Ildebrando Pizzetti |
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Ildebrando Pizzetti
Laxamiistaha talyaaniga, kaariyaha, muusikastaha, dhaleeceynta muusiga iyo macalinka. Xubin ka ah Akadeemiyada Talyaaniga (ilaa 1939). Wuxuu wax ku bartay caruurnimadii aabihiis - Odoardo Pizzetti (1853-1926), macalinka piano iyo maadooyinka muusiga, 1895-1901 - ee Parma Conservatory oo leh T. Riga (is-waafajinta, counterpoint) iyo J. Tebaldini (halabuurka ). Laga soo bilaabo 1901 wuxuu ka shaqeeyay sidii kaari ahaan Parma, laga bilaabo 1907 wuxuu ahaa borofisar ka tirsan Parma Conservatory (fasalka halabuurka), laga bilaabo 1908 - Machadka Muusikada ee Florence (1917-24 agaasimaheeda). Laga soo bilaabo 1910 wuxuu maqaallo u qoray wargeysyada Milanese. 1914-kii wuxuu aasaasay majaladda muusiga ee Dissonanza ee Florence. In 1923-1935 agaasimaha Milan Conservatory. Tan iyo 1936, madaxa qaybta ka kooban ee Akademiyada Qaranka "Santa Cecilia" ee Rome (in 1948-51 madaxiisa).
Shaqooyinka Pizzetti, kuwa ugu muhiimsan waa operas (inta badan mawduucyada qadiimiga ah iyo kuwa dhexe, oo ka tarjumaya khilaafaadka diimeed iyo kuwa akhlaaqda). Muddo 50 sano ah waxa uu la xidhiidhay masraxa "La Scala" (Milan), kaas oo soo bandhigay dhammaan hawl-wadeenadiisa (Clytemnestra wuxuu helay guusha ugu weyn).
Shaqooyinka Pizzetti, qaabab hawleed duug ah ayaa lagu daraa farsamooyinka riwaayadaha hawl-qabadka ee qarniyadii 19-aad iyo 20-aad. Waxa uu u soo jeestay caadooyinka muusiga ee Renaissance Talyaani iyo Baroque (qaybaha choral - oo ah qaab madrigal ah oo si xor ah loo turjumay), waxay adeegsadeen laxannada heesaha Gregorian. Marka la eego nooca, operashiisu waxay ku dhow yihiin riwaayadaha muusiga ee Wagnerian. Saldhigga riwaayadaha hawl-qabadka ee Pizzetti waa lacag-la'aan, horumar firfircoon oo aan joogsi lahayn, oo aan xaddidnayn foomamka muusiga ee xidhan (tani waxay xasuusinaysaa "laxankii aan dhammaadka lahayn") ee R. Wagner. Masraxyadiisa, heeso cod leh ayaa lagu daraa heeso laxan leh. Metrorhythm-ka iyo dhawaaqa qaybaha codka waxaa lagu go'aamiyaa waxyaabaha gaarka ah ee qoraalka, sidaas darteed qaabka dhawaaqa ayaa ka sarreeya qaybaha. Qaybo ka mid ah shaqadiisa Pizzetti ayaa la soo xidhiidhay koorsada neoclassicism.
Masraxyada Pizzetti waxaa lagu soo bandhigay wadamo kale oo Yurubta Galbeed ah, iyo sidoo kale Koonfurta Ameerika.
Halabuurka:
riwaayado - Phaedra (1915, Milan), Deborah iyo Jael (1922, Milan), Fra Gerardo (1928, Milan), Outlander (Lo straniero, 1930, Rome), Orseolo (1935, Florence), Gold (L'oro, 1947). Milan), Bath Lupa (1949, Florence), Iphigenia (1951, Florence), Cagliostro (1953, Milan), Gabadha Yorio (La figlia di Jorio, by D'Annunzio, 1954, Naples), Dilka Cathedral (Assassinio nella). cattedrale, 1958, Milan), Slipper Silver (Il calzare d'argento, 1961); balastarro - Gizanella (1959, Rome, sidoo kale waa koox orkestral ah oo ka socota muusigga riwaayadda G. D'Annunzio, 1913), Venetian Rondo (Rondo Veneziano, 1931); Soloists, hobolada iyo orkestra - Epithalames ereyada Catullus (1935); Orchestra - Symphonies (1914, 1940), oo ku soo rogmaday riwaayad naxdin leh (1911), Concerto Summer (Concerto dell'estate, 1928), 3 symphonic preludes "Oedipus Rex" ee Sophocles (1904), qoob ka ciyaarka "Aminta" ee T. Tasso (1914); kuraasta - Oedipus at Colon (oo leh orchestra, 1936), Requiem Mass (cappella, 1922); qalabka iyo orchestra - Gabay loogu talagalay violin (1914), riwaayadaha piano (1933), cello (1934), violin (1944), kataarad (1960); qalabaynta qolka - sonatas loogu talagalay violin (1919) iyo cello (1921) oo leh biyaano, piano trio (1925), 2 afar geesood ah (1906, 1933); biyaano - Albumka carruurta (1906); cod iyo biyaano - 3 sonnets ee Petrarch (1922), 3 sonnets naxdin leh (1944); muusiga loogu talagalay bandhigyada masraxa riwaayadaha, oo ay ku jiraan riwaayadaha D'Annunzio, Sophocles, W. Shakespeare, K. Goldoni.
Shaqooyinka suugaanta: Muusigga Giriigga, Rome, 1914; Fannaaniinta casriga ah, Mil., 1914; Critical Intermezzi, Florence, (1921); Paganini, Turin, 1940; Muusiga iyo riwaayadaha, (Rome, 1945); Muusigga Talyaaniga ee qarnigii sagaal iyo tobnaad, Turin, (1947).
Tixraacyo: Tеbаldini G., I. Pizzetti, Parma, (1931); Galli G., I. Pizzetti, (Mil., 1954); Damerini A., I. Pizzetti - ninka iyo fanaanka, "Dingitaanka muusiga", 1966, (v.) 21.
LB Rimsky
