dhexdhexaadin |
Shuruudaha Muusiga

dhexdhexaadin |

Qaybaha qaamuuska
shuruudaha iyo fikradaha

Dhexdhexaadinta Faransiiska, laga bilaabo Late Lat. dhexdhexaadiye, isir. kiis mediantis - oo ku yaal dhexda, dhexdhexaadin

1) Magacaabista chords oo ah saddex meelood meel kor ama ka hooseeya tonic, ie III iyo VI darajooyinka qaabka; si cidhiidhi ah, M. (ama sare M.) - magacaabid. chord ee heerka III (shahaadada VI kiiskan waxaa loo yaqaan submediant, ama hoose M.). Si la mid ah dhawaaqyada u dhigma ayaa sidoo kale loo qoondeeyay habkan - heerka III iyo VI ee qaabka. iswaafajinta shaqada M. chords waxaa lagu go'aamiyaa ugu horayn booska dhexe ee u dhexeeya kuwa ugu muhiimsan. chords: III - inta u dhaxaysa I iyo V, VI - inta u dhaxaysa I iyo IV. Sidaa darteed laba-geesoodka shaqada M. chords: III waa awood si liidata loo muujiyay, VI waa awood hoosaad daciif ah, halka III iyo VI labaduba ay qaban karaan hawlo tonic ah qaarkood. Sidaa darteed sidoo kale macnaha qeexan ee M. chords - jilicsanaanta, xijaabka ka soo horjeeda tonic, jilicsanaanta tertian isbeddelada marka la isku daro tonic, subdominant, iyo xukunka. Xidhiidhada kale (tusaale ahaan, VI-III, III-VI, VI-II, II-III, VI-III, iwm.), M. harmonies waxay ka dhigtaa ku-tiirsanaanta qoob-ka-ciyaarka ee tonic-ka qaabka mid aan la dareemin, oo muujinaya maxalli ah (kala duwanaansho) ) hawlaha, ka qayb qaadashada samaynta kala duwanaansho tonal (tusaale ahaan, in Prince Yuri's arioso "Oh ammaanta, hantida aan waxba tarayn" ka opera "The Legend of Magaalada Invisible ee Kitezh iyo Maiden Fevronia").

In tallaabo waafaqsan. aragti (G. Weber, 1817-21; PI Tchaikovsky, 1872; NA Rimsky-Korsakov, 1884-85) M. chords waxay ka mid yihiin toddobada diatonic. tillaabooyinka, inkasta oo ay dhinac ahaan u badan yihiin ama ka yar yihiin kuwa waaweyn (I iyo V). Aragtida shaqaynaysa (X. Riemann), M. waxa loo tarjumaa wax ka beddelka "saddexda is-waafajinta kaliya ee lagama maarmaanka ah" - T, D iyo S: sida isku midka ah (tusaale ahaan, C-dur egh - Dp) ama sida shibbanayaasha isbeddelka hordhaca ah (tusaale ahaan C-duur wuxuu kaloo noqon karaa:

), iyadoo ku xidhan saamiga dhabta ah ee chords-kan macnaha guud. Sida laga soo xigtay G. Schenker, macnaha M. chords (iyo sidoo kale kuwa kale) waxay ku xiran tahay ugu horreyntii jihada gaarka ah ee dhaqdhaqaaqa, oo ku saabsan xariiqyada codadka ee u dhexeeya codka bilowga iyo bartilmaameedka. GL Catoire waxa uu M. u fahmay in ay sabab u tahay barakicinta prim iyo shanaad ee sadexda qaybood ee waaweyn (tusaale ahaan, C – dur).

)

Fikradda qorayaasha "Course Practical of Harmony" (IV Sposobina, II Dubovsky, SV Evseev, VV Sokolov, 1934-1935), qiimaha isku dhafan ee tallaabo-functional ayaa loo qoondeeyey M chords (C-dur egh - DTIII, a - c - e - TS VI)

(Isla mar ahaantaana, tarjumaadda tillaabada ayaa mar kale heleysa miisaan weyn, fikradda oo dhanna waxay dib ugu noqotaa Riemann oo kaliya, laakiin, ilaa xad yar, Rimsky-Korsakov). Aragtida doorsoomayaasha, hawlaha Yu. N. Tyulin, tallaabada saddexaad ee ugu weyn waxay qaban kartaa shaqooyinka T iyo D, iyo VI - T, S iyo D; III - T, S iyo D, iyo VI - T iyo S. (Tusaaleyaal tafsiiro kala duwan oo isku xigxig ah oo isku mid ah):

2) Qaab dhismeedka heesaha Gregorian, M. (dhexdhexaad ah; magacyo kale - metrum) - gabagabada dhexe (sida uu qabo BV Asafiev - "caesura nus-cadence"), oo u qaybiya dhammaan laba qaybood oo isku dheelitiran:

Tixraacyo: 1) Tchaikovsky PI, Hagaha daraasadda la taaban karo ee is-waafajinta, M., 1872, isku mid, Poln. col. cit., vol. III a, M., 1957, Rimsky-Korsakov HA, Buug la taaban karo ee wada noolaanshaha, St. Petersburg, 1886, dib loo daabacay. oo Buuxa. col. soch., vol. IV, M., 1960; Catuar GL, Koorsada is-waafajinta aragtida, qaybta 1, M., 1924; Koorsada wax ku oolka ah ee wada noolaanshaha, qaybta 1, M., 1934 (ed. Sposobin I., Dubovsky I., Evseev S., Sokolov V.; Berkov V., Harmony, qaybta 1-3, M., 1962-66, M. ., 1970; Tyulin Yu., Privavo N., Aasaaska Aragtida ee Harmony, M., 1965, Weber G., Versuch einer geordneten Theorie der Tonsetzkunst, Bd 1-3, Mainz, 1818-21; Riemann H., Vereinhrenhren Schenker H., Neue musikalische Theorien und Phantasien, Bd 1893-1896, Stuttg.-BW, 1901-1, 3.

2) Gruber RI, Taariikhda dhaqanka muusiga, vol. 1, qaybta 1, M.-L., 1941, b. 394

Yu. N. Kholopov

Leave a Reply