Sergei Petrovich Leiferkus |

Sergei Leiferkus

Fanaanka dadka ee RSFSR, ku guuleystey Abaalmarinta Gobolka ee USSR, ku guuleystey Ururka Midowga iyo tartamada caalamiga ah.

Waxa uu ku dhashay Leningrad April 4, 1946. Aabbe - Krishtab Petr Yakovlevich (1920-1947). Hooyo - Leiferkus Galina Borisovna (1925-2001). Xaaska - Leiferkus Vera Evgenievna. Wiilka - Leiferkus Yan Sergeevich, Dhakhtarka Sayniska Farsamada.

Qoyska Leiferkus waxay ku noolaayeen jasiiradda Vasilyevsky ee Leningrad. Awowayaashood waxay ka yimaadeen Mannheim (Jarmalka) xitaa ka hor dagaalkii koowaad ee aduunka waxay u guureen St. Petersburg. Dhammaan ragga reerku waxay ahaayeen saraakiil ciidan. Iyadoo la raacayo dhaqanka qoyska, Leiferkus, ka dib markii uu ka qalin jabiyay fasalka 4aad ee dugsiga sare, wuxuu aaday imtixaannada dugsiga Leningrad Nakhimov. Laakin looma aqbalin indho xumo awgeed.

Isla mar ahaantaana, Sergei wuxuu helay hadiyad ahaan violin - tani waa sida uu waxbarashadiisa muusikada u bilaabay.

Leiferkus ayaa weli aaminsan in qaddarku yahay dadka ku xeeran qofka oo ku hoggaamiya nolosha. Markii uu da'diisu ahayd 17, wuxuu galay kooxda heesa ee Leningrad State University, si uu u heeso heeso cajiib ah GM Sandler. Marka loo eego heerka rasmiga ah, kooxda hobolada waxay ahayd hobolo arday, laakiin xirfadda kooxdu waxay ahayd mid aad u sareysa oo ay qaban karto shaqo kasta, xitaa waxyaabaha ugu adag. Waqtigaas weli lama "la talin" in lagu heeso muusik iyo muusik muqadas ah oo ay sameeyeen halabuurayaasha Ruushka, laakiin shaqadan sida Orff's "Carmina Burana" ayaa la sameeyay iyada oo aan wax mamnuuc ah iyo guul weyn. Sandler waxa uu dhegaystay Sergei oo u xilsaaray baasaskii labaad, laakiin dhawr bilood ka dib waxa uu u wareejiyay baasaskii ugu horeeyay ... Waqtigaas, codka Leiferkus aad buu u hooseeyaa, iyo, sida aad ogtahay, ma jiraan wax baritones ah ee heesaha. dhibco

Isla goobtaas, Sergei wuxuu la kulmay macalinka wanaagsan ee Maria Mikhailovna Matveeva, oo baray Sofia Preobrazhenskaya, Farshaxanka Dadka ee USSR Lyudmila Filatova, Farshaxanka Dadka ee USSR Yevgeny Nesterenko. Si dhakhso ah Sergei wuxuu noqday soloist ee heesta, oo 1964-kii wuxuu ka qayb qaatay safar Finland ah.

Xagaagii 1965kii, imtixaankii gelitaanka konserfatifka ayaa bilaabmay. Sergei wuxuu sameeyay aria "Don Juan" isla mar ahaantaana si waali ah u ruxruxay gacmihiisa. Hormuudka Kuliyadda Codka AS Bubelnikov ayaa ku dhawaaqay weedha go'aanka ah: "Ma ogtahay, in wiilkan wax ku jiraan." Sidaa darteed, Leiferkus waxaa la dhigay waaxda diyaarinta ee Leningrad Rimsky-Korsakov Conservatory. Waxayna daraasaddu bilaabatay - laba sano oo diyaarin ah, ka dibna shan sano oo aasaasi ah. Waxay bixiyeen lacag yar, Sergeyna wuxuu u shaqo tagay Mimans. Waxa uu galay shaqaalaha Masraxa Opera Maly iyo isla mar ahaantaana ka shaqeeyay waqti-dhiman ee mimamse ee Kirov ah. Ku dhowaad dhammaan fiidkii waxay ahaayeen kuwo mashquul ah - Leiferkus waxaa la arki karaa isagoo taagan tuubo ku dhex jirta "Swan Lake" ka hor inta aan laga bixin Rothbart ama qoob ka ciyaarka "Fedette" ee Maly Opera. Waxay ahayd shaqo xiiso leh oo firfircoon, taas oo ay ku bixiyeen, inkastoo ay yar yihiin, laakiin weli lacag.

