Andrey Alekseevich Ivanov |

Andrey Ivanov

Magaalada yar ee xasilloon ee Zamostye, oo ka mid ah duleedka galbeed ee tsarist kacaanka ka hor Russia, ma ahayn mid hodan ku ah dhacdooyinka berrinka dhaqanka. Sidaa darteed, waa wax dabiici ah in kooxda heesaha hiwaayadda ah, oo uu abaabulay macalinka jimicsiga deegaanka Alexei Afanasyevich Ivanov, ugu dhakhsaha badan ayaa caan ka helay magaalada. Fannaaniin yar ayaa ka mid ahaa labada wiil ee Alexei Afanasyevich - Sergei iyo Andrei, oo aad u jecel dadaalka aabbahood. Walaalaha xitaa waxay abaabuleen koox orkestar ah oo ah qalabka muusiga ee hobolada. Kii ugu yaraa, Andrei, wuxuu muujiyay soo jiidasho gaar ah oo fanka ah, laga soo bilaabo caruurnimadiisii ​​​​hore wuxuu jeclaa inuu dhageysto muusikada, isagoo si fudud u qabsanaya laxankiisa iyo dabeecadiisa.

Bilowgii dagaalkii koowaad ee aduunka, 1914, qoyska Ivanov waxay u guureen Kyiv. Jawiga wakhtiga dagaalku ma ahayn mid ku haboon daraasaadka muusiga, hiwaayadaha hore waa la ilaaway. Da'da yar Andrei Ivanov ayaa ku soo laabtay farshaxanka ka dib Kacaankii Oktoobar, laakiin isla markiiba ma uusan noqon xirfadle. Ka dib markii uu dhammeeyey dugsiga sare, waxa uu markii ugu horeysay galay Kyiv Cooperative Institute. Muusiga xamaasadda leh, ninka dhalinyarada ah wuxuu inta badan booqdaa guriga opera, mararka qaarkoodna wuxuu ku heesaa heesaha uu jecel yahay guriga. Deriska Ivanovs ee aqalka, M. Chikirskaya, oo ah heesaagii hore, oo arkay kartida Andrei ee aan shaki ku jirin, wuxuu ku qanciyay inuu barto heesaha. Ninka dhalinyarada ah wuxuu casharo gaar ah ka qaataa macalinka N. Lund, kaas oo jeclaaday ardaygiisa hibada leh oo wax ku baranayay lacag la'aan muddo saddex sano ah, maadaama qoyska Ivanov wakhtigaas ay lahaayeen macne aad u yar. Dhimashada macalinka ayaa hakad galisay casharadan.

Isagoo sii wata waxbarashadiisa Machadka Iskaashatooyinka, Andrey Ivanov wuxuu isku mar galay Tiyaatarka Opera Kyiv si uu u awoodo inuu si joogto ah u dhegeysto operas oo uu ugu yaraan ka qaybqaato wax soo saarkooda. Waxa uu si gaar ah u jeclaystay heesta baritone N. Zubarev, isaga oo si feejigan u dhegaysanaya, waxa uu si aan ikhtiyaari ahayn u fahmay oo u milmay mabaadi’da wax-soo-saarka codka, hab-heeseedkii fannaanka hibada leh, kaas oo la mid ahaa habkii uu baray Lund.

Wararka xanta ah ee ku saabsan baritone-riwaayad qurux badan iyo awoodaha weyn ee dheeriga ah ee da'yarta ayaa ku fiday goobabada muusiga iyo masraxa, waxay sidoo kale gaadheen istuudiyaha opera ee Kiev Conservatory. Bishii Sebtembar 1925, Andrei Alekseevich ayaa lagu martiqaaday istuudiyaha si uu u diyaariyo oo uu u qabto qaybta Onegin ee waxqabadka qalin-jabinta Eugene Onegin. Bandhig guul leh oo lagu sameeyay waxqabadkan, oo loo aqoonsaday inuu yahay cilmi-baaris, ayaa go'aamiyay mustaqbalka mustaqbalka ee heesaha da'da yar, isagoo si ballaaran u furay jidkiisa masraxa opera.

