John Lill |

John Lill

John Lill wuxuu u kacay tallaabadii ugu sarraysay ee madal ka dhacday tartankii IV International Tchaikovsky Competition ee Moscow 1970kii isagoo la socday Vladimir Krainev, isagoo ka tagay pianists badan oo hibo u leh oo aan keenin khilaaf gaar ah oo u dhexeeya xubnaha xeerbeegtida, mana khilaaf dhaqameed u dhexeeya garsoorayaasha iyo dadweynaha. . Wax walba waxay u ekaayeen dabiici; in kasta oo uu 25 sano jirsaday, waxa uu hore u ahaa sayid qaan-gaar ah, oo inta badan la aasaasay. Waxay ahayd aragtidan in kalsoonidiisa uu ka tagay, iyo si loo xaqiijiyo, waxay ku filan tahay in la eego buug-yaraha tartanka, kaas oo soo wariyay, gaar ahaan, in John Lill uu leeyahay sheeko cajiib ah - 45 barnaamijyo solo ah iyo ilaa 45 riwaayado leh orkestra . Intaa waxaa dheer, mid ka mid ah ayaa akhrin kara in wakhtiga tartanka uusan ahayn arday, laakiin macalin, xitaa borofisar. Royal College of Music. Waxay u soo baxday inay ahayd lama filaan, laga yaabee, kaliya in farshaxan Ingiriisi uusan waligiis isku dayin inuu gacantiisa ka hor tartamo. Laakiin wuxuu doorbiday inuu go'aansado qaddarkiisa "hal dharbaaxo" - iyo sida qof kastaa ku qancay, ma uusan khaldamin.

Waxaas oo dhan, John Lill uma iman guusha Moscow ee waddo siman. Waxa uu ka dhashay qoys heersare ah, waxa uu ku koray xaafadda London ee East End (halkaas oo uu aabbihii ka shaqaynayey warshad) iyo, isaga oo soo bandhigay kartida muusiga carruurnimadiisii ​​hore, muddo dheer xitaa ma haysan qalab u gaar ah. . Horumarinta kartida nin dhalinyaro ah oo ujeedo leh, si kastaba ha ahaatee, waxay u socotay si aan caadi ahayn si dhakhso ah. Markuu jiray 9, wuxuu la ciyaaray orkester markii ugu horeysay, isagoo ciyaaraya Concerto Labaad ee Brahms (macnaheedu maaha shaqo "carruur"!), 14 jir, wuxuu ku dhawaad ​​​​dhammaan Beethoven ku yaqaanay wadnaha. Sannado waxbarasho oo uu ku qaatay Kuliyadda Muusikada ee Boqortooyada (1955-1965) waxay u keentay noocyo badan oo kala duwan, oo ay ku jiraan Biladda D. Lipatti iyo Deeqaha Waxbarashada ee Gulbenkian Foundation. Macallin khibrad leh, madaxa ururka "Dhallinyarada Muusikada" Robert Mayer ayaa wax badan ka caawiyay.

Sannadkii 1963-kii, pianist-kii wuxuu sameeyay kulankiisii ​​ugu horreeyay ee rasmiga ah ee Hall Festival Royal: Beethoven's Fifth Concerto ayaa la sameeyay. Si kastaba ha noqotee, isla markii uu ka qalin jabiyay kulliyadda, Lill waxaa lagu qasbay inay waqti badan geliso casharrada gaarka ah - waxay ahayd lagama maarmaan in la helo nolol; waxa uu markiiba shahaado ka qaatay ardaygiisii. Kaliya si tartiib tartiib ah ayuu bilaabay inuu si firfircoon u bixiyo riwaayadaha, marka hore guriga, ka dibna USA, Canada iyo tiro ka mid ah dalalka Yurub. Mid ka mid ah kuwa ugu horreeya ee qaddariya tayadiisa wuxuu ahaa Dmitri Shostakovich, kaasoo maqlay Lill oo ku soo bandhigtay Vienna 1967. Saddex sano ka dib Mayer wuxuu ku qanciyay inuu ka qayb qaato tartanka Moscow ...