Kadib waxaa lagu daray istuudiyaha opera ee konserfatifka, kaas oo la furay sanadkii la aqbalay. Istuudiyaha opera Leiferkus ayaa marka hore, sida dhammaan ardayda, ku heesi jiray kooxda heesta, ka dibna waxaa yimid doorarka yar yar: Zaretsky iyo Rotny ee Eugene Onegin, Morales iyo Dancairo ee Carmen. Mararka qaarkood wuxuu ku ciyaarayay labada door ee isku mid ah. Laakiin si tartiib tartiib ah ayuu u fuulay "sare", oo wuxuu ku heesay laba qaybood oo waaweyn - marka hore Onegin, ka dibna Viceroy ee Offenbach's operetta Pericola.

Fannaanka caanka ah wuxuu had iyo jeer dib u xusuustaa farxad sannadihii wax-barashada ee konservatory, oo ay la socdaan fikrado badan oo gaar ah, oo si daacad ah u aaminsan in isaga iyo saaxiibbadiis ay bareen macalimiin cajiib ah. Ardaydu aad bay u nasiib badan yihiin inay helaan macalimiin ku-meel-gaar ah. Muddo laba sano ah waxaa wax baray Georgy Nikolaevich Guryev, arday hore ee Stanislavsky. Kadib ardaydu wali ma fahmin nasiibkooda, fasalada Guryev waxay u muuqdeen kuwo aan macquul ahayn oo caajis ah. Kaliya hadda Sergey Petrovich wuxuu bilaabay inuu ogaado sida uu u weyn yahay macalinka - wuxuu lahaa dulqaad si uu ardayda ugu beero dareenka saxda ah ee jirkiisa.

Markii Guryev ka fariistay, waxaa lagu bedelay sayidkii ugu weynaa Alexei Nikolaevich Kireev. Nasiib darro, goor hore ayuu dhintay. Kireev wuxuu ahaa nooca macalinka ee qofku u iman karo talo iyo taageero. Waxa uu had iyo jeer diyaar u ahaa inuu caawiyo haddii ay wax socon waayaan, si faahfaahsan u falanqeeyay, u sheegay dhammaan cilladaha, iyo si tartiib tartiib ah ardaydu waxay u yimaadeen natiijooyin aad u fiican. Sergei Leiferkus waxa uu ku faanaa in sannadkii 3aad uu Kireev ka helay fasalka shanaad oo lagu daray shan sano.

Waxaa ka mid ah shaqooyinka Konserfatifka, Leiferkus wuxuu xusuustay qaybta Sganarelle ee opera-ka Gounod ee Dhakhtarka ka soo horjeeda rabitaankiisa. Waxay ahayd bandhig arday oo dareen leh. Dabcan, opera-ka Faransiiska waxaa lagu heesi jiray Ruushka. Ardaydu si dhab ah uma baran luqadaha qalaad, sababtoo ah waxay hubeen inaysan waligood ku heesi doonin Talyaaniga, Faransiiska ama Jarmalka noloshooda. Sergey waxa ay ahayd in uu buuxiyo godadkaas wax badan ka dib.

Bishii Febraayo 1970, arday sannadka 3aad Leiferkus ayaa la siiyay si uu u noqdo soloist Masraxa Leningrad ee Majaajilada Muusiga. Dabcan, ma jiraan qorshayaal kale, marka laga reebo ujeedo adag oo ah in uu noqdo heesaa opera ah, ayaa ka soo muuqday madaxa Sergey, laakiin si kastaba ha ahaatee wuu aqbalay dalabka, maadaama uu u tixgeliyey masraxa dugsi heer sare ah. Bandhigga, wuxuu sameeyay dhowr arias iyo jacayl, iyo markii loo soo bandhigay inuu heeso wax kale oo fudud, wuxuu fikiray hal daqiiqo… la yimid socod gaar ah. Waxqabadkan ka dib, Sergei wuxuu noqday soloist tiyaatarka.