Waqtigaas, oo ay weheliyaan guryo opera ah, waxaa jiray kooxo opera-ga wareeg ah oo u socdaalay magaalooyin kala duwan. Kooxdan oo kale waxa ay ka koobnaayeen dhalinyaro faneed, inta badana waa fannaaniin waaya-arag ah oo iyaguna ku soo bandhigi jiray bandhig faneed. Qabanqaabiyaha mid ka mid ah kooxahan ayaa martiqaaday Ivanov, kaas oo si dhakhso ah u qaatay jagada hogaaminta ee kooxda. Waxaa laga yaabaa inay u muuqato mid cajiib ah, markii uu yimid kooxda oo leh qaybta kaliya ee Onegin, Andrei Alekseevich wuxuu diyaariyey oo ku heesay 22 qaybood intii lagu jiray sanadka shaqada. Oo ay ku jiraan sida Prince Igor, Demon, Amonasro, Rigoletto, Germont, Valentin, Escamillo, Marcel, Yeletsky iyo Tomsky, Tonio iyo Silvio. Waxyaabaha gaarka ah ee shaqada kooxda safarka - tiro badan oo bandhigyo ah, dhaqdhaqaaqyo isdaba joog ah oo ka yimaada magaalo ilaa magaalo - kama tegin wakhti badan oo ku saabsan shaqada tababarka qoto dheer iyo daraasado nidaamsan oo lala socdo. Farshaxanka ayaa loo baahan yahay ma aha oo kaliya xiisad hal abuur sare leh, laakiin sidoo kale awoodda uu u leeyahay inuu si madax-bannaan u shaqeeyo, si xor ah u socdo clavier. Oo haddii heesaa ku cusub xaaladahan ay ku guulaysteen in ay ururiyaan repertoire ballaaran sida ugu yar ee suurtogalka ah, ka dibna waxa uu inta badan ku leeyahay naftiisa, uu weyn, kartidiisa dhabta ah, dulqaadasho iyo jacaylka fanka. Iyada oo koox safar ah, Ivanov wuxuu u safray dhammaan gobolka Volga, Waqooyiga Caucasus iyo meelo kale oo badan, oo soo jiidatay dhegaystayaashii meel kasta oo uu heesay, quruxda iyo dabacsanaanta codka dhalinyarada, xoog leh, sonorous.

Sanadkii 1926, laba guri oo opera - Tbilisi iyo Baku - ayaa isku mar ku martiqaaday farshaxan dhalinyaro ah. Waxa uu doortay Baku, halkaas oo uu ka shaqeeyay laba xilli, samaynta qaybaha baritone mas'uul ka ah dhammaan bandhigyada masraxa. Qaybo cusub ayaa lagu daraa riwaayaddii hore loo aasaasay: martida Vedenets ("Sadko"), Frederik ("Lakme"). Intii uu ka shaqeynayay Baku, Andrei Alekseevich wuxuu fursad u helay inuu ku soo booqdo Astrakhan. Tani waxay ahayd 1927.

Sannadaha soo socda, ka shaqeeya Odessa (1928-1931), ka dibna Sverdlovsk (1931-1934) tiyaatarada Andrei Alekseevich, marka lagu daro ka qaybqaadashada riwaayadaha ugu muhiimsan ee classical, bartay qaar ka mid ah hawlaha reer galbeedka dhif ah - Turandot by Puccini. , Johnny wuxuu jilaa Kshenek iyo kuwa kale. Tan iyo 1934 Andrey Ivanov wuxuu ku soo laabtay Kyiv. Isagoo mar ka tagay guriga Kyiv Opera House oo ah jacayl dheeri ah oo muusiga ah, wuxuu ku soo noqdaa marxaladeeda isagoo ah heesaa qibrad leh oo leh heeso ballaadhan oo badan, oo leh khibrad weyn isla markaana si sax ah u qaadata mid ka mid ah meelaha ugu horreeya ee fannaaniinta opera ee Yukreeniyaan. Iyadoo ay sabab u tahay kobaca hal-abuurka joogtada ah iyo shaqo miro leh, 1944-kii waxa la siiyay magaca fanaaniinta dadka ee USSR. Andrey Alekseevich wuxuu ka shaqeeyay Kiev Opera House ilaa 1950. Halkan, xirfadihiisa ugu dambeyntii waa la nadiifiyaa, xirfadihiisa ayaa la hagaajiyaa, sawirada codka iyo masraxa ee uu abuuray ayaa si buuxda oo qoto dheer u muujiyay, markhaati u ah hadiyadda aan caadiga ahayn ee reincarnation.

