Charles Lecocq |

Charles Lecocq

Lecoq waa abuuraha jihada cusub ee operetta qaranka Faransiiska. Shaqadiisa waxaa lagu kala soocaa sifooyinka jacaylka, soo jiidashada erayada jilicsan. operettas-ka Lecoq waxay raacaan caadooyinka opera-ga majaajilada ah ee Faransiiska marka loo eego sifooyinkooda hiddaha ah, iyadoo si ballaaran loo isticmaalo heesaha dhaqanka, isku darka dareenka taabashada leh sifooyin maalinle ah oo firfircoon oo lagu qanci karo. Muusiga Lecoq waxa uu caan ku yahay laxankiisa dhalaalaya, qaafiyad ciyaar dhaqameed, farxad iyo kaftan.

Charles Lecoq ku dhashay June 3, 1832 in Paris. Waxa uu waxbarashadiisa muusiga ku qaatay Paris Conservatory, halkaas oo uu wax ku bartay fannaaniin caan ah - Bazin, Benois iyo Fromental Halévy. Intii uu weli ku jiray konserfatifka, wuxuu markii ugu horreysay u jeestay nooca operetta: 1856-kii wuxuu ka qaybqaatay tartankii uu ku dhawaaqay Offenbach ee hal-abuurka operetta Doctor Miracle. Shaqadiisu waxay la wadaagtaa abaalmarinta koowaad ee opuska magaca isku midka ah ee Georges Bizet, ka dibna sidoo kale arday dhigta konservatory. Laakiin si ka duwan Bizet, Lecoq wuxuu go'aansaday inuu naftiisa u huro gebi ahaanba operetta. Midba midka kale ka dib, wuxuu abuuraa " Gadaal albaabada xiran " (1859), "Dhunkashada albaabka", "Lilian iyo Valentine" (labadaba - 1864), "Ondine ka Champagne" (1866), "I iloobin-Aniga-Maya" 1866), "Rampono's Tavern" (1867).

Guushii ugu horreysay waxay ku timid curiyaha 1868-kii oo leh saddex-jil operetta ubaxa Shaaha, iyo 1873-kii, markii ugu horreysay ee operetta Madame Ango gabadhiisa ay ka dhacday Brussels, Lecoq wuxuu ku guuleystay caannimada adduunka. Gabadha Madame Ango (1872) waxay noqotay dhacdo dhab ah oo heer qaran ah gudaha Faransiiska. Halyeyga operetta Clerette Ango, oo ah qofka bilawga caafimaad qaba, abwaan Ange Pithou, oo heesaya heeso ku saabsan xorriyadda, ayaa soo jiitay Faransiiska Jamhuuriyadda saddexaad.

operetta soo socota ee Lecoq, Girofle-Girofle (1874), kaas oo, si kadis ah, oo sidoo kale lagu daahfuray Brussels, ayaa ugu dambayntii xoojiyay booska ugu sarreeya ee muusiga ee noocaan.

Jasiiradda Green Island, ama boqol gabdhood oo gabdho ah iyo labadii operettas ee xigay waxay caddeeyeen inay yihiin ifafaalaha ugu weyn ee nolosha masraxa, kaas oo beddelay shaqadii Offenbach oo beddelay dariiqii uu ku socday operetta Faransiiska. "Duchess ee Herolstein iyo La Belle Helena waxay leeyihiin toban jeer karti iyo caqli badan marka loo eego gabadha Ango, laakiin gabadha Ango waxay ku farxi doontaa inay daawato xitaa marka wax soo saarka hore aysan suurtagal ahayn, sababtoo ah gabadha Ango - Gabadha sharciga ah ee majaajilada hore ee Faransiiska, kuwa ugu horreeya waa carruurta aan sharciga ahayn ee nooca beenta ah, "ayuu qoray mid ka mid ah dhaleeceynta 1875.

Indho-indhaynta guul lama filaan ah oo cajiib ah, oo lagu ammaanay sida abuuraha hiddaha qaranka, Lecoq wuxuu abuuraa operettas aad iyo aad u badan, inta badan aan lagu guulaysan, oo leh astaamo farshaxan iyo shaabad. Si kastaba ha ahaatee, kuwa ugu fiican ayaa weli ku farxay heeso cusub, farxad, heeso soo jiidasho leh. Hawlgalladan ugu guulaha badan waxaa ka mid ah kuwan soo socda: "The Little Bride" (1875), "Pigtails" (1877), "The Little Duke" iyo "Camargo" (labadaba - 1878), "Gacan iyo Wadnaha" (1882), "Princess". jasiiradaha Canary" (1883), "Ali Baba" (1887).

Shaqooyin cusub oo Lecoq ah ayaa soo muuqday ilaa 1910. Sannadihii ugu dambeeyay ee noloshiisa, wuu bukay, naafo yar, sariir. Laxamiistaha ayaa dhintay, isaga oo ka badbaaday caannimadiisa muddo dheer, Paris 24-kii Oktoobar, 1918. Marka lagu daro operettas badan, dhaxalkiisa waxaa ka mid ah ballet Bluebeard (1898), Swan (1899), qaybo loogu talagalay orchestra, piano yar ayaa shaqeeya. , jacayl, heeso.

L. Mikheva, A. Orelovich