Fiorenza Cedolins |

Fiorenza Cedolins

Fiorenza Cedolins wuxuu ku dhashay Anduins, oo ah magaalo yar oo ku taal gobolka Pordenone (gobolka Friuli-Venezia Giulia). Horeba da'dii hore, Chedolins waxay ka soo muuqatay masraxa opera-ga xirfadeed (1988). Doorkeeda ugu muhiimsan waxay ahayd Santuzza ee Mascagni's Rural Honor (Teatro Carlo Felice ee Genoa, 1992). Haysashada cod caag ah oo jilicsan oo midab madow ah oo naadir ah iyo kala duwanaansho weyn, iyo sidoo kale arsenal awood leh oo farsamo taasoo u oggolaanaysa inay qabato labada qaybood ee soprano-riwaayad-soprano ah oo ay kalsooni ku dareento riwaayadda (verist) ee riwaayadda, Fanaanada marxalada ugu horeysa ee xirfadeeda waxa ay ku guulaysatay dhowr xilli oo isku xigta. waxay iska kaashadaan soloist marti ah xaflada Split (Croatia). Qaybaha stylistically heterogeneous ee ay tahay in la sameeyo inta lagu jiro muddadan ayaa noqda saldhigga bilowga kaas oo aad ku horumarin karto kartidaada heeseed oo aad ku urursan karto khibrad faneed. Marka, oo leh xamaasad xamaasad leh, Chedolins waxay ku caan baxday riwaayadda ugu ballaaran ee Monteverdi's Duel of Tancred iyo Clorinda ilaa Orff's Carmina Burana, laga bilaabo Rossini's Moses ilaa Richard Strauss's Salome.

Sida hore loo xusay, leexashada nasiibka ah ee xirfadda Chaedolins waxay dhacdaa 1996. Sida ku guulaysta tartanka caalamiga ah ee Luciano Pavarotti, waxay fursad u helaysaa inay ku heesto Puccini's "Tosca" ee Philadelphia isla waxqabad la mid ah kireystaha ugu weyn ee meeraha. . Isla sanadkaas, heesaa wuxuu lahaa Santuzza kale oo ku yaala Bandhiga Ravenna (hagaajinta - Riccardo Muti). Xagaagii 1997, KICCO MUSIC waxay ku duubtay CD Cilea's "Gloria" ee Cedolins ee doorka lahaanshaha ee bandhigga San Gimignano Festival. Xilliga dayrta ee isla sanadkaas - mar kale Santuzza ee xafladda Mascagni ee Livorno. Sidaa darteed, dabeecadda codka ayaa si dabiici ah u go'aamisa saldhigga riwaayadda heesaha ee "Veristic-Puccini".

Si kastaba ha ahaatee, laga bilaabo Oktoobar 1997, Cedolins wuxuu qaatay go'aanka ah inuu dib u eegistiisa dib u eegis si taxadar leh u tixgeliyey. Doorbid hadda waxaa la siiyaa, ugu horreyntii, halyeynada heesaha ah, iyo sidoo kale qaybo ka mid ah doorka suugaanta iyo riwaayadaha, oo u baahan dabacsanaan gaar ah iyo dhaqdhaqaaqa codka oo ay weheliso midab diirran, midab leh oo codka ah iyo buuxinta qoraalka codka. Soo-bandhigidda riwaayadaha verismo iyo "opera grand" (kiiskan, ereygani waxa uu tilmaamayaa qaybo riwaayadeed oo dhammaystiran) si tartiib tartiib ah ayey u bilaabaan inay lumiyaan dabeecadooda si nidaamsan.

