Alexander Ivanovich Orlov (Alexander Orlov).

Alexander Orlov

Fanaanka Dadka ee RSFSR (1945). Socdaalkii qarniga nuskii ee fanka… Way adagtahay in la magacaabo halabuure aan shaqadiisa lagu darin riwaayadaha kirishtaankan. Isaga oo isla xorriyadda xirfadda leh, waxa uu istaagay konsole-ba masraxa opera-ga iyo hoolka riwaayadaha. 30-kii iyo 40-meeyadii, magaca Alexander Ivanovich Orlov ayaa laga maqli karaa ku dhawaad ​​maalin kasta barnaamijyada Idaacadda All-Union.

Orlov wuxuu yimid Moscow, isagoo horey u soo maray waddo dheer oo ah muusikiiste xirfad leh. Waxa uu bilaabay xirfadiisa kaari ahaan 1902 isagoo ka qalin jabiyay Conservatory St. Petersburg ee fasalka violin ee Krasnokutsky iyo fasalka aragtida A. Lyadov iyo N. Solovyov. Kadib afar sano oo shaqo ah oo uu ka shaqeynayay kooxda Kuban Military Symphony Orchestra, Orlov wuxuu aaday Berlin, halkaas oo uu ku wanaajiyay hoggaanka P. Yuon, iyo markii uu ku laabtay waddankiisii ​​​​wuxuu sidoo kale ka shaqeeyay sidii kirishbooy (Odessa, Yalta, Rostov-on-) Don, Kyiv, Kislovodsk, iwm) iyo sida masraxa (Shirkadda opera M. Maksakov, opera S. Zimin, iwm). Later (1912-1917) waxa uu ahaa maareeyaha joogtada ah ee orchestra S. Koussevitzky.

Bog cusub oo ku saabsan taariikh nololeedka kaarigu wuxuu ku xiran yahay Golaha Opera House Moscow, halkaas oo uu ka shaqeeyay sannadihii ugu horreeyay ee kacaanka. Orlov wuxuu sameeyay wax ku biirin qiimo leh oo ku saabsan dhismaha dhaqanka ee waddanka da'da yar ee Soofiyeedka; shaqadiisa waxbarasho ee cutubyada Ciidanka Cas ayaa sidoo kale ahaa muhiim.

In Kyiv (1925-1929) Orlov wuxuu isku daray hawlihiisa faneed isagoo ah maamulaha ugu sareeya ee Opera Kyiv isagoo bare sare ka ah konserfatifka (ardayda ka mid ah - N. Rakhlin). Ugu dambeyntii, laga bilaabo 1930 ilaa maalmaha ugu dambeeya ee noloshiisa Orlov wuxuu ahaa maamulaha Guddiga Raadiyaha-Union. Kooxaha raadiyaha ee uu hogaamiyo Orlov ayaa soo bandhigay riwaayado ay ka mid yihiin Beethoven's Fidelio, Wagner's Rienzi, Taneyev's Oresteia, Nicolai's The Merry Wives of Windsor, Lysenko's Taras Bulba, Wolf-Ferrari's Madonna's Necklace iyo kuwa kale. Markii ugu horeysay, isaga oo hoos imanaya, Beethoven's Sinth Symphony iyo Berlioz's Romeo iyo Julia Symphony ayaa laga ciyaaray raadiyahayaga.

Orlov wuxuu ahaa ciyaaryahan aad u fiican. Dhammaan hoggaamiyeyaashii Soofiyeedka ee hogaaminayey ayaa si badheedh ah ula soo bandhigay isaga. D. Oistrakh ayaa dib u xasuustaa: "Qodobku maaha oo kaliya in, bandhigista riwaayad, markii AI Orlov uu ku sugnaa istaagga kirishbooyada, waxaan had iyo jeer u ciyaari karaa si xor ah, taas oo ah, waxaan hubaa in Orlov uu had iyo jeer si dhakhso ah u fahmi doono ujeedadayda hal-abuurka ah. La shaqeynta Orlov, hal-abuur wanaagsan, jawi niyad-sami leh ayaa si aan kala go' lahayn loo abuuray, taasoo kor u qaaday hawl-wadeennada. Dhinacan, muuqaalkan ku jira shaqadiisa waa in loo tixgeliyaa midka ugu muhiimsan.

Macallin khibrad leh oo leh aragti hal abuur leh, Orlov wuxuu ahaa macalin maskax badan oo dulqaad leh oo ka mid ah fannaaniinta orchestra, kaasoo had iyo jeer aaminsanaa dhadhankiisa faneed ee wanaagsan iyo dhaqanka faneedka sare.

Lit.: A. Tishchenko. AI Orlov. "SM", 1941, No. 5; V. Kochetov. AI Orlov. "SM", 1948, No. 10.

L. Grigoriev, J. Platek