Vladimir Arkadyevich Kandelaki |
Fanaaniinta

Vladimir Arkadyevich Kandelaki |

Vladimir Kandelaki

Taariikhda Dhalashada
29.03.1908
Taariikhda dhimashada
11.03.1994
Mihnadda
heesaa, masraxiyad
Nooca codka
bass-baritone
Country
USSR

Sannadkii 1928-kii, ka dib markii uu ka qalin-jabiyay Tbilisi Conservatory, Kandelaki wuxuu sii watay waxbarashadiisa kuliyadda dhexe ee Masraxa ee Moscow (hadda RATI-GITIS). Sida ardayga fasalka labaad, artist mustaqbalka u yimid si ay u dhagaystaan ​​madaxa Masraxa Muusikada Vladimir Nemirovich-Danchenko oo noqday arday uu jecel yahay.

"Aktarka dhabta ah waa inuu awood u leeyahay inuu ciyaaro labada Shakespeare iyo vaudeville," Stanislavsky iyo Nemirovich-Danchenko ayaa yiri. Vladimir Kandelaki waa tusaale cajiib ah oo ka mid ah farshaxanka caalamiga ah. Wuxuu abuuray daraasiin door ah oo doorar kala duwan ah - laga bilaabo majaajilada operetta ilaa sawirka naxdinta leh ee odayga Boris Timofeevich ee Shostakovich Katerina Izmailova, oo uu sameeyay 1934 by Nemirovich-Danchenko.

Kandelaki wuxuu si hufan u soo bandhigay qaybo ka mid ah Don Alfonso ee Mozart's "Taasi waa sida qof kastaa u sameeyo" wuxuuna ahaa jilaagii ugu horreeyay ee doorarka ugu muhiimsan ee riwaayado caan ah oo badan oo ay sameeyeen halabuurayaashii Soofiyeedka: Storozhev ("Storm Storm" by Khrennikov), Magar ( "Virineya" ee Slonimsky), Sako ("Keto iyo Kote "Dolidze), Sultanbek ("Arshin mal alan" Gadzhibekov).

Intii lagu jiray dagaalkii weynaa ee Patriotic, Kandelaki waxa ay samaysay qayb ka mid ah guutooyinka safka hore ee Masraxa Muusiga. Isaga oo ay weheliyaan koox fanaaniin ah, waxa uu goob joog ka ahaa salaantii ugu horaysay ee guusha lagu salaamo Gorgorkii la xoreeyay. Sannadkii 1943-kii, Kandelaki waxa ay bilawday agaasime, iyada oo noqotay mid ka mid ah agaasimayaasha muusiga ee dalka. Wax soo saarkiisii ​​​​ugu horreeyay wuxuu ahaa Pericola ee Paliashvili Academic Opera iyo Tiyaatarka Ballet ee Tbilisi.

Hordhaca riwaayadda majaajilada ee Dolidze "Keto iyo Kote", oo uu Kandelaki ku sameeyay Masraxa Muusikada ee 1950, wuxuu noqday dhacdo nolosha masraxa ee Moscow. Laga soo bilaabo 1954 ilaa 1964 wuxuu ahaa agaasimaha guud ee tiyaatarka Operat Moscow. Tani waxay ahayd maalintii ugu fiicnaa ee masraxa. Kandelaki waxay iskaashi la sameysay Dunayevsky iyo Milyutin, waxay u suurtagashay in ay soo jiidato sayidyada muusikada Soofiyeedka ee operetta - Shostakovich, Kablevsky, Khrennikov, ayaa noqday agaasimihii ugu horreeyay ee operettas Moscow, Cheryomushki, Heesaha Guga, Boqol Shaydaan