Heesta lixaad ee Neapolitan |

Ingiriiska lixaad ee Neapolitan, нем. Neapolitan chord lixaad, Neapolitan lixaad, чеш. neapolsky sextakord, frygiky sextakord

Xudunta labaad ee lixaad ee hoose (ama maamul hoosaad yar oo leh lix yar oo yar halkii shanaad). Erayga "N. leh.” waxa ay la xidhiidhaa isticmaalka sifada ee chord-kan ka mid ah halabuurayaasha dugsiga opera ee Neapolitan. Qarnigii 17aad (gaar ahaan, A. Scarlatti, tusaale ahaan, opera Rosaura). Si kastaba ha ahaatee, ereygu waa shuruud, maadaama H. ​​s. soo muuqday waqti dheer ka hor dugsiga Neapolitan (waxaa qoray J. Obrecht, qeybtii 2aad ee qarnigii 15aad).

Я Wuu ka siibtay. Mass "Salva diva parens", Credo, Confiteor, takty 34-36.

Waxaa si weyn u isticmaala halabuurayaal dalal iyo dadyow kala duwan (tusaale ahaan, L. Beethoven). Qoraaga ereyga “N. s”, laga yaabee, waa L. Busler (1868), in kasta oo ay jiraan caddayn (X. Riemann) oo ku saabsan isticmaalkeeda muddada dheer ee Ingiriisiga. aragtiyahano (Eray bixinta Ingiriisiga waxaa jira saddex "sex" oo kale: "Talyaani" - chord sida as-c-fis, "Faransiiska" - as-cd-fis iyo "Jarmalka" - as-c-es-fis). In nidaamka dhawaaqa ee harmonic weyn-yar yar. tonality, dhammaan tallaabooyinka kuwaas oo lagu daboolay silsilad ah 11 shanaad (laga bilaabo tonic dhexe. shanaad - 5 hoos iyo 5 kor), dhawaaqa sifo N. leh. - II heerka hoose - waxaa lagu gaaraa qoto dheeraanta ugu weyn ee dhinaca guryaha (sidaas darteedna waxay ka soo horjeedaa dhawaaq kale oo muhiim ah oo aan diatonic ahayn - heerka sare ee "Lydian" ee heerka IV; eeg rabitaanka.) Sidaa daraadeed hooska dhumuc-madow ee sifo qaabka (Phrygian) midabaynta N. s. (midab xitaa madow ayaa ku jira nooca yar ee N. oo leh, tusaale ahaan, fes-as-des ee C-dur ama c-moll). Shaqaale N. leh. - subdominant "aad u daran", xadka dhaqdhaqaaqa jihadan (taas oo suurtogal ka dhigaysa in loo isticmaalo N. s. oo ah barta muhiimka ah ee horumarinta iswaafajinta; eeg, tusaale ahaan, dhammaadka c-moll passacaglia ee JS Bach's xubin).

JS Bach. Passacaglia ee c-moll ee xubinta taranka.

Gudaha qaab dhismeedka 7-talaabo ee diatonic ama 10-tallaabo nidaamka-yar yar, tusaale ahaan, oo leh tonic C - nidaamyada:

dhawaaqa heerka hoose ee II, kaas oo u soo baxay in uu ka baxsan yahay ugu weyn. Tallaabooyinka, waa in lagu sharxay beddelaad ahaan, kaaliyaha aan diatonic ahayn sida ka amaahashada miisaanka furaha kale (yar yar) ama qaab kale (Phrygian) oo leh tonic la mid ah (eeg dib u eegista suugaanta ee buugga VO Berkov). Mn. cilmi-baarayaashu waxay si cadaalad ah u turjumeen N. ee bogga. sida ay u madax banaan yihiin. wada noolaanshaha, oo aan ahayn sida chromatically modified (beddelay) chord (O. Savard, R. Louis, L. Thuil, iwm.). Sida laga soo xigtay kormeerka VO Berkov, ee muusikada. ku dhawaad ​​ma jiraan tusaalooyin ku saabsan waxbarashada N. ficil ahaan. hab kale. Tafsiirka ugu saxsan ee N.s. sida is-waafajinta aan isbeddelin ee ka tirsan nidaamka laba-iyo-toban-cod ("chromatic", sida uu qabo GL Catuar; "laba iyo toban dhawaaq diatonic", sida uu qabo AS Ogolevets). Marka laga soo tago N.s, wada noolaanshaha "Neapolitan" (Czech frygicke akord)

L. Beethoven. Heesta 3aad, dhaqdhaqaaqa I.

waxa loo istcimaalayaa saddex-geesoodka (L. Beethoven, sonata op. 57, qaybta 1, vols. 5-6), rubuc-sext chord (F. Liszt, concerto 1st, vol. 4), chord toddobaad (sidoo kale wareegaysa) iyo xataa cod gooni ah.

L. Beethoven. Concerto loogu talagalay violin iyo orkester, qaybta I.

Tixraacyo: Rimsky-Korsakov N., Buug-waxbarasho ee is-waafajinta, St. Petersburg, 1886, isku mid, Poly. col. soch., vol. IV, M., 1960; Catuar G., Koorsada is-waafajinta aragtida, qaybta 1, M., 1924; Ogolevets AS, Hordhac fikirka muusiga casriga ah, M. - L., 1946; Berkov V., Harmony iyo qaabka muusiga, M., 1962, hoostiisa cinwaanka: Hababka is-waafajinta, M., 1971; Riemann H.. Schenker H., Neue musikalische Theorien und Phantasien, Bd 1893, B. - Stuttg., 1896, W., 1901; Handke R., Der neapolitanische Sextakkord gudaha Bachscher Auffassung, ee Bach-Jahrbuch, Jahrg. 1903, Lpz., 1922; Montnacher J., Das Problem des Akkordes der neapolitanischen Sexte…, Lpz., 1926; Piston W., Harmony, NY, 1; Stephani H., Stadien harmonischer Sinnerfüllung, "Musikforschung", 1906, Jahrg. 1956, H. 16; Janecek K., Harmonie rozborem, Praha, 1920.

Yu. H. Kholopov