Markaa guushu waxay ahayd mid dhammaystiran. Laakiin weli, soo dhaweynta ay dadweynaha Moscow siiyeen, waxaa jiray xoogaa feejignaan ah: ma uusan keenin farxad buuq badan oo farxadda jaceylka ah ee Cliburn, asalka cajiibka ah ee Ogdon, ama soo jiidashada dhalinyarada ee ka soo jeeda G. Sokolov ayaa hore u sababay. Haa, wax walbaa sax bay ahaayeen, wax walbana meeshay yaaleen, ”laakiin wax, nooc xamaasad ah, ayaa maqan. Arrintan ayaa sidoo kale ay dareemeen khubaro badan, gaar ahaan markii xamaasadii tartanku ka yaraatay, guulaystuhuna uu safarkiisii ​​ugu horreeyay ku soo maray dalkeenna. Khabiir aad u fiican oo u ciyaara piano, naqdiye iyo pianist P. Pechersky, isaga oo ixtiraamaya xirfadda Lill, caddaynta fikradihiisa iyo fududaynta ciyaarista, ayaa xusay: "Pianist" ma shaqeeyo "jis ahaan ama ( hoogtay!) dareen ahaan. Oo haddii kii ugu horreeyay uu guulaysto oo uu ku farxo, ka labaadna wuu niyad jabiyaa… Weli, waxay u muuqataa in guulihii ugu muhiimsanaa ee John Lill ay weli soo socdaan, marka uu maamulo inuu ku daro diirimaad dheeraad ah xirfadihiisa xariifnimada iyo sharafta leh, iyo marka loo baahdo - iyo kulayl.

Fikradan guud ahaan (oo leh habab kala duwan) waxaa la wadaagay naqdiyeyaal badan. Waxaa ka mid ah mudnaanta fannaanka, dib-u-eegayaashu waxay u sababeeyeen "caafimaadka maskaxda", dabiiciga ah ee xamaasadda hal-abuurka, daacadnimada muujinta muusigga, dheelitirka is-waafajinta, "dhawaaqa guud ee ciyaarta." Waa halbeegyadan aan la kulmi doono markaan u jeedno dib u eegista waxqabadkiisa. "Mar labaad waxaa i soo jiitay xirfadda muusikiiste da'da yar," ayuu qoray majaladda "Nolosha Muusigga" ka dib markii Lill ay samaysay Concerto Saddexaad ee Prokofiev. "Horta farsamadiisa kalsoonida leh waxay awood u leedahay inay bixiso farxad farshaxan. Iyo octaves xoog badan, iyo “geesiyaal” boodaya, iyo marinnada biyaano ee u muuqda kuwo aan miisaan lahayn…

Ilaa sodon sano ayaa ka soo wareegtay xiligaas. Maxaa cajiib ah oo ku saabsan sanadahaan John Lill, maxay yihiin waxyaabaha cusub ee ay u keeneen farshaxanka farshaxanka? Dibedda, wax walba waxay ku sii socdaan inay si badbaado leh u horumaraan. Guusha tartanka ayaa albaabada u furay masraxa riwaayadda xitaa isaga ka sii ballaaran: wuxuu u socdaalaa wax badan, wuxuu duubay ku dhawaad ​​dhammaan sonatas Beethoven iyo daraasiin kale oo shaqo ah oo ku saabsan diiwaannada. Isla markaa, nuxur ahaan, wakhtigu kuma darin astaamo cusub sawirka la yaqaan ee John Lill. Maya, xirfaddiisu ma lumin. Sidii hore oo kale, sannado badan ka hor, saxaafaddu waxay ku abaal marisaa "dhawaaqa wareegsan oo hodanka ah", dhadhan adag, dabeecad taxaddar leh oo ku aaddan qoraalka qoraaga (halkii, si kastaba ha ahaatee, xarafkeeda marka loo eego ruuxeeda). Lill, gaar ahaan, waligiis ma gooyo oo wuxuu sameeyaa dhammaan soo noqnoqoshada, sida uu qoray muusigga, wuxuu shisheeye u yahay rabitaanka inuu ka faa'iidaysto saameynta raqiis ah, isagoo u ciyaaraya daawadayaasha.

"Maadaama muusiggu uusan ahayn kaliya muuqaalka quruxda, kaliya maahan rafcaan dareenka oo kaliya maaha madadaalada, laakiin sidoo kale muujinta runta, wuxuu ula dhaqmaa shaqadiisa sida muuqaalka dhabta ah ee xaqiiqadan iyada oo aan waxyeello u geysan dhadhanka raqiis ah, iyada oo aan la jeclayn habdhaqanka nooc kastaba.” waxa uu qoray joornaalka duubista iyo duubista, isaga oo u dabaaldagaya sanad guuradii 25-aad ee ka soo wareegtay hal-abuurka fannaanka maalmihii uu 35 jirsaday!