Leiferkus aad buu ugu nasiib badnaa macallimiinta codka. Mid ka mid ah iyaga ka mid ah wuxuu ahaa macalin-hab-yaqaan Yuri Alexandrovich Barsov, madaxa qaybta codka ee konserfatifka. Mid kale wuxuu ahaa baritone hogaanka Maly Opera Masraxa Sergei Nikolaevich Shaposhnikov. Mustaqbalka xiddiga opera mustaqbalka, fasalada isaga ayaa door weyn ka ciyaaray. Waxay ahayd macalinkan iyo fannaanka xirfadlaha ah ee ka caawiyay Sergei Leiferkus inuu fahmo waxa tarjumaadda qolka gaarka ah uu yahay. Waxa uu si weyn u caawiyay fannaanka cusub ee shaqadiisa ku saabsan jumlada, qoraalka, fikradda iyo fikirka shaqada, wuxuu siiyay talooyin qiimo leh oo ku saabsan farsamada codka, gaar ahaan markii Leiferkus uu ka shaqeynayey barnaamijyo tartan ah. U diyaargarowga tartamada waxa ay ka caawisay heesaaga in uu u koco sidii jilaa qolka oo uu go'aamiyay qaab ciyaareedkiisa heesaa riwaayadeed. Leiferkus's repertoire ayaa ka ilaaliyay shaqooyin badan oo ka yimid barnaamijyo tartan oo kala duwan, kaas oo uu ku soo laabtay isagoo faraxsan xitaa hadda.

Tartankii ugu horeeyay ee uu Sergei Leiferkus sameeyay waxa uu ahaa V All-Union Glinka Competition ee Viljus 1971. Markii ardaygu yimid guriga Shaposhnikov oo uu sheegay in uu doortay Mahler ee "Hees of a Wandering Apprentice", macalinku ma aqbalin doorashada, sababtoo ah wuxuu rumaysnaa in Sergei uu weli da'yaraa tan. Shaposhnikov wuxuu hubay in waayo-aragnimada nolosha, u adkaysatay silica, taas oo ay tahay in la dareemo wadnaha, ay lagama maarmaan u tahay fulinta wareeggan. Sidaa darteed, macalinku wuxuu muujiyay ra'yiga ah in Leiferkus uu awoodi doono inuu ku heesi karo soddon sano, ma aha ka hor. Laakiin heesaha da'da yar ayaa mar hore "xanuunsan" muusikadan.

Tartanka, Sergei Leiferkus wuxuu helay abaalmarinta saddexaad ee qaybta qolka (tani waa inkastoo xaqiiqda ah in labadii hore aan cidna la siinin). Oo markii hore waxa uu halkaas u tegey sida "fid", sababtoo ah waxa uu ka shaqeeyay masraxa ee majaajilada Musical, oo tani waxay ka tagtay calaamad gaar ah oo ku saabsan dabeecadda isaga. Kaliya daqiiqaddii ugu dambeysay waxay go'aansadeen inay ku daraan Sergei ka qaybqaataha ugu weyn.

Markii Leiferkus uu ku soo laabtay guriga ka dib tartanka, Shaposhnikov, isaga oo u hambalyeeyay, wuxuu yiri: "Hadda waxaan bilaabi doonaa shaqada dhabta ah Mahler." Kurt Mazur, oo u yimid Leningrad si uu u qabto Orchestra Mravinsky, wuxuu ku martiqaaday Sergei inuu ku heeso Philharmonic wax aan ahayn Heeso. Kadib Mazur wuxuu sheegay in Sergei uu aad ugu fiican yahay wareeggan. Laga soo bilaabo khabiir Jarmal ah iyo muusikiiste fasalkan, tani waxay ahayd ammaan aad u weyn.

Sannadkii 1972, S. Leiferkus oo dhigta sannadka 5aad waxa lagu martiqaaday kaligii-taliye ahaan Masraxa Maly Opera iyo Ballet, halkaas oo lixdii sano ee soo socota uu ku sameeyay in ka badan 20 qaybood oo ka mid ah ciyaaraha opera-ga adduunka. Isla mar ahaantaana, heesaa wuxuu isku dayay inuu gacantiisa ka ciyaaro tartamada: abaalmarinta saddexaad waxaa lagu beddelay kuwa labaad, iyo, ugu dambeyntii, Grand Prix ee tartanka Vocal International X ee Paris iyo abaalmarinta Masraxa Opera Grand (1976).

Isla mar ahaantaana, saaxiibtimo hal abuur leh ayaa la bilaabay laxamiistaha DB Kablevsky. Sannado badan Leiferkus wuxuu ahaa jilaagii ugu horreeyay ee shaqooyin badan Dmitry Borisovich. Iyo wareegga codka "Heesaha Qalbiga murugada leh" ayaa la sii daayay iyada oo u heellan fannaanka bogga cinwaanka.

