Irina Petrovna Bogacheva |

Irina Bogacheva

Waxay ku dhalatay on March 2, 1939 in Leningrad. Aabbe - Komyakov Petr Georgievich (1900-1947), borofisar, dhakhtarka cilmiga farsamada, madaxa qaybta birta birta ee Machadka Polytechnic. Hooyo - Komyakova Tatyana Yakovlevna (1917-1956). Sayga - Gaudasinsky Stanislav Leonovich (wuxuu dhashay 1937), oo ah masraxa caanka ah ee caanka ah, Farshaxanka Dadka ee Ruushka, madaxa Waaxda Muusikada ee Hagidda St. Petersburg Conservatory. Gabadha - Gaudasinskaya Elena Stanislavovna (ku dhashay 1967), pianist, ku guuleystay tartanka caalamiga ah iyo All-Ruushka. Ayeeyo - Irina.

Irina Bogacheva waxay dhaxashay caadooyinka ruuxnimada sare ee caqliga Ruushka xubnaha ka weyn qoyskeeda. Aabaheed oo ahaa nin dhaqan wanaagsan, kuna hadli jiray afar luqadood, aad ayuu u xiiseeyay fanka, gaar ahaan masraxa. Waxa uu rabay Irina in ay hesho waxbarashada fanka liberaaliga ah, iyo caruurnimadiisii ​​waxa uu isku dayay in ay u hesho sida luqadaha. Hooyo, sida laga soo xigtay xusuusta Irina, waxay lahayd cod qurux badan, laakiin gabadhu waxay dhaxashay jacayl xamaasad leh oo loogu heeso iyada, laakiin, sida qaraabada u aaminsan yihiin, awoowe aabbaheed, oo ku dhuftay Volga oo lahaa bass awood leh.

Irina Bogacheva caruurnimadiisii ​​hore ayaa lagu qaatay Leningrad. Iyada iyo qoyskeeda, waxay si buuxda u dareentay dhibka ka haysta go'doominta magaaladeeda. Ka dib markii laga saaray qoyska, qoyska waxaa loo daadgureeyay gobolka Kostroma oo waxay ku noqdeen magaaladoodii oo keliya wakhtiga Irina galay dugsiga. Sida fasalka toddobaad, Irina markii ugu horeysay u timid Mariinsky - ka dibna Kirov Opera iyo Ballet Tiyaatarka, oo wuxuu noqday iyada jacaylka nolosha. Ilaa hadda, aragtiyihii ugu horreeyay "Eugene Onegin", "Boqoradda Spades" ee ugu horreysay oo leh Sophia Petrovna Preobrazhenskaya oo aan la ilaawi karin doorka Countess lagama tirtirin xusuusta ...

Rajadii aan caddayn ee ahayd in ay noqoto fannaanad soo ifbaxday, si kastaba ha ahaatee, waxa soo food saartay duruufo nololeed oo adag. Isla markiiba, Aabihii ayaa dhintay, kaas oo caafimaadkiisa ay wiiqday xannibaadda, dhawr sano ka dib hooyadii ayaa raacday. Irina ayaa weli ah curad ka mid ah saddexda walaalaha ah, oo ay hadda ku qasban tahay inay daryeesho, iyada oo nafteeda kasbanaysa. Waxay aadaa dugsiga farsamada. Laakin jacaylka muusigu wuu qaataa, waxay ka qaybqaataa bandhigyada hiwaayadda, waxay ka qaybgashaa wareegyada heesaha kali ah iyo muujinta farshaxanka. Macallinka codka, Margarita Tikhonovna Fitingof, oo mar ku soo bandhigay masraxa tiyaatarka Mariinsky, ka dib markii ay qadarisay kartida gaarka ah ee ardaydeeda, waxay ku adkaysatay in Irina ay si xirfad leh u heesato, iyaduna waxay u keentay Leningrad Rimsky-Korsakov Conservatory. Imtixaankii gelitaanka, Bogacheva wuxuu ku heesay Delilah's aria ee opera Saint-Saens' Samson iyo Delilah waana la aqbalay. Hadda wixii ka dambeeya, nolosheeda hal-abuurka ah oo dhan waxay ku xiran tahay konservatory, machadyada muusikada sare ee ugu horreeya ee Ruushka, iyo sidoo kale dhismaha dhinaca kale ee Masraxa Tiyaatarka - halyeeyga Mariinsky.