Laakiin isla mar ahaantaana, dareenka caadiga ah wuxuu inta badan isu beddelaa caqli-gal, iyo "pianism-ka ganacsiga" oo kale ma helayso jawaab-celin diirran oo dhagaystayaasha ah. "Ma ogola in muusiggu u dhawaado isaga sida uu u maleynayo in la aqbali karo; had iyo jeer wuu la joogaa iyada, xaalad kasta oo kugu saabsan, ”ayuu yidhi mid ka mid ah goobjoogayaasha Ingiriiska. Xitaa dib u eegista mid ka mid ah fanaaniinta "nambarada taajka" - Beethoven's Fifth Concerto, mid ayaa la kulmi kara qeexitaannadan oo kale: "si geesinimo leh, laakiin aan male-awaal lahayn", "Niyad jab la'aan", "aan ku qanacsanayn oo caajis ah". Mid ka mid ah dhaleeceeyayaasha, ma aha mid aan la yaab lahayn, ayaa qoray in "Ciyaarta Lill waxay la mid tahay qoraal suugaaneed uu qoray macalin dugsi: wax walba waxay u muuqdaan inay sax yihiin, la fakaray, si sax ah qaabka, laakiin waa ka maqan tahay is-beddelkaas iyo duulimaadkaas. , la'aanteed hal-abuurku waa wax aan suurtagal ahayn, iyo daacadnimada si gooni ah, jajabyo si fiican loo fuliyay. Dareemidda qaar ka mid ah shucuur la'aanta, dabeecadda dabiiciga ah, farshaxanku mararka qaarkood wuxuu isku dayaa inuu si macmal ah u magdhabo tan - wuxuu soo bandhigayaa walxaha mawduuca tarjumaadda, wuxuu burburiyaa dharka nool ee muusikada, wuxuu ka soo horjeedaa naftiisa, sida ay ahayd. Laakiin dalxiisyada noocan oo kale ah ma bixiyaan natiijada la rabo. Isla mar ahaantaana, diiwaankii ugu dambeeyay ee Lill, gaar ahaan cajaladaha Beethoven's sonatas, ayaa bixiya sabab uu uga hadlo rabitaanka qoto dheer ee farshaxankiisa, si uu u muujiyo ciyaartiisa.

Marka, akhristuhu wuxuu ku weydiin doonaa, ma waxay ka dhigan tahay in John Lill uusan weli xaq u lahayn magaca ku guuleystaha tartanka Tchaikovsky? Jawaabtu sidaas uma fududa. Dabcan, kani waa pianoste adag, qaan-gaar ah oo caqli badan kaasoo galay waqtigii uu hal-abuurkiisa kobcinayey. Laakin horumarkeeda tobannaankii sano ee la soo dhaafay sidii hore uma degdegin. Malaha, sababta ayaa ah in miisaanka shakhsi ahaaneed ee farshaxanku iyo asalkiisu aanu si buuxda u waafaqsanayn kartidiisa muusigga iyo pianistic. Si kastaba ha ahaatee, waa goor hore in la gaaro gabagabada kama dambaysta ah - ka dib oo dhan, suurtogalnimada John Lill ayaa ah mid aad uga fog in la daalan yahay.

Grigoriev L., Platek Ya., 1990

John Lill waxaa si wadajir ah loogu aqoonsan yahay mid ka mid ah pianists-ta hormuudka u ah waqtigeenna. Intii lagu jiray xirfadiisa ku dhawaad ​​nus-qarnigii, pianist-ga waxa uu u safray in ka badan 50 waddan isaga oo wata riwaayado keligiis ah oo uu ku soo bandhigay hees-soloist ah oo leh fanaaniinta ugu fiican adduunka. Waxaa lagu soo dhaweeyay hoolalka riwaayadaha ee Amsterdam, Berlin, Paris, Prague, Rome, Stockholm, Vienna, Moscow, St. Petersburg, magaalooyinka Aasiya iyo Australia.

John Lill waxa uu ku dhashay March 17, 1944 ee London. Hibodiisii ​​naadir ahayd goor hore ayay soo muuqatay: waxa uu bixiyay riwaayadii ugu horaysay ee kali ah da'da 9. Lill waxa uu wax ku bartay Kuliyadda Muusiga ee Royal ee London isaga oo la socday Wilhelm Kempf. Hadda ka hor da'da 18, wuxuu sameeyay Rachmaninov's Concerto No. 3 oo uu la socday orkestar uu sameeyay Sir Adrian Boult. Bandhigii ugu horeeyay ee London oo qurux badan ayaa isla markiiba raacay Bandhiga Beethoven's Concerto No. 5 ee Hall Festival Royal. Sannadihii 1960-aadkii, pianist-kii wuxuu ku guuleystay abaal-marinno iyo abaal-marinno badan tartamada caalamiga ah ee sharafta leh. Guusha ugu saraysa ee Lill waa guusha tartanka caalamiga ah ee IV ee loogu magac daray. Tchaikovsky ee Moscow 1970 (wuxuu la wadaagay abaalmarinta XNUMXst V. Krainev).