In 1977, agaasimaha farshaxanka iyo kaari madaxa ee Opera Academy iyo Tiyaatarka Ballet magacaabay ka dib markii SM Kirov Yuri Temirkanov ku casuumay Sergei Leiferkus in ay masraxa wax soo saarka ee Dagaalka iyo Nabadda (Andrey) iyo Dead Souls (Chichikov). Waqtigaas, Temirkanov abuuray koox cusub. Ka dib Leiferkus, Yuri Marusin, Valery Lebed, Tatyana Novikova, Evgenia Tselovalnik ayaa yimid tiyaatarka. Ku dhawaad ​​20 sano, SP Leiferkus ayaa weli hogaaminaya baritone ee Kirov (hadda Mariinsky) Masraxa.

Qaninimada codka iyo kartida jilitaanka ee gaarka ah ee SP Leiferkus ayaa u oggolaanaya inuu ka qayb qaato wax soo saarka opera kala duwan, isagoo abuuraya sawirro masraxa oo aan la ilaawi karin. Sheekadiisa waxaa ka mid ah in ka badan 40 qaybood oo opera ah, oo ay ku jiraan Tchaikovsky's Eugene Onegin, Prince Igor Borodina, Prokofiev's Ruprecht ("Malaa'igta Fiery") iyo Prince Andrei ("Dagaalka iyo Nabadda"), Mozart's Don Giovanni iyo Tirada ("Guurka Figaro") "), Wagner's Telramund ("Lohengrin"). Fanaanadu waxay si weyn u fiirsataa nuucyada stylistic iyo luqadda ee shaqooyinka la sameeyay, iyagoo ku dhejinaya masraxa sawirada jilayaasha kala duwan sida Scarpia ("Tosca"), Gerard ("Andre Chenier"), Escamillo ("Carmen"), Zurga ( "Pearl Seekers"). Lakabka gaarka ah ee hal-abuurka S. Leiferkus - Verdi sawirada opera: Iago ("Othello"), Macbeth, Simon Boccanegra, Nabucco, Amonasro ("Aida"), Renato ("Masquerade Ball").

20 sano oo shaqo ah oo ku saabsan masraxa tiyaatarka Mariinsky ayaa midho dhalay. Masraxaani wuxuu had iyo jeer lahaa heerka ugu sarreeya ee dhaqanka, caadooyinka ugu qoto dheer - muusiga, masraxa iyo aadanaha, muddo dheer loo aqoonsaday heer.

St. Petersburg, Sergei Leiferkus wuxuu ku heesay mid ka mid ah qaybihiisa taajka - Eugene Onegin. Waxqabad la yaab leh, saafi ah, muusiga kaas oo si fiican ugu gudbinaya dareenka iyo dareenka jilayaasha. "Eugene Onegin" ayaa lagu soo bandhigay muuqaalka naqshadeeyaha ugu weyn ee tiyaatarka Igor Ivanov Yu.Kh. Temirkanov, isla mar ahaantaana u dhaqma sida agaasime iyo kaari. Waxay ahayd dareen - markii ugu horeysay sannado badan, waxqabadka riwaayadaha qadiimiga ah ayaa la siiyay Abaalmarinta Gobolka ee USSR.

Sannadkii 1983kii, Bandhigga Opera Wexford (Ireland) wuxuu ku martiqaaday S. Leiferkus si uu u qabto doorka magaca Marquis ee Massenet's Griselidis, oo ay ku xigto Marschner's Hans Heiling, Humperdinck's The Royal Children, Massenet's The Juggler of Notre Dame.

1988-kii, wuxuu ka soo muuqday London Royal Opera "Covent Garden" ee riwaayadda "Il trovatore", halkaas oo qaybta Manrico uu sameeyay Placido Domingo. Laga soo bilaabo waxqabadkaas saaxiibtinimadooda hal-abuurka ah waxay ka bilaabantay.

Sannadkii 1989-kii, heesta ayaa lagu casuumay inay ka qayb qaadato soo saarista Boqorada Spades ee mid ka mid ah xafladaha muusiga ee sharafta leh - ee Glyndebourne. Tan iyo markaas, Glyndebourne waxay noqotay magaaladiisa uu jecel yahay.

Laga soo bilaabo 1988 ilaa hadda, SP Leiferkus waa soloist horseed u ah Royal Opera ee London iyo tan iyo 1992 la Opera Metropolitan New York, si joogto ah uga qaybqaataan wax soo saarka ee tiyaatarada caanka ah ee Yurub iyo Ameerika, waa marti soo dhaweyn ah oo ku saabsan marxaladaha Japan. Shiinaha, Australia iyo New Zealand. Waxa uu khudbado ka jeediyo hoolalka riwaayadaha ee New York, London, Amsterdam, Vienna, Milano, waxa uu ka qayb qaataa xafladaha Edinburgh, Salzburg, Glyndebourne, Tangelwood iyo Ravinia. Heesaaga wuxuu si joogto ah ula shaqeeyaa Boston, New York, Montreal, Berlin, London Symphony Orchestras, wuxuu la shaqeeyaa sida Claudio Abbado, Zubin Mehta, Seiji Ozawa, Yuri Temirkanov, Valery Gergiev, Bernard Haitink, Neeme Järvi, Mstislav Rostropovich. Kurt Masur, James Levine.