Hetman-ka gaajaysan iyo khiyaanada badan ee hetman Mazepa ee opera PI Tchaikovsky iyo nin da'yar oo qalbi saafi ah, geesinimada leh Ostap ("Taras Bulba" ee Lysenko), oo ku waalnaa xamaasad aan la qiyaasi karin dembiilayaal, laakiin u naxariistay fool-xumadiisa Rigoletto, oo ka adkaaday rajo-xumo, jinni aan xasilloonayn iyo jacaylka xun ee nolosha, Figaro xariif ah. Mid kasta oo ka mid ah geesiyaashiisa, Ivanov wuxuu helay sawir aan caadi ahayn oo sax ah, sawir feker ah oo ku saabsan doorka ugu yar ee istaroogga, isagoo ku guulaysta runnimada weyn ee muujinta wejiyada kala duwan ee nafta bini'aadamka. Laakiin, iyada oo la ixtiraamayo xirfadaha masraxa fannaanka, sababta ugu weyn ee uu ku guulaysto waa in lagu raadiyo heeso qeexan, hodantinimo, timbre iyo hadhyo firfircoon, caagga iyo dhammaystirka odhaahda, qaamuuska cajiibka ah. Xirfaddaani waxay ka caawisay Andrey Ivanov inuu noqdo heesaa qolka weyn.

Ilaa 1941-kii, ma uusan gelin hawlo riwaayadeed, maadaama uu aad ugu mashquulsanaa ka shaqeynta masraxa ee riwaayadda ugu weyn. Hawlo cusub oo hal-abuur leh ayaa soo food saartay heesaagii bilowgii dagaalkii weynaa ee Waddaniga. Waxaa lagu daadgureeyay guriga Kyiv Opera House ee Ufa, ka dibna Irkutsk, Andrey Alekseevich wuxuu qayb firfircoon ka qaataa dayactirka farshaxanka ee isbitaallada iyo qaybaha milatariga. Si wadajir ah ula saaxiibadiisa masraxa M. Litvinenko-Wolgemut iyo I. Patorzhinskaya, wuxuu aadaa dhinaca hore, ka dibna wuxuu ku qabtaa riwaayadaha Moscow iyo magaalooyinka kale. Ku soo noqoshada Kyiv ee la xoreeyay 1944-kii, Ivanov wuxuu si dhakhso ah uga baxay halkaas isagoo riwaayado ku tagay Jarmalka, ka dib cutubyadii hore ee Ciidanka Soofiyeedka.

Jidka hal-abuurka ah ee Andrei Ivanov waa jidka asalka ah, farshaxan hibo leh, kaas oo masraxa isku mar ahaa dugsi. Haddii markii hore uu ururiyey repertoire by shaqadiisa, ka dibna wuxuu la shaqeeyay tiro badan oo waaweyn masraxa muusikada, sida agaasimaha V. Lossky (Sverdlovsk), kirishbooyada A. Pazovsky (Sverdlovsk iyo Kyiv) iyo gaar ahaan V. Dranishnikov. Kyiv) , wuxuu kaalin mug leh ka qaatay horumarinta codkiisa iyo xirfadihiisa marxaladda.