Lill's repertoire-ka ugu ballaaran waxaa ka mid ah in ka badan 70 riwaayadood oo piano ah (dhammaan riwaayadaha Beethoven, Brahms, Rachmaninov, Tchaikovsky, Liszt, Chopin, Ravel, Shostakovich, iyo sidoo kale Bartok, Britten, Grieg, Weber, Mendelssohn, Mozart, Prokofiev, Saint-Saint-Saens Frank, Schumann). Waxa uu noqday caan, gaar ahaan, sida turjubaan heer sare ah ee shuqullada Beethoven. Pianist-ga ayaa si buuxda u sameeyay 32 sonatas in ka badan hal mar gudaha Great Britain, USA iyo Japan. London waxa uu ka bixiyay in ka badan 30 riwaayadood oo BBC Proms ah oo uu si joogto ah ula heesto fanaaniinta waaweyn ee dalka. Meel ka baxsan UK, waxa uu la soo wareegay kooxda London Philharmonic iyo Symphony Orchestras, Ciidanka Cirka Symphony Orchestra, Birmingham, Halle, Royal Scottish National Orchestra iyo Orchestra Ciidanka Cirka ee Scotland. Gudaha USA - oo ay la socdaan koox-kooxeedka Cleveland, New York, Philadelphia, Dallas, Seattle, Baltimore, Boston, Washington DC, San Diego.

Bandhiga faneedka dhawan ee piano-ga waxaa ka mid ah riwaayado uu la galay Seattle Symphony, St Petersburg Philharmonic, London Philharmonic iyo Czech Philharmonic. Xilli ciyaareedkii 2013/2014, xuska dhalashadiisa 70aad, Lill waxa uu ciyaaray wareegga sonata ee Beethoven ee London iyo Manchester, wuxuuna ku soo bandhigay khudbado ka dhacay BenaroyaHall ee Seattle, Dublin National Concert Hall, Hoolka Weyn ee St. Petersburg Philharmonic, oo ay ku soo booqatay Boqortooyada Midowday ee Royal Philharmonic Orchestra (ay ku jiraan bandhigyada Hall Festival Hall), oo ay kula doodeen kooxda fanka ee Beijing National Performing Arts Center Orchestra iyo Vienna Tonkunstler Orchestra. Waxaa lagu ciyaaray mar kale Hobalada Halle, Kooxda Qaranka ee Ciidanka Cirka ee Wales, Kooxda Royal Scottish National Orchestra iyo Bournemouth Symphony Orchestra.

Bishii Disembar 2013, Lill waxay ku qabatay Moscow xafladda Vladimir Spivakov Martiqaad…

Duubista badan ee pianist-ga ayaa lagu sameeyay summadaha DeutscheGrammophon, EMI (wareeg dhammaystiran oo ah riwaayadaha Beethoven oo ay la socdaan Orchestra Royal Scottish Orchestra oo uu wado A. Gibson), ASV (laba riwaayadood oo Brahms ah oo ay la socdaan Orchestra Halle oo uu sameeyay J. Lachran; dhammaan Beethoven sonatas), PickwickRecords (Concerto No. 1 by Tchaikovsky oo la socda Orchestra Symphony London oo uu qabto J. Judd).

Waqti aan dheerayn ka hor, Lill waxay diiwaan galisay ururinta dhamaystiran ee sonatas Prokofiev ee ASV; ururinta dhammaystiran ee riwaayadaha Beethoven ee kooxda Birmingham Orchestra ee ay sameeyeen W. Weller iyo bagalelles on Chando; Khiyaaliga M. Arnold ee Mawduuca uu qoray John Field (oo u hibeeyey Lill) oo uu la socday Kooxda Royal Philharmonic Orchestra ee uu sameeyay W. Hendley on Conifer; Dhammaan riwaayadaha Rachmaninov, iyo sidoo kale halabuuradiisa ugu caansan ee ku saabsan Diiwaanka Nimbus. Duubabka ugu dambeeyay ee John Lill waxaa ka mid ah shuqulladii uu sameeyay Schumann ee calaamada Classicsfor Pleasure iyo laba albam oo cusub oo ku jira Signumrecords, oo ay ku jiraan sonatas ee Schumann, Brahms iyo Haydn.

John Lill waa dhakhtar sharafeed siddeed jaamacadood oo UK ku yaala, xubin sharafeed ka ah kulliyadaha muusiga iyo akadeemiyada. Sannadkii 1977-kii waxaa la guddoonsiiyay darajada Sarkaalka Amarka Boqortooyada Ingiriiska, iyo 2005-tii - Taliyaha Amarka Boqortooyada Ingiriiska ee adeegyada fanka muusigga.