Maanta, Leiferkus si badbaado leh ayaa loogu yeeri karaa heesaa caalami ah - ma jiraan wax xannibaad ah isaga oo ku jira riwaayadaha hawlgalka ama qolka qolka. Waxaa laga yaabaa, ma jiraan wax labaad sida baritone "polyfunctional" hadda mid ka mid ah Ruushka ama masraxa opera adduunka. Magaciisu waxa uu ku qoran yahay taariikhda fanka fanka adduunka, sida laga soo xigtay cajalado maqal iyo muuqaal ah oo badan oo laga duubay qaybaha opera Sergei Petrovich, dhalinyarada baritones waxay bartaan inay heesaan.

Inkasta oo uu aad mashquul u yahay, SP Leiferkus waxa uu helaa wakhti uu kula shaqeeyo ardayda. Fasalada Master-ka ee soo noqnoqda ee Dugsiga Britten-Pearce, ee Houston, Boston, Moscow, Berlin iyo London's Covent Garden - tani aad ayay uga fog tahay juqraafiga buuxa ee hawlihiisa waxbarid.

Sergei Leiferkus ma aha oo kaliya heesaa cajiib ah, laakiin sidoo kale loo yaqaan xirfadiisa riwaayadeed. Xirfadihiisa jilitaanka ayaa had iyo jeer lagu xusaa ma aha oo kaliya daawadayaasha, laakiin sidoo kale dhaleeceynta, kuwaas oo, sida caadiga ah, ay ku bakhaylaan ammaan. Laakiin qalabka ugu muhiimsan ee abuurista sawirka waa codka heesaha, oo leh timbre gaar ah, oo aan la ilaawi karin, kaas oo uu ku muujin karo dareen kasta, niyadda, dhaqdhaqaaqa nafta. Heesaaga ayaa hogaaminaya triumvirate baritones Ruush ee Galbeedka marka la eego sarraynta ( isaga ka sokow, waxaa jira Dmitry Hvorostovsky iyo Vladimir Chernov). Hadda magiciisu kama tago boodhadhka tiyaatarada ugu weyn iyo hoolalka riwaayadaha ee adduunka: Metropolitan Opera ee New York iyo Covent Garden ee London, Opera Bastille ee Paris iyo Deutsche Oper ee Berlin, La Scala, ee Vienna Staatsoper ah, Tiyaatarka Colon ee Buenos Aires iyo qaar kale oo badan.

Iyadoo lala kaashanayo shirkadaha ugu caansan, heesaa ayaa duubtay in ka badan 30 CD. Duubista CD-gii ugu horreeyay ee heesaha Mussorgsky ee uu sameeyay isaga ayaa loo magacaabay abaalmarinta Grammy Award, iyo duubista ururinta heesaha Mussorgsky oo dhammaystiran (4 CD) ayaa la guddoonsiiyay abaalmarinta Diapason D'or. Catalog ee cajaladaha fiidiyooga ee S. Leiferkus waxaa ka mid ah operas lagu soo bandhigay Masraxa Mariinsky (Eugene Onegin, Angel Fiery) iyo Covent Garden (Prince Igor, Othello), saddex nooc oo kala duwan oo ah Boqorada Spades (Marinsky Theatre, Vienna State Opera). Glyndebourne) iyo Nabucco (Bregenz Festival). Wax-soo-saarkii ugu dambeeyay ee telefishinka oo ay ka qaybqaateen Sergei Leiferkus waa Carmen iyo Samson iyo Delilah (Opera Metropolitan), The Miserly Knight (Glyndebourne), Parsifal (Gran Teatre del Licen, Barcelona).

SP Leiferkus - Fanaanka Dadka ee RSFSR (1983), ku guuleystey Abaalmarinta Gobolka ee USSR (1985), ku guuleystey tartanka V All-Union Competition oo loogu magac daray MI Glinka (1971), ku guuleystey tartanka Codka Caalamiga ah ee Belgrade (1973) ), ku guuleystey tartanka caalamiga ah ee Schuman ee Zwickau (1974), ku guuleystey tartanka codka caalamiga ah ee Paris (1976), abaalmarinta tartanka caalamiga ah ee Vocal ee Ostend (1980).

Xigasho: biograph.ru