Arnold Evadievich Margulyan (Margulyan, Arnold) |

Margulyan, Arnold

Soofiyeeti, Fanaanka Dadka ee SSR Yukreeniyaan (1932), Fanaanka Dadka ee RSFSR (1944), Stalin Prize (1946). Galaxyada fannaaniinta ee istaagay asalka farshaxanka Soofiyeedka ee dhaqangelinta, Margulyan waxay leedahay meel caan ah oo sharaf leh. Waxa uu bilaabay in uu shaqeeyo sannadihii kacaanka ka hor, isaga oo aan helin waxbarasho muxaafid ah, laakiin waxa uu soo maray dugsi wax ku ool ah oo aad u wanaagsan. Ku ciyaarista violin-ka ee Orchestra ee Opera House Odessa, Margulyan ayaa wax badan ka bartay kirishbooyada khibradda leh ee I. Pribik, ka dibna, St. Petersburg, wuxuu ka shaqeeyay jihada V. Suk.

Sanadkii 1902, Margulyan wuxuu sameeyay kulankiisii ​​​​ugu horreeyay isagoo ah kaari, waxaana isla markiiba bilaabay dhaqdhaqaaqiisa farshaxanimada. Petersburg, Kyiv, Kharkov, Odessa, Tiflis, Riga, magaalooyinka Siberiya iyo Bariga Fog - halkaas oo farshaxanku uusan shaqayn! Margulyan, marka hore ciyaaryahan orkester ah, ka dibna kaari ah, inta badan la kaashaday sayidyada heer sare ee masraxa Ruushka - F. Chaliapin, L. Sobinov, N. Ermolenko-Yuzhina, N. iyo M. Figner, V. Lossky ... Tani shaqada wadajirka ah ayaa isaga u hodmay waayo-aragnimo qiimo leh, oo loo oggolaaday in ay si qoto dheer u galaan adduunka sawirada opera classics. Dhaqannada ugu wanaagsan ee tarjumaadda Ivan Susanin, Ruslan iyo Lyudmila, Boris Godunov, Khovanshchina, Prince Igor, Boqoradda Spades, Sadko, Aroosadda Tsar, Snow Maiden waxay heshay taageere xamaasad leh iyo beddelka.

Tayada farshaxanka ayaa si buuxda loo muujiyay inta lagu jiro sannadihii awoodda Soviet. Muddo dhowr sano ah, Margulyan wuxuu madax ka ahaa Kharkov Opera House, oo ay weheliyaan shaqooyin qadiimi ah, tiro riwaayado ah oo ay sameeyeen qorayaasha Soofiyeedka - Dzerzhinsky's The Quiet Don iyo Virgin Soil Upturned, Yurasovsky's Trilby, Femilidi's The Rupture, Lyatoshinsky's Golden Hoop ... Laakiin gaar ahaan muuqaal muuqda. Raadinta ayaa ka tagay dhaqdhaqaaqiisa Ural - marka hore Perm, ka dibna Sverdlovsk, halkaas oo Margulyan laga soo bilaabo 1937 ilaa dhammaadka maalmihii uu ahaa agaasimaha farshaxanka ee guriga opera. Waxa uu ku guulaystey in uu sare u kaco heerka faneed ee kooxda, isagoo tayeysiiyay riwaayado badan oo cajiib ah; mid ka mid ah shaqadiisa ugu wanaagsan - soo saarista "Otello" ee Verdi ayaa la siiyay Abaalmarinta Gobolka. Daareeyaha wuxuu u soo bandhigay muwaadiniinta Sverdlovsk operas The Battleship Potemkin by Chishko, Suvorov by Vasilenko, Emelyan Pugachev by Koval.

Habka Margulyan ee kaari ahaan waxa uu soo jiitay xirfad aan la soo koobi karin, kalsooni, iswaafajinta fikradaha tarjumaanka, iyo xoogga shucuureed. "Farshaxankiisa," ayuu ku qoray majaladda Muusikada Soofiyeedka. A. Preobrazhensky, - waxaa lagu xusay ballaadhka aragtida, awoodda lagu aqoonsado tarjumaadda saxda ah ee nafsaaniga ah ee masraxa iyo sawirka muusikada, si loo ilaaliyo ujeedada qoraaga. Wuxuu ogaa sida loo abuuro dheelitirnaan qumman oo u dhexeeya dhawaaqa orkesterka, cod-bixiyeyaasha iyo ficilka masraxa." Bandhig faneedka naadirka ah ee fannaanka ayaa ahaa mid aan guul ka yarayn. Lahaanshaha xeelad cajiib ah, aqoonta iyo kartida barbaarinta, Margulyan, labadaba masraxyada opera iyo Ural Conservatory, halkaas oo uu borofisar ka ahaa tan iyo 1942, wuxuu soo saaray cod-yaqaanno badan oo caan ah. Isaga oo hogaaminaya, I. Patorzhinsky, M. Litvinenko-Wolgemut, Z. Gaidai, M. Grishko, P. Zlatogorova iyo fannaaniin kale ayaa bilaabay safarkooda.

L. Grigoriev, J. Platek