Felicia Blumenthal (Felicja Blumenthal) |

Felicja Blumental

Tani suubban, muuqaal duug ah oo hadda halkii ay ka sii ahaan lahayd haweenayda da'da ah ma aysan raadin inay ku tartanto masraxa riwaayadaha kaliya maahan inay la tartanto pianists hormoodka ah ama "xiddigaha" soo kacaya, laakiin sidoo kale waxay la tartamaysaa saaxiibadeeda. Ama sababtoo ah masiirkeeda faneed ayaa ku adkeyd markii hore, ama waxay ogaatay inaysan lahayn xirfad ku filan oo suubban iyo shakhsiyad xooggan tan. Si kastaba ha ahaatee, iyada, hooyo u dhashay Poland iyo arday ka mid ah dagaaladii ka hor Warsaw Conservatory, caan ka noqday Yurub oo keliya bartamihii 50-meeyadii, iyo xataa maanta magaceeda weli laguma darin qaamuusyada taariikh nololeedka muusikada iyo buugaagta tixraaca. Run, waxaa lagu xafiday liiska ka qaybgalayaasha tartanka Chopin International ee Saddexaad, laakiin kuma jiro liiska abaalmarinta.

Dhanka kale, magacani wuxuu mudan yahay in fiiro gaar ah loo yeesho, sababtoo ah waxaa iska leh fannaanka oo u guntaday hammigii sharafta lahaa ee ahaa soo noolaynta muusigii hore ee qadiimiga ahaa iyo kuwii jaceylka ahaa ee aan qarniyo badan la soo bandhigin, iyo sidoo kale caawinta qorayaasha casriga ah ee raadinaya habab ay ku gaaraan dhageystayaasha. .

Blumenthal waxay siisay riwaayadeedii ugu horeysay ee Poland iyo dibadda wax yar ka hor inta uusan dillaacin dagaalkii labaad ee aduunka. Sannadkii 1942-kii, waxay u suurtagashay inay ka soo baxsato Yurub oo Naasigu qabsaday, una gudubtay Koonfurta Ameerika. Aakhirkii waxay noqotay muwaadin reer Brazil ah, waxay bilawday inay wax barato oo ay bandhigto riwaayado, waxaanay xidhiidh saaxiibtinimo la yeelatay halabuurayaal badan oo reer Brazil ah. Waxaa ka mid ahaa Heitor Vila Lobos, kaas oo u hibeeyey kiisii ​​ugu dambeeyay, Fifth Piano Concerto (1954) pianist-ga. Waxay ahayd sannadahaas markii la go'aamiyay jihooyinka ugu muhiimsan ee waxqabadka hal-abuurka fannaanka.

Tan iyo markaas, Felicia Blumenthal waxay bixisay boqollaal riwaayadood oo Koonfurta Ameerika ah, oo duubtay daraasiin shaqo, ku dhawaad ​​ama gebi ahaanba aan aqoon dhegaystayaasha. Xitaa liiska wax-soo-saarkeeda ayaa qaadan doona meel badan. Waxaa ka mid ah riwaayado ay sameeyeen Czerny, Clementi, Filda, Paisiello, Stamitz, Viotti, Kulau, Kozhelukh, FA Hoffmeister, Ferdinand Ries, Hummel's Brilliant Rondo oo ku saabsan mawduucyada Ruushka. Oo ay la socoto tan - Arensky's Concerto, Fantasia Foret, Concertpiece Ant. Rubinstein, "Cake Aroos" ee Saint-Saens, "Concerto Fantastic" iyo "Spanish Rhapsody" ee Albeniz, Concerto iyo "Fantasy Polish" ee Paderewski, Concertino ee qaabka qadiimiga ah iyo qoob-ka-cayaarka Romania ee D. Lipatti, riwaayad Brazilian ah oo uu sameeyay M. Tovaris… Waxaan soo sheegnay oo kaliya halabuurka piano iyo orkestra…

Sannadkii 1955-tii, Felicia Blumenthal, ayaa markii ugu horreysay nasasho dheer ka dib, ku samaysay Yurub, wixii markaas ka dambeeyayna waxay si isdaba joog ah ugu soo laabatay qaaraddii hore, iyadoo ku ciyaartay hoolalka ugu fiican iyo kooxda orkestras-ka ugu fiican. Mid ka mid ah booqashadeedii Czechoslovakia, waxay ku duubtay kooxda Brno iyo Prague orchestras saxan xiiso leh oo ka kooban shaqooyin la ilaaway Beethoven ( sanadguuradii 200aad ee laxankii weynaa). Riwaayadda Piano ee E flat major (op. 1784), daabacaadda piano ee riwaayadda violin, riwaayadda aan dhammayn ee D weyn, Cantabile Romance ee biyaano, dabaysha alwaaxa iyo qalabka xargaha ayaa halkan lagu duubay. Gelitaankani waa dukumeenti qiimo taariikheed oo aan la dafiri karin.

Way caddahay in sheekada weyn ee Blumenthal ay jiraan shaqooyin dhaqameed oo badan oo heersare ah. Run, aaggan, dabcan, way ka hooseysaa jilayaasha caanka ah. Laakiin way khaldan tahay in la moodo in ciyaarteedu ka maqan tahay xirfad-yaqaannimada lagama maarmaanka ah iyo soo jiidashada faneed. "Felicia Blumenthal," waxay ku nuuxnuuxsatay majaladda Galbeedka Jarmalka ee Phonoforum, "waa pianist wanaagsan oo soo bandhigta halabuur aan la garanayn oo leh hubanti farsamo iyo nadiif ah qaabka. Xaqiiqda ah inay si sax ah u ciyaarto waxay ka dhigaysaa inay iyadu aad u qadariso.

Grigoriev L., Platek Ya., 1990