Laure Cinti-Damoreau |

Laure Cinti-Damoreau

Laura Chinti Montalan waxay ku dhalatay Paris 1801. Laga soo bilaabo da'da 7 waxay bilawday inay wax ka barato muusiga Paris Conservatory Giulio Marco Bordogni. Waxay sidoo kale wax ka baratay ciyaaryahankii contrabass ee Grand Opera iyo organist Chenier. Later (ilaa 1816) waxay casharro ka qaadatay Angelica Catalani oo caan ah, oo madax ka ahayd Parisian "Tiyaatarka Talyaaniga". Tiyaatarkan, heesaagu wuxuu soo muuqday 1818-kii, oo horey u hoos jirtay magaca Talyaaniga ee Chinti, opera The Rare Thing ee Martin y Soler. Guushii ugu horeysay waxay u timid heesaaga 1819 (Cherubino in Le nozze di Figaro). Sanadkii 1822 Laura waxay ku qabatay London (iyadoon wax badan ku guuleysan). Kulan hal abuur leh oo lala yeeshay Rossini wuxuu dhacay 1825-kii, markii Cinti uu ku heesay qayb ka mid ah Countess Folleville ee bandhigga adduunka ee Journey to Reims ee Théâtre-Italiane, opera nasiib-darro iyo guul-darro ah oo loo qoondeeyay boqornimada Charles X ee Reims, qaar badan oo ka mid ah Laxankii uu talyaanigii weynaa u adeegsaday markii dambe ee The Comte Ory. Sanadkii 1826-kii, heesaagu wuxuu noqday soloist ee Grand Opera (ugu horeeyay ee Spontini's Fernand Cortes), halkaas oo ay samaysay ilaa 1835 (la nastay 1828-1829, markii farshaxanku ku heesay Brussels). Sannadkii ugu horreeyay, iyada, oo ay weheliso Rossini, waxay filaysay guul guul leh ee opera The Siege of Korintos (1826, dib loo eegay Mohammed II), halkaas oo Laura ay ku heesi jirtay Pamirs. Doorka Neocles waxaa ciyaaray Adolf Nurri, oo markii dambe noqday lammaanaheeda joogtada ah (waqtigeena, qaybtan waxaa badanaa lagu aaminaa mezzo-soprano). Guushu waxa ay sii socotay 1827kii markii la bilaabay muuse ​​iyo Fircoon (nooca Faransiiska ee Muuse ee Masar). Sannad ka dib, guul cusub - bandhigga adduunka ee "Comte Ory", oo uu qoray Rossini oo kaashanaya Eugene Scribe. Heesta Chinti (Adel) iyo Nurri (Ori) waxay sameeyeen dareen aan la tirtiri karin, sida opera lafteeda, xarrago iyo hufnaantii laxankeeda si dhib yar looma qiyaasi karo.

Sannadka soo socda oo dhan, Rossini wuxuu si xamaasad leh u curiyay "William Tell". Horudhac ayaa dib loo dhigay dhowr jeer, oo ay ku jirto xaqiiqda ah in Laura, oo guursaday tenor caan ah Vincent Charles Damoreau (1828-1793) ee 1863, waxay filaysay ilmo. Wargeysyada Paris ayaa tan ku qoray sifada quruxda badan ee wakhtigaas: "Inaad noqoto xaas sharci ah, signora Damoro waxay si mutadawacnimo ah nafteeda ugu xakamaysay dhibaato sharci, muddada taas oo si sax ah loo go'aamin karo." Isku dayo lagu doonayay in lagu bedelo fanaanada ayaa ku dhamaaday fashil. Dadweynaha iyo laxamiistaha labadaba waxay rabeen inay arkaan kaliya Laura, oo hadda noqotay Chinti-Damoro.

Ugu dambeyntii, Ogosto 3, 1829, bandhiga William Tell ayaa dhacay. Rossini ayaa marar badan nasiib u yeeshay bandhigyada hore, xitaa wuxuu jeclaa inuu ku kaftamo in ay fiicnaan lahayd in la tixgeliyo waxqabadka labaad ee hore. Laakiin halkan wax walba aad ayay uga sii dhib badnaayeen. Dhagaystayaashu diyaar uma ahayn halabuur cusub. Midabada cusub iyo riwaayadaha lama fahmin, inkastoo xaqiiqda ah in shaqada si weyn loogu riyaaqay wareegyada farshaxanka xirfadlayaasha ah. Si kastaba ha ahaatee, soloists (Chinti-Damoro sida Matilda, Nurri sida Arnold, bass caanka Nicola-Prosper Levasseur sida Walter Fürst iyo kuwa kale) ayaa si fiican loo qaabilay.

William Tell wuxuu ahaa Rossini shaqadiisa ugu dambeysay ee masraxa. Dhanka kale, xirfadda Laura ayaa si degdeg ah u horumartay. Sannadkii 1831-kii, waxay ku soo bandhigtay bandhigga Meyerbeer's Robert the Devil (qayb ka mid ah Isabella), oo ay ku heeseen operas by Weber, Cherubini, iyo kuwa kale. Sannadkii 1833-kii, Laura waxa ay mar labaad booqatay London, markan oo ay ku guulaysatay guul weyn. 1836-1843 Chinti-Damoro wuxuu ahaa soloist Opera Comique. Halkan waxay ka qaybqaataa bandhigyada tiro badan oo operas ah Aubert, oo ay ka mid yihiin - "The Black Domino" (1837, qaybta Angela).

Sanadkii 1943-kii, heesaagu wuxuu ka tagay masraxa, laakiin wuxuu sii wadaa inuu sameeyo riwaayadaha. Sannadkii 1844-kii ayay safar ku tagtay dalka Maraykanka (iyada oo ay la socoto violinist-gii Belgian AJ Artaud), 1846-kii waxa u sacab tumay St. Petersburg.

Chinti-Damoro waxa kale oo loo yaqaan macalinka codka. Waxay wax ku baray Conservatoire Paris (1836-1854). Qoraaga tiro buugaag ah oo ku saabsan habka iyo aragtida heesaha.

Sida laga soo xigtay dadka isku da'da ah, Cinti-Damoro waxay si isku mid ah isugu dartay hodonnimada caalamiga ah ee dugsiga codka Faransiiska iyo farsamada talyaaniga ee fankeeda. Guusheeda waxay ahayd meel walba. Waxay gashay taariikhda opera iyada oo ah heesaa heersare ah qeybtii 1aad ee qarnigii 19-aad.

E. Tsodokov