Irina noqday arday ah IP Timonova-Levando. "Aad ayaan ugu mahadcelinayaa qaddarka aan ku dhameystay fasalka Iraida Pavlovna," ayuu yiri Bogacheva. – Macallin fakar iyo caqli badan, qof naxariis badan, ayay hooyaday ku beddeshay. Weli waxa nagu xidhan xidhiidh qoto dheer oo bini’aadminimo iyo hal abuur leh.” Ka dib, Irina Petrovna tababar Italy. Laakiin dugsiga codka Ruushka, oo ay baratay fasalka ilaalinta ee Timonova-Levando, ayaa u soo baxday inay noqoto saldhigga fanka heesaha. Iyadoo weli arday ah, 1962, Bogacheva noqday ku guuleystay ee All-Union Glinka Vocal Competition. Irina guusha weyn waxay kicisay xiisaha ay u qabto tiyaatarada iyo ururada riwaayadaha, ugu dhakhsaha badan waxay heshay soo jeedinta bandhigga ee Tiyaatarka Bolshoi Moscow iyo Tiyaatarka Leningrad Kirov. Waxay doorataa masraxa weyn ee bangiyada Neva. Wax qabadkeedii ugu horreeyay ee halkan wuxuu dhacay Maarso 26, 1964 sida Polina ee Boqoradda Spades.

Si dhakhso ah caannimada adduunka ayaa timid Bogacheva. Sannadkii 1967-kii, waxa loo diray tartankii codka caalamiga ahaa ee caanka ahaa ee Rio de Janeiro, halkaas oo ay ku heshay abaal-marintii ugu horreysay. Dhaleeceeyayaasha reer Brazil iyo kormeerayaasha dalal kale ayaa ugu yeeray guusheeda mid dareen leh, dib u eegista wargeyska O Globo ayaa qoray: si buuxda ayaa loogu muujiyay wareegii ugu dambeeyay, qaab ciyaareedkeedii wacnaa ee Donizetti iyo qorayaasha Ruushka - Mussorgsky iyo Tchaikovsky. Marka lagu daro opera-ka, waxqabadka fannaanka ee heesaaga ayaa sidoo kale si guul leh loo horumariyay. Ma fududa in la qiyaaso inta ay le'eg tahay shaqada, xoogga saarista iyo dadaalka sida xirfadda degdega ah u kobcaysa ee looga baahan yahay farshaxan-yaqaanka da'da yar. Laga soo bilaabo yaraanteedii, waxa ay si weyn ugu suntan tahay dareen masuuliyadeed oo ka saaran qadiyadda ay u adeegayso, sumcaddeeda, ku faanista waxa ay gaadhay, rabitaan wanaagsan oo dhiirigelinaya in ay noqoto qofka ugu horreeya wax kasta. Kuwa aan aqoonta u lahayn, waxay u muuqataa in wax walba ay iska soo baxaan. Kaliya xirfadlayaasha kale ayaa dareemi kara inta ay le'eg tahay shaqada dhabta ah ee loo baahan yahay si ay u kala duwanaadaan noocyada kala duwan ee qaababka, sawirada, noocyada riwaayadaha muusikada ee Bogacheva ay leedahay si loogu muujiyo heerka farshaxanka sare.

Imaatinka 1968 ee internship-ka Talyaaniga, oo uu la socdo Genarro Barra oo caan ah, waxay ku guulaysatay inay wax ka barato hagitaankiisa tiro badan oo hawlo ah oo kuwa kale ee deeqaha waxbarasho haysan kari waayeen: Bizet's Carmen iyo Verdi's abuurista - Aida, Il trovatore, Louise Miller ", "Don Carlos", "Kubadda Masquerade". Waxay ahayd tii ugu horreysay ee gudaha gudaha ah si ay u hesho soo jeedin si ay u qabato masraxa caanka ah ee La Scala waxayna ku heesi jirtay Ulrika, iyada oo oggolaansho xamaasad leh ka heshay dadweynaha iyo dhaleeceynta. Ka dib, Bogacheva wuxuu ku ciyaaray Talyaaniga wax ka badan hal mar waxaana had iyo jeer si diiran loogu qaabilay halkaas.

Waddooyinka safarro badan oo dheeraad ah oo ka mid ah fanaaniinta caanka ah waxaa ka mid ah adduunka oo dhan, laakiin dhacdooyinka ugu muhiimsan ee nolosheeda farshaxanka, diyaarinta doorarka ugu muhiimsan, bandhigyada ugu muhiimsan - waxaas oo dhan waxay ku xiran tahay hooyo St. Petersburg, oo leh Tiyaatarka Mariinsky. Halkan waxa ay ku abuurtay sawiro dumar ah, taas oo noqotay hantida khasnadda fanka opera ee Ruushka.

