Grigory Arnoldovich Stolyarov (Stolyarov, Grigory) |

Stolyarov, Grigory

Sanadihii waxbarashada Stolyarov waxaa lagu qaatay St. Petersburg Conservatory. Waxa uu ka qalin jabiyay 1915, isagoo baranaya violin L. Auer, N. Cherepnin iyo qalabaynta A. Glazunov. Muusikada da'da yar wuxuu sameeyay kulankiisii ​​​​ugu horreeyay ee kaari ahaan markii uu weli arday ahaa - isaga oo hoos imanaya jihadadiisa, Orchestra Conservatory wuxuu ciyaaray Glazunov's elegy "In Memory of Hero". Ka dib markii uu ka qalin jabiyay konservatory, Stolyarov wuxuu ahaa xubin ka mid ah L. Auer Quartet (kadibna Petrograd Quartet).

Sannadihii ugu horreeyay ee awoodda Soviet, Stolyarov ayaa qayb firfircoon ka qaatay dhismaha dhaqanka dadweynaha. Tan iyo 1919, waxa uu ka shaqaynayey Odessa, oo uu ka fulinayey masraxa Opera iyo Ballet, oo wax ku baraya konserfatifka, isaga oo madax ka ahaa 1923 ilaa 1929. Mid ka mid ah warqadaha uu u diray Stolyarov, D. Oistrakh wuxuu ku qoray: "Qalbigayga mar walba aad baad ugu mahadsantahay, gudoomiyaha Odessa Conservatory, halkaas oo aan wax ku bartay oo aan hogaaminayay kooxda faneedka ardayda, halkaas oo aan ka bartay aasaaska dhaqanka muusiga oo aan ku biiray anshaxa shaqada”.

Martiqaadka VI Nemirovich-Danchenko wuxuu furay marxalad cusub oo ku saabsan dhaqdhaqaaqa hal-abuurka ee muusiga. Agaasimaha caanka ah Stolyarov u dhiibay jihada muusikada ee masraxa, kaas oo hadda sita magacyada KS Stanislavsky iyo VI Nemirovich-Danchenko (1929). Isaga oo raacaya tilmaamihiisa, D. Shostakovich's "Lady Macbeth of the Mtsenek District" iyo I. Dzerzhinsky's "Quiet Flows the Don" ayaa lagu qabtay Moscow markii ugu horeysay. Isla mar ahaantaana, Stolyarov sameeyey riwaayadaha symphony, tan iyo 1934 waxa uu noqday borofisar ee Conservatory ee Moscow, oo wax baray ee Institute of Conductors Military. Intii lagu guda jiray dagaalkii Great Patriotic Stolyarov ahaa agaasimaha Conservatory Moscow, iyo tan iyo 1947 uu ka shaqeeyay Radio All-Union.

Tobankii sano ee la soo dhaafay ee noloshiisa hal-abuurka ah waxaa loo qoondeeyay Masraxa Operetta Moscow, kaas oo uu noqday hogaamiyaha sare ee 1954. Noocani wuxuu muddo dheer soo jiitay Stolyarov. Sannadihii uu ka yaraa, waxa uu mararka qaarkood ka ciyaari jiray orchestra ee Petrograd operetta, iyo markii uu noqday agaasimaha Conservatory ee Moscow, wuxuu soo jeediyay soo jeedin ah in la abaabulo waaxda operetta ee fasalka opera.

Aqoon-yahanka operetta sida G. Yaron ayaa aad u qadariyay waxqabadka Stolyarov: “G. Stolyarov wuxuu isu muujiyay inuu yahay sayid weyn oo nooceena ah. Ka dib oo dhan, kuma filna kirishbooyga operetta inuu noqdo muusik wanaagsan: waa inuu ahaadaa nin masraxa ah, waa inuu ahaado wehel cajiib ah, iyada oo la tixgelinayo xaqiiqda ah in operetta actorka uu hoggaamiyo masraxa, hadalka iyo ku sii heesaya; kirishbooyadayadu waa inay raacaan ma aha heeso kaliya, laakiin sidoo kale qoob ka ciyaarka; waa inay si gaar ah u gaar u ahaataa nooca. Ka shaqeynta masraxa operetta, Stolyarov wuxuu ahaa mid xiiseeya ciyaarta, ficilka masraxa wuxuuna si xasaasi ah u gudbiyay xaalada libretto ee midabada iyo nuucyada orchestra… ama fanaankaas. Hoggaaminta orchestra, kama uusan baqin saameynta dhalaalaya ee lagama maarmaanka u ah noocayada. Stolyarov wuxuu si fiican u dareemay classics (Strauss, Lehar, Kalman) isla markaana door weyn ka ciyaaray horumarinta dheeraadka ah ee operetta Soviet. Ka dib oo dhan, wuxuu ahaa kii ugu horreeyay ee sameeyay operettas D. Kablevsky, D. Shostakovich, T. Khrennikov, K. Khachaturian, dhowr operettas by Y. Milyutin iyo laxamiistayaashayada kale. Waxa uu geliyay dhammaan dareenkiisa, khibradiisa ballaaran iyo aqoontiisa si uu u habeeyo hawlgallada Soofiyeedka. "

Qor .: G. Yaron. GA Stolyarov. "MF" 1963, No. 22; A. Russovsky. "70 iyo 50". Sannad-guuradii GA Stolyarov. "SM", 1963, No. 4.

L. Grigoriev, J. Platek