Furayaasha barbar socda |

Furayaasha barbar socda - nidaamka diatonic ee waaweyn iyo kuwa yar, furayaasha furayaasha ka soo horjeeda, oo leh halabuurka ugu weyn. tillaabooyinka (calaamadaha isku midka ah ee furaha); Triad tonic ee P.t. ku dar seddexaad oo waaweyn oo caadi ah. Waxyaabaha t. waxay ku jiraan xiriirka ugu dhow ee midba midka kale. Iyada oo ku saleysan isku-dhafka hal-abuurka qalin-jabinta, P. t. waxaa lagu dari karaa qaab isbarbar-beddeli kara (fiiri qaabka Variable). Horumarinta is-waafajinta ee dabaqa 2aad. Qarniyadii 19aad iyo 20aad waxay balaadhiyeen nidaamka isku xidhka tonal ee ku salaysan mabda'a P. t. Xoraynta diatonic gaar ah. frets (Dorian, Phrygian, iwm.) waxay keentay cilmi-baarayaasha qaarkood inay tixgeliyaan P.t. C Ionian iyo e Phrygian, C Ionian iyo d Dorian. Baaritaanka hababka DD Shostakovich ee leh talaabooyin hoos loo dhigay, Dolzhansky wuxuu arkayaa (piano 2aad sonata) xiriirka P.t. inta u dhaxaysa h-moll (oo leh hoos loo dhigay II, IV iyo VIII tillaabooyinka:

iyo Es-dur (oo leh heer sare II iyo IV:

si kastaba ha ahaatee, xidhiidhada noocan oo kale ah waa kuwo gaar ah, gaar ah. dabeecad. Saamiga P.t. marka la isku daro waaweyn-yar iyo chromatic. Nidaamyadu waxay noqdaan kuwo aad u adag. Marka, magaca caanka ah ee C-dur-moll P.t. waxaa jiri doona labadaba a-moll (ama A-dur-moll) iyo Es-dur ( siday u kala horreeyaan, Es-dur-moll). Sidaa awgeed u janjeera dhinaca samaynta hababka silsiladaha kulaylka hooseeya ee wareega t.

Tixraacyo: Dolzhansky AN, Iyada oo ku saleysan qaab-dhismeedka Shostakovich's, "SM", 1947, No 4, ee ururinta: Features of D. Shostakovich's style, M., 1962; Sposobin IV, Aragtida Dugsiga Hoose ee Muusiga, M. - L., 1951, 1973; Kholopova VN, On theory of Erno Lendvai, in: Dhibaatooyinka Sayniska Muusiga, vol. 1, M., 1972; Lendvai E., Einführung in die Formen-und Harmonienwelt Bartuk, gudaha: Béla Bartuk. Weg und Work. Schriften und Briefe, Bdpst, 1957.

Yu. H. Kholopov