Jidkani wuxuu si dabiici ah u horseeday Andrei Alekseevich marxaladda caasimadda. Waxa uu ku biiray Masraxa Bolshoi 1950-kii isaga oo ah sayid qaan-gaar ah, xilligii ugu fiicnaa ee awoodihiisa hal-abuurnimo. Hal-abuurnimadiisa, oo ay ku jiraan cajaladaha raadiyaha, ayaa ka koobnaa ilaa siddeetan qaybood. Haddana fannaanku kuma joogsan hal-abuurkiisa. Isagoo ku guda jira qaybaha caanka ah sida Igor, Demon, Valentin, Germont, wuxuu helay midabyo cusub mid kasta oo iyaga ka mid ah, waxay wanaajiyeen codkooda iyo waxqabadkooda. Miisaanka marxaladda Bolshoi, codka orchestra opera, wadashaqeyn hal abuur leh oo leh heeso heer sare ah, waxay ka shaqeeyaan masraxa iyo raadiyaha hoos yimaada jihada N. Golovanov, B. Khaikin, S. Samosud, M. Zhukov - dhammaan Tani waxay dhiirigelin u ahayd kobaca dheeraadka ah ee farshaxanka, si loo qoto dheereeyo sawirada la abuuray. Sidaa darteed, sawirka Prince Igor wuxuu noqdaa mid aad u muhiim ah, xitaa ka sii weyn, oo lagu kobciyo wax soo saarka Tiyaatarka Bolshoi oo leh goob baxsad ah, kaas oo Andrei Alekseevich uusan horay ula tacaalin.

Waxqabadkii fannaanka ee fannaanka ayaa sidoo kale ballaartay. Marka laga soo tago safarro badan oo ku saabsan Midowga Soofiyeeti, Andrei Ivanov ayaa si isdaba joog ah u booqday dibadda - Austria, Hungary, Czechoslovakia, Germany, England, halkaas oo uu ku soo bandhigay ma aha oo kaliya magaalooyinka waaweyn, laakiin sidoo kale magaalooyinka yaryar.

Sawirka ugu weyn ee AA Ivanov:

1. Muuqaal ka mid ah opera "Tsarskaya nevesta", qayb ka mid ah Gryaznogo, oo la duubay 1946, heeso iyo orchestra ee GABTA p / u K. Kondrashina, lammaane - N. Obukhova iyo V. Shevtsov. (Hadda, CD-ga waxaa lagu sii daayay dibadda ee taxanaha "Fannaaniinta Ruushka ee aadka u wanaagsan" ee ku saabsan farshaxanka NA Obukhova)
2. Opera "Rigoletto" J. Verdi, qayb Rigoletto, duubista 1947, choir GABT, orchestra VR p / u SA Samosuda, lammaanihiisa waa I. Kozlovsky, I. Maslennikova, V. Borysenko, V. Gavryushov iyo kuwa kale. (Hadda, CD ay ku duuban tahay opera ayaa dibadda lagu sii daayay)
3. Opera "Cherevichki" by PI Ivanov, M. Mikhailov, E. Antonova iyo kuwa kale. (Hadda, CD ay ku duuban tahay opera ayaa dibadda lagu sii daayay)
4. Opera "Eugene Onegin" ee PI Tchaikovsky, qayb ka mid ah Onegin, oo la duubay 1948, heeso iyo orchestra ee Tiyaatarka Bolshoi qabanqaabiyay A. Orlov, la-hawlgalayaasha - E. Kruglikova, M. Maksakova, I. Kozlovsky, M. Reizen. (Hadda, CD ay ku duuban tahay opera ayaa dibadda lagu sii daayay)
5. Opera "Prince Igor" ee AP Borodin, qayb ka mid ah Prince Igor, la duubay 1949, hobolada iyo orchestra ee Tiyaatarka Bolshoi, oo uu qabto A. Sh. Melik-Pashaev, la-hawlgalayaasha - E. Smolenskaya, V. Borisenko, A. Pirogov, S. Lemeshev, M. Reizen iyo kuwa kale. (Hadda CD-ga lagu sii daayay dibadda)
6. Solo disc ee heesaha oo leh duubista aria ee operas ee taxanaha "Lebendige Vergangenheit - Andrej Ivanov". (Waxaa lagu sii daayay Jarmalka CD)