Melodeclamation |

laga bilaabo heesaha Giriigga - hees, laxan iyo lat. ku dhawaaqid - ku dhawaaqid

Isku darka dhawaaqa dhawaaqa ee qoraalka (ch. arr. gabayada) iyo muusiga, iyo sidoo kale shaqooyinka ku salaysan isku darka noocaas ah. M. helay codsi horeba antich. riwaayad, iyo sidoo kale in "riwaayadda dugsiga" ee qarniyadii dhexe. Yurub. Qarnigii 18-aad muuqaallo ayaa soo muuqday. proizv., gebi ahaanba ku salaysan M. oo loo yaqaan. melodramas. Waqtigii xigay, M. waxaa badanaa loo isticmaali jiray shaqooyinka operatic (goobta xabsiga ee Fidelio, goobta Wolf Gorge ee Shooter-ka Xorta ah), iyo sidoo kale riwaayadaha. riwaayadaha (muusiga uu sameeyay L. Beethoven ilaa Goethe's Egmont). Laga soo bilaabo con. Qarnigii 18aad ee saamaynta melodrama, nooca halabuurka muusikada madax-bannaan ee qorshaha riwaayadda (Jarmalka loo yaqaan Melodram, oo ka duwan halabuurka muusiga ee marxaladda, oo loo yaqaan Melodrama), sida caadiga ah, waxaa loo sameeyay akhriska (akhrinta) oo ay weheliso a Ciyaartoyga biyaano, in ka yar oo ay weheliyaan orchestra. M., sida caadiga ah qoraallada ballad ayaa la doortay. Tusaalooyinka ugu horreeya ee M. noocan oo kale ah waxaa iska leh IR Zumshteg ("Dabaaldegga Guga", ee akhristaha leh orc., 1777, "Tamira", 1788). Ka dib, M. waxaa abuuray F. Schubert ("Farewell to the Earth", 1825), R. Schumann (2 ballads, op. 122, 1852), F. Liszt ("Lenora", 1858, "The Sad Monk" .

Ruushka, muusiga riwaayad ahaan iyo nooc kale ayaa caan ahaa ilaa 70-meeyadii. Qarnigii 19aad; ka mid ah qorayaasha Ruush. M. - GA Lishin, EB Vilbushevich. Ka dib, AS Arensky (gabayada tiraab ee IS Turgenev, 1903) iyo AA Spondiarov (Sonia's monologue from AP Chekhov's play Uncle Vanya, 1910) waxay u qoreen qalab muusig oo taxane ah oo loogu talagalay akhristaha leh orchestra. Waqtigii guumaystaha M. waxa loo adeegsaday oratorio-ga wadareed ee “Waddadii Oktoobar” (1927), sheeko-xariiri akhriste iyo hees-faneed. Orchestra "Peter iyo Wolf" ee Prokofiev (1936).

Qarnigii 19-aad waxaa kacay qalab muusig oo gaar ah, kaas oo, iyada oo la kaashanayo qoraallada muusiga, hab-maamuuska akhrinta ayaa si sax ah u go'an (Weber's Preciosa, 1821; Milhaud's music for Oresteia, 1916). Horumarka dheeraadka ah ee M. noocan oo kale ah, oo u soo dhawaaday in la akhriyo, ayaa la odhan jiray. melodrama la xidhiidha (German gebundene Melodram), kaas oo, iyadoo la kaashanayo calaamado gaar ah (halkii, halkii, iwm), ma aha oo kaliya laxanka waa go'an, laakiin sidoo kale garoonka dhawaaqyada codka ("Carruurta King). "waxaa qoray Humperdinck, daabacaaddii 1aad 1897). Iyadoo Schoenberg, "mellodrama ku xiran" waxay qaadataa qaabka loogu yeero. heeso afka ah, waxa. Sprechgesang ("Lunar Pierrot", 1912). Ka dib, waxaa soo baxay kala duwanaansho dhexdhexaad ah oo M. ah, kaas oo laxanka si sax ah loo tilmaamay, iyo dhawaaqa dhawaaqa ayaa lagu muujiyay qiyaastii ("Ode to Napoleon" by Schoenberg, 1942). Kala duwanaansho noocyada M. qarnigii 20aad. sidoo kale loo isticmaalo Vl. Vogel, P. Boulez, L. Nono iyo kuwo kale).

Tixraacyo: Volkov-Davydov SD, Tilmaan kooban oo ku saabsan melodeclamation (waayo-aragnimada koowaad), M., 1903; Glumov AN, Ku saabsan muusiga hadalka ee codka, gudaha: Su'aalaha Muusiga, vol. 2, M., 1956kii.