Marfa ee Khovanshchina waa mid ka mid ah hal-abuurkeeda ugu muhiimsan ee marxaladda. Meesha ugu sarraysa ee fasiraada atariishada doorkan ayaa ah falkii ugu dambeeyay, muuqaalka cajiibka ah ee “aaska jacaylka”. Iyo socodka farxadda leh, halkaas oo buunka Bogacheva uu kor u kaco, iyo jacaylka jacaylka, halkaas oo jilicsanaan la'aantu ay u soo baxdo, iyo heesaha ayaa la mid noqon karaa cantilena cello - waxaas oo dhan waxay ku sii jiraan nafta dhegeystaha muddo dheer, iyagoo kicinaya rajo qarsoodi ah: Dhulka sida quruxda badan u dhalaa ma baaba’o oo xoog ma waayo.

Rimsky-Korsakov's opera "Aroosadda Tsar" ayaa hadda loo arkaa inuu yahay hal-abuur si cad uga soo horjeeda maalmaheenna, marka rabshaduhu ay dhalin karaan rabshado. Cadhada, kibirka lagu tuntay, Lyubasha-Bogacheva ee quudhsiga Grigory iyo nafteeda, isbeddelaya, waxay keenaysaa duufaan ruuxi ah, marxalad kasta oo ka mid ah taas oo ay gudbiso Bogacheva oo leh aragti nafsi ah oo aan caadi ahayn iyo xirfado hawleed. Iyada oo daalan, ayay bilawday aria "Tani waa waxa aan ku noolaa," iyo cabsi la'aan, qabow, dhawaaqa adduunyada kale ee codkeeda, mishiinka xitaa laxanka ayaa ka dhigaya iyada: ma jiro mustaqbal geesinimo leh, halkan waa horudhac dhimasho. Dhamaadka duufaanta ee doorka ficilka ugu dambeeya ee tarjumaadda Bogacheva waxay la mid tahay qarxinta volcano.

Waxaa ka mid ah doorarka ugu caansan uguna caansan ee Bogacheva waa Countess ka Queen of Spades. Irina Petrovna waxay ka qayb qaadatay wax soo saarka badan oo ka mid ah opera cajiib ah, magaaladeeda hooyo iyo dibadda. Waxay horumarisay tarjumaaddeeda dabeecadda Pushkin iyo Tchaikovsky iyadoo la kaashanaysa agaasimayaasha Roman Tikhomirov, Stanislav Gaudasinsky (waxqabadkiisa, oo lagu sameeyay Masraxa Mussorgsky, waxay ku sameysay safar kooxda Yurub, Ameerika, Aasiya), kooriyeyaasha Yuri Simonov. Myung-Wun Chung . Waxaa lagu martiqaaday jilayaasha caalamiga ah ee soo bandhigay Queen of Spades ee Paris, ee Opera de la Bastille, ee Andron Konchalovsky ee akhriska dareenka. Guga ee 1999, waxay samaysay doorka Countess (iyo sidoo kale maamulka) ee Opera Metropolitan ee New York, ee waxqabadka taariikhiga ah ee Valery Gergiev oo uu hagayay Elijah Moshinsky, halkaas oo Plácido Domingo weyn u sameeyay markii ugu horeysay ee Herman. Laakiin waxaa laga yaabaa in ugu waxtarka badan ay ahayd daraasadda xiisaha leh ee qaybta Countess ee Yuri Temirkanov, kaas oo, wax soo saarka caanka ah ee Tiyaatarka Kirov, ayaa kormeeray labada dhinac ee muusikada iyo masraxa.

Ka mid ah doorarka badan ee operas-ka ee halabuurayaasha ajnabiga ah, laba door waa in si gaar ah loo tilmaamaa gaar ahaan waxqabadkeeda faneed ee ugu sarreeya - Carmen iyo Amneris. Sidee isku mid ah u yihiin gabadha aan xishoodka lahayn ee ka timid warshadda tubaakada ee Seville iyo inanta isla weyn ee Fircoonkii Masar! Hase yeeshee, midba midka kale iyo geesiyaasha kale ee Bogacheva, waxay ku xiran yihiin fikrad caadi ah, iyada oo loo marayo shaqadeeda oo dhan: xorriyaddu waa xuquuqda ugu weyn ee aadanaha, qofna ma karo, waa in uusan iska qaadin.

Amneris oo ah mid aad u qurux badan oo qurux badan, oo ah gabadha boqorka ah, lama siinin inay ogaato farxadda jacaylka la wadaago. Kibirka, jacaylka iyo hinaasiga, taas oo ku dhiirigelisa amiiradda inay noqoto mid khiyaano leh oo ay ku qarxiso cadho, wax walba si aan caadi ahayn ayaa loogu daray iyada, Bogacheva waxay helaysaa midabyo cod iyo marxalad si ay u gudbiso mid kasta oo ka mid ah dawladahan oo leh dareenka ugu sarreeya. Habka Bogacheva ay u qabato goobta caanka ah ee maxkamadaynta, codka qaylo-dhaanteeda hoose iyo daloolinteeda, kuwa sare ee awoodda leh, marnaba ma iloobi doono qof kasta oo ku dhacay inuu arko oo maqlo.

"Qeybta iigu qaalisan waa shaki la'aan Carmen, laakiin waxay ahayd iyada oo ii noqotay imtixaan joogto ah oo qaan-gaar ah iyo xirfad," ayay tiri Irina Bogacheva. Waxay u muuqataa in farshaxanku uu u dhashay inuu ka soo muuqdo masraxa sida Isbaanishka aan tanaasulin oo aad u adag. "Carmen waa inay lahaataa soo jiidashadan oo kale," ayay aaminsan tahay, "si daawadeyaashu si hagar la'aan ah ula socdaan iyada oo dhan waxqabadka, sida haddii iftiinkeeda, sixrasho, soo jiidasho, ay tahay inay soo baxdo."

Waxaa ka mid ah doorarka ugu muhiimsan ee Bogacheva, Azucena oo ka socda Il trovatore, Preziosilla oo ka socda Verdi's Force of Destiny, Marina Mnishek oo ka socota Boris Godunov, iyo Konchakovna oo ka socda Prince Igor. Doorka ugu fiican ee qorayaasha casriga ah waxaa ka mid ah dharka dharka ee Marta Skavronskaya, mustaqbalka Empress Catherine, ee Andrey Petrov's opera Peter the Great.

Sameynta doorarka caasimadda, Irina Petrovna marnaba hoos u dhigin doorarka yaryar, iyada oo hubinaysa in aysan jirin: muhiimadda, asalka asalka ah ee dabeecadda ma aha mid lagu go'aamiyo dhererka joogitaanka masraxa. Ciyaarta "Dagaalka iyo Nabadda" ee Yuri Temirkanov iyo Boris Pokrovsky, waxay si fiican u ciyaaray doorka Helen Bezukhova. Soo saarista soo socota ee opera Sergei Prokofiev by Valery Gergiev iyo Graham Wikk, Bogacheva wuxuu sameeyay doorka Akhrosimova. opera kale ee Prokofiev - Khamaarka ka dib Dostoevsky - farshaxanku wuxuu abuuray sawirka Granny.

Marka lagu daro bandhigyada masraxa opera, Irina Bogacheva waxay hogaamineysaa waxqabad riwaayadeed oo firfircoon. Waxay aad ugu heesi jirtay orkester iyo biyaano. Riwaayaddeeda riwaayadeed waxay ka mid tahay arias ka soo jeeda operettas qadiimiga ah iyo heeso, oo ay ku jiraan heesaha pop. Iyada oo leh dhiirigelin iyo dareen ayay ku heesaysaa "Dayrta" iyo heeso kale oo cajiib ah oo uu leeyahay Valery Gavrilin, oo aad u qadarisay hadiyaddeeda faneed…

Cutubka gaarka ah ee taariikhda muusiga qolka Bogacheva wuxuu la xidhiidhaa shaqadeeda ku saabsan halabuurka codka ee DD Shostakovich. Isagoo abuuray Suite ee aayadaha Marina Tsvetaeva, wuxuu dhegaystay heesaa badan, oo dooranaya cidda lagu aamino waxqabadka ugu horreeya. Oo joogsaday Bogacheva. Irina Petrovna, oo ay weheliso SB Vakman, oo sameeyay qayb ka mid ah piano, waxay ula dhaqmeen diyaargarowga bilowga mas'uuliyad aan caadi ahayn. Waxay si qoto dheer u dhex gashay adduunka tusaalaha ah, oo iyada ku cusbaa, iyada oo si weyn u ballaadhisay aragtideeda muusigga, waxaanay la kulantay dareen ku qanacsanaan naadir ah tan. “Xiriirkii aan la lahaa waxay ii keentay farxad hal abuur leh. Waxaan ku riyoon karaa oo kaliya bandhig faneedkan oo kale,” ayuu yiri qoraagu. Hordhaca ayaa si xamaasad leh loo qaabilay, ka dibna farshaxanku wuxuu heesay Suite-ka marar badan, dhammaan qaybaha adduunka. Waxaa dhiirigeliyay tan, laxamiistaha weyn wuxuu abuuray nooc ka mid ah Suite-ka codka iyo orchestra qolka, iyo nooca Bogacheva ayaa sidoo kale sameeyay wax ka badan hal mar. Guusha gaarka ah waxay la socotay rafcaankeeda shaqo kale oo cod ah oo uu leeyahay sayid qurux badan - "Shan satires oo ku saabsan aayadaha Sasha Cherny."

Irina Bogacheva waxay ka shaqeysaa wax badan oo miro leh istuudiyaha Lentelefilm iyo telefishanka. Waxay ku jishay filimada muusikada: "Irina Bogacheva Sings" ( agaasime V. Okuntsov), "Voice and Organ" ( agaasime V. Okuntsov), "My Life Opera" ( agaasime V. Okuntsov), "Carmen - Pages of the Score" ( agaasime O. Ryabokon). St. Petersburg TV, filimada fiidiyooga ah "Song, Romance, Waltz", "Talyaaniga Dreams" ( agaasime I. Taimanova), "Ruushka Romance" ( agaasime I. Taimanova), iyo sidoo kale bandhigyada faa'iidada sannad-guurada fannaaniinta ee Great Philharmonic Hall (marka la gaaro maalmaha dhalashada 50, 55aad iyo 60aad). Irina Bogacheva duubay oo sii daayay 5 CD.

Waqtigan xaadirka ah, nolosha hal-abuurka ee heesaaga ayaa ah mid aad u buuxa. Iyadu waa Guddoomiye ku-xigeenka Golaha Isku-dubarid ee Ururada Hal-abuurka ee St. Petersburg. Sannadkii 1980-kii, iyadoo ku jirtay heerkii ugu sarreeyey ee xirfadeeda heeseed, fannaanadu waxay qaadatay barbaarin waxayna barafasoor ka ahayd Conservatory St. Petersburg muddo labaatan sano ah. Waxaa ka mid ah ardaydeeda Olga Borodina, oo loo arko mid ka mid ah fanaaniinta opera ugu fiican adduunka, Natalya Evstafieva (ku guuleystaha diblooma ee tartanka caalamiga ah) iyo Natalya Biryukova (ku guuleystaha tartanka caalamiga ah iyo dhammaan Ruushka), kuwaas oo guulo waaweyn ka gaaray. Germany oo loo magacaabay Abaalmarinta Soffit Golden, Yuri Ivshin (soloist Mussorgsky Theatre, abaalmarinta tartamada caalamiga ah), iyo sidoo kale soloists dhalinyarada ee Tiyaatarka Mariinsky Elena Chebotareva, Olga Savova iyo kuwa kale. Irina Bogacheva - Farshaxanada Dadka ee USSR (1976), Farshaxanka Dadka ee RSFSR (1974), Farshaxan Sharafeedka Ruushka (1970), ku guuleystey Abaalmarinta Gobolka ee USSR (1984) iyo Abaalmarinta Gobolka ee RSFSR ee loogu magac daray M. Glinka (1974). 1983-kii, heesaagii waxaa la guddoonsiiyay Shahaado Sharaf uu ka helay Presidium ee Midowgii Soofiyeedka Sare ee RSFSR, May 24, 2000, Golaha Sharci-dejinta ee St. . Waxaa la siiyay Amarka Saaxiibtinimada Dadka (1981) iyo "Merit to the Fatherland" III degree (2000).

Dhaqdhaqaaqa hal-abuurka leh ee xooggan oo badan oo kala duwan oo Irina Petrovna Bogacheva ay ku hawlan tahay waxay u baahan tahay isticmaalka xoogag waaweyn. Xoogagani waxay siinayaan jacayl xamaasad leh oo fanka, muusiga, opera-ka ah. Waxay leedahay dareen sare oo waajib ah hibada ay bixisay Providence. Dareenkaas oo ay ku kacday, ilaa yaraanteedii waxa ay la qabsatay in ay si adag u shaqeyso, ujeeddo iyo habaysanna, caadada shaqadu aad ayay u caawisaa.

Taageerada Bogacheva waa gurigeeda oo ku yaal agagaarka St. Petersburg, waasac iyo qurux badan, oo loogu talagalay dhadhankeeda. Irina Petrovna waxay jeceshahay badda, kaynta, eeyaha. Wuxuu jecel yahay inuu waqtigiisa firaaqada ah la qaato inantiisa. Xagaa kasta, haddii aysan jirin dalxiis, wuxuu isku dayaa inuu booqdo badda madow isaga iyo qoyskiisa.

PS Irina Bogacheva waxay ku dhimatay Sebtembar 19, 2019 gudaha St. Petersburg.