Alexander Vasilyevich Pavlov-Arbenin (Pavlov-Arbenin, Alexander) |
Qabanqaabiyeyaasha

Alexander Vasilyevich Pavlov-Arbenin (Pavlov-Arbenin, Alexander) |

Pavlov-Arbenin, Alexander

Taariikhda Dhalashada
1871
Taariikhda dhimashada
1941
Mihnadda
kaari
Country
USSR

… Maalin xagaagii 1897-kii, Pianist-gii St. Petersburg Pavlov-Arbenin ayaa yimid guriga xagaaga ee Strelna si uu u dhageysto Faust Gounod oo ay sameeyeen fanaaniinta Masraxa Mariinsky. Si lama filaan ah, wax yar ka hor inta aan la bilaabin, waxaa soo baxday in bandhigga la joojiyay sababtoo ah kirishbooyada ma soo muuqan. Mulkiilaha wareersan ee meheradda, ayaa arkay fanaan da’yar oo hoolka ku jira, waxa uu ka codsaday in uu caawiyo. Pavlov-Arbenin oo aan horay u soo qaadin usha kirishbooyada ayaa si fiican u garanayay natiijada ciyaarta, wuxuuna go’aansaday inuu fursad qaato.

Ciyaartii ugu horeysay waa lagu guuleystay oo wuxuu u keenay meel si joogta ah u ah bandhigyada xagaaga. Sidaas darteed, shil farxad leh mahad leh, xirfadda kaari ee Pavlov-Arbenin bilaabay. Farshaxanku waa inuu isla markiiba si fiican u yaqaannaa riwaayado badan: "Mermaid", "Demon", "Rigoletto", "La Traviata", "Eugene Onegin", "Carmen" iyo hawlo kale oo badan oo uu hogaaminayey dhowr xilli. Daareeyaha ayaa si degdeg ah u helay waayo-aragnimo wax ku ool ah, xirfado xirfadeed iyo riwaayado. Aqoonta la helay xitaa hore, inta lagu jiro fasalada macalimiin caan ah - N. Cherepnin iyo N. Solovyov, ayaa sidoo kale caawiyay. Si dhakhso ah ayuu caan u noqday, si joogto ah ayuu u hogaamiyaa bandhigyada guryaha opera ee Kharkov, Irkutsk, Kazan, wuxuu hagaa xilliyada symphonic ee Kislovodsk, Baku, Rostov-on-Don, dalxiisyada Ruushka oo dhan.

Petersburg, si kastaba ha ahaatee, ayaa weli ah xarunta hawlihiisa. Sidaa darteed 1905-1906, wuxuu halkan ku qabtaa bandhigyo iyada oo ay ka qaybqaadanayaan Chaliapin (Prince Igor, Mozart iyo Salieri, Mermaid), waxay toosiyaan soo saarista Sheekada Tsar Saltan ee Tiyaatarka Guriga Dadweynaha, taas oo kicisay ogolaanshaha qoraaga, dib u buuxinaysa. Riwaayaddiisa “Aida”, “Cherevichki”, “Huguenots”… Isagoo sii wadey horumarinta, Pavlov-Arbenin wuxuu wax ka bartaa kaaliyaha Napravnik E. Krushevsky, ka dibna wuxuu casharro ka qaatay Berlin Professor Yuon, wuxuu dhegeysanayaa riwaayadaha hoggaamiyeyaasha adduunka ugu weyn.

Laga soo bilaabo sannadihii ugu horreeyay ee awoodda Soofiyeedka, Pavlov-Arbenin wuxuu u huray xooggiisa oo dhan, dhammaan kartidiisa si uu ugu adeego dadka. Ka shaqeynta Petrograd, wuxuu si bareer ah u caawiyaa tiyaatarada durugsan, wuxuu kor u qaadaa abuurista shirkado cusub oo opera ah iyo orkestras symphony. Muddo dhowr sano ah waxa uu ka qabanayay Tiyaatarka Bolshoi - The Snow Maiden, The Queen of Spades, The Mermaid, Carmen, The Barber of Seville. In riwaayadaha symphony hoos jihada, kuwaas oo lagu qabtay Leningrad iyo Moscow, Samara iyo Odessa, Voronezh iyo Tiflis, Novosibirsk iyo Sverdlovsk, symphonies ee Beethoven, Tchaikovsky, Glazunov, music ee romantics - Berlioz iyo Liszt, jajabkii orchestral ee operas Wagner iyo shiraacyo midab leh oo uu sameeyay Rimsky-Korsakov.

Awoodda iyo caannimada Pavlov-Arbenin waxay ahaayeen kuwo aad u weyn. Tan waxaa sidoo kale lagu macneeyay sida soo jiidashada leh, ee dareenka aan caadiga ahayn ee hab-dhaqankiisa, soo jiidashada xiisaha xamaasadda leh, qoto-dheeraanta tarjumaada, farshaxanka muuqaalka muusikaystaha, riwaayaddiisa weyn, oo ay ku jiraan daraasiin riwaayado caan ah iyo heeso heeso ah. "Pavlov-Arbenin waa mid ka mid ah jilayaasha ugu waaweyn ee xiisaha leh ee waqtigeena," laxamiista Yu. Sakhnovsky wuxuu ku qoray majaladda Tiyaatarka.

Muddadii ugu dambeysay ee Pavlov-Arbenin ayaa ka dhacday Saratov, halkaas oo uu madax ka ahaa guriga opera, ka dibna wuxuu noqday mid ka mid ah kuwa ugu fiican dalka. Wax soo saarka quruxda badan ee Carmen, Sadko, The Tales of Hoffmann, Aida, iyo Boqorada Spades, oo lagu soo bandhigay jihadadiisa, waxay noqdeen bog dhalaalaya oo taariikhda fanka muusikada ee Soofiyeedka.

Lit .: 50 sano oo muusig ah. iyo bulshooyinka. hawlaha AV Pavlov-Arbenin. Saratov, 1937.

L. Grigoriev, J. Platek

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