Alfredo Casella |

Alfredo Casella

Laxamiistaha talyaaniga, biyaanistaha, kaareeyaha iyo qoraa muusiga. Wuxuu ka dhashay qoys fannaaniin ah (Aabihii wuxuu ahaa cellist, macalin ka ahaa Musical Lyceum ee Turin, hooyadiis waxay ahayd pianist). Waxa uu wax ku bartay Turin oo uu la qaatay F. Bufaletti (piano) iyo G. Cravero (heshiiska), laga soo bilaabo 1896 – at the Paris Conservatory with L. Diemera (piano), C. Leroux (heshiiska) iyo G. Fauré (halabuurka).

Waxa uu bilaabay xirfadiisa muusiga isagoo ah piano-ga iyo kaariyaha. Waxa uu soo booqday dalal badan oo Yurub ah (Ruushka - 1907, 1909, USSR - 1926 iyo 1935). 1906-09, wuxuu xubin ka ahaa (ciyaaray harpsichord) ee isku dhafka qalabkii hore ee A. Kazadezyus. Sannadkii 1912-kii wuxuu u shaqeeyay sidii dhaleecayn muusig wargeyska L'Homme libre. 1915-22 wuxuu wax ku baray Santa Cecilia Music Lyceum ee Rome (class piano), laga soo bilaabo 1933 ee Santa Cecilia Academy (koorsada horumarinta biyaano), iyo sidoo kale Chijana Academy ee Siena (madaxa waaxda biyaano). ).

Sii wadida hawlihiisa riwaayadeed (pianist, conductor, 30s xubin ka ah Trio Talyaani), Casella wuxuu kor u qaaday muusiga casriga ah ee Yurub. 1917-kii wuxuu aasaasay Ururka Muusikada Qaranka ee Rome, kaas oo markii dambe loo beddelay Bulshada Talyaaniga ee Muusiga Casriga ah (1919), iyo 1923-kii oo loo beddelay Shirkadda Muusigga Cusub (qayb ka mid ah Bulshada Caalamiga ah ee Muusiga Casriga ah).

Xilligii hore ee hal-abuurka waxaa saameeyay R. Strauss iyo G. Mahler. 20kii. u dhaqaaqay booska neoclassicism, isku darka farsamooyinka casriga ah iyo foomamka qadiimiga ah ee shuqulladiisa (Scarlattiana ee piano iyo 32 xargaha, op. 44, 1926). Qoraaga operas, ballet-yada, heeso-garabeed; Qoraallada piano ee badan ee Casella ayaa gacan ka geystay dib u soo kabashada xiisaha muusigii hore ee Talyaaniga. Waxa uu qayb firfircoon ka qaatay daabacaadda riwaayadda qadiimiga ah ee pianists (JS Bach, WA Mozart, L. Beethoven, F. Chopin).

Casella waxay leedahay shuqullada muusiga, oo ay ku jiraan. curis ku saabsan horumarka cadence, monographs on IF Stravinsky, JS Bach iyo kuwa kale. Tafatiraha shaqooyin badan oo piano qadiimi ah.

Laga soo bilaabo 1952, Tartanka Caalamiga ah ee Piano ee loogu magac daray AA Casella (hal mar labadii sanaba mar).

CM Hryshchenko

Halabuurka:

riwaayado - Haweeneyda Maska ah (La donna serpente, ka dib sheeko-sheekadii C. Gozzi, 1928-31, post. 1932, Opera, Rome), Halyeeyga Orpheus (La favola d'Orfeo, ka dib A. Poliziano, 1932, tr Goldoni, Venice), Saxaraha Jirrabaadda (Il deserto tenato, qarsoodi, 1937, tr Comunale, Florence); balastarro - choreography, majaajilada Monastery ee biyaha ka badan (Le couvent sur l'eau, 1912-1913, post. hoos magaca Venetian monastery, Il convento Veneziano, 1925, tr "La Scala", Milan), Bowl (La giara, gaaban ka dib. Sheeko uu qoray L. Pirandello, 1924, "Tr Champs Elysees", Paris), Qolka sawirada (La camera dei disegni o Un balletto per fulvia, ballet carruurta, 1940, Tr Arti, Rome), Rose of a Dream (La rosa del sogno, 1943, tr Opera, Rome); Orchestra - 3 symphonies (b-moll, op. 5, 1905-06; c-moll, op. 12, 1908-09; op. 63, 1939-1940), Heroic elegy (op. 29, 1916), Tuulada March Marcia rustica, op. 49, 1929), Hordhac, aria iyo toccata (op. 55, 1933), Paganiniana (op. 65, 1942), concerto for strings, biyaano, timpani iyo garaac (op. 69, 1943) iyo kuwa kale ; Qalabka (solo) ee leh orkestra - Partita (oo loogu talagalay biyaano, op. 42, 1924-25), Roman Concerto (ee xubnaha, naxaasta, timpani iyo xargaha, op. 43, 1926), Scarlattiana (oo loogu talagalay piano iyo 32 xargaha, op. 44, 1926) ), riwaayad Skr. (a-moll, op. 48, 1928), concerto for biyaano, skr. iyo VC. (op. 56, 1933), Nocturne iyo tarantella ee wlc. (b. 54, 1934); qalabaysan; qaybo biyaano; jaceylka; qoraalada, oo ay ku jiraan. Abaabulka fantasy piano "Islamey" ee Balakirev.

Shaqooyinka suugaanta: L'evoluzione della musica a traverso la storia della cadenza perfetta, L., 1923; Polytonality iyo atonality, L. 1926 (tarjumaadda Ruushka ee maqaalka by K.); Strawinski iyo Roma, 1929; Brescia, 1947; 21+26 (ururinta maqaallada), Roma, 1930; Il pianoforte, Roma-Mil., 1937, 1954; I segreti della giara, Firenze, 1941 (autobiography, English translation – Music in my time. Xusuus-qorkii, Norman, 1955); GS Bach, Torino, 1942; Beethoven intimo, Firenze, 1949; La tecnica dell'orchestra contemporanea (oo leh V. Mortari), Mil., 1950, Buc., 1965.

Tixraacyo: И. Глебов, А. Казелла, Л., 1927; Соrtеsе L., A. Casella, Genoa, 1930; A. Casella – Symposium, oo ay tafatireen GM Gatti iyo F. d'Amico, Mil., 1958.