Laga bilaabo wakhtigaas, tirada qandaraasyada Chedolins waxay u koraan sida kubbadda barafka. Mid mid, marxaladaha opera-yada adduunka ugu weyn ayaa u soo gudbiya iyada. Dariiqyada hawlgelinteedu waxay ka bilaabmayaan New York's Metropolitan Opera ilaa Beerta Covent ee London, laga bilaabo Opera Bastille ee Paris ilaa Liceu ee Barcelona, ​​laga bilaabo Guriga Opera ee Zurich ilaa Masraxa Real Madrid. Qoraaga khadadkan laba jeer ayaa nasiib u leh inuu maqlo heesaaga bandhigyada tiyaatarka Arena di Verona: ee Verdi's operas Il trovatore (2001) iyo Aida (2002). Iyo, dabcan, dariiqyada hal-abuurka ayaa si dabiici ah u horseedaya jilitaanka wadada weyn ee xurmada leh ee masraxa La Scala - opera Mecca oo heesaa kasta ku riyoodo inuu qabsado. Kulankii ugu horeeyay ee Milan ee Cedolins waxa uu dib u dhacay Febraayo 2007: doorka ugu weyn ee Puccini's Madama Butterfly (maamulaha - Myung-Vun Chung) ayaa soo jiidatay.

Mid ka mid ah daabacaadadii dhaleeceynta xamaasadda leh ee Talyaani ee wakhtigaas ee majaladda Messaggero Veneto, wareysiga heesaha, ayaa loo yaqaan "Magaca La Scala waa Fiorenza Cedolins." Waa tan waxa ku qoran hordhaca: “Waxay ahayd waalli dhab ah oo dadwaynaha. Macbadka Opera Talyaanigu, mid ka mid ah meelaha ugu ixtiraamka badan ee farshaxan kasta, wuxuu u kacay cagihiisa oo "ku dhawaaqay" farxad iyo oggolaansho. Fiorenza Cedolins, soprano da 'yar, taabtay, soo jiidatay, soo jiitay daawadayaasha opera ee ugu mudnaanta badan iyo kan ugu casrisan - daawadayaasha masraxa La Scala ee Milan - oo leh qaab ciyaareed cajiib ah oo qaybta ugu weyn… ”Marxaladda xigta ee muhiimka ah ee iskaashiga masraxa Sida horeba loogu xusay bilawga qoraaladayada, waa furitaanka xilli ciyaareedkan ee La Scala. Shakina kuma jiro: xiriirada hal-abuurka leh ee macbadkan farshaxanka ayaa hubaal ahaan sii socon doona mustaqbalka.

Codka heesaagu waa mid ka mid ah dugsiga codka ee Talyaaniga oo si aan ikhtiyaari ahayn u jiro xasuuso taariikhi ah oo leh codka halyeeyga Renata Tebaldi. Waxaa intaa dheer, sinaba ma aha kuwo aan sal lahayn. Sabino Lenochi, oo shakhsi ahaan u yaqaanay Tebaldi, ayaa la wadaagay xasuustiisa intii lagu jiray shirka jaraa'id. Mid ka mid ah kulamadii uu la yeeshay prima donna, wuxuu siiyay cajaladaha Chedolins si ay u dhageysato - oo Tebaldi wuxuu ku dhawaaqay: "Ugu dambeyntii, waxaan helay dhaxalkayga hal-abuurka ah!" Riwaayadda hadda ee Fiorenza Cedolins waa mid aad u cajiib ah. Waxay ka kooban tahay ku dhawaad ​​dhammaan Puccini (sideed ka mid ah tobankiisii ​​operas). operas-yada Verdi ayaa qayb weyn ka ah. Aynu magacowno dhawr ka mid ah. Shaqooyinka hore waxaa ka mid ah "Lombards in Crusade First", "Battle of Legnano", "Robbers", "Louise Miller". Kuwa dambe waxaa ka mid ah Il trovatore, La traviata, Simon Boccanegra, Xoogga Mustaqbalka. Iyo, ugu dambeyntii, operas-yada dhamaystiraya shaqada maestro ee Busseto waa Don Carlos, Aida, Othello iyo Falstaff.

Lakabka operatic bel canto ee riwaayadda Cedolins waa yar yahay (Bellini's Norma, Donizetti's Polieucto iyo Lucrezia Borgia), laakiin tani waa ujeedo iyo dabiici ah. Xaaladda marka ay timaaddo tarjumaadda riwaayadda jacaylka Talyaaniga ee bel canto ee qarnigii XNUMX-aad, heesaagu wuxuu u wajahayaa doorkiisa si taxadar leh oo xulashada, si adag u hubinaya in codkeedu si buuxda u waafaqsan yahay heerarka aan la ruxin ee qaabka, labadaba tessitura iyo labadaba. sifooyinka qalabkeeda.