeniyaan; Laba sano ka dib, Georgia, iyo ugu dambeyntii, 19, wuxuu ku qabtay Yerevan waxqabadkii ugu horreeyay ee opera maalintii furitaanka guriga opera ee Armenia. Iyada oo ay la socoto shaqadan weyn, Stolerman wuxuu si joogto ah u dhigay riwaayadaha qadiimiga ah: Lohengrin, Barber of Seville, Aida, Boris Godunov, aroosadda Tsar, May Night, Ivan Susanin, Queen of Spades iyo kuwa kale. Waxaas oo dhami waxay si la yaab leh uga marag kacayaan baaxadda danaha halabuureed ee fannaanka.

L. Grigoriev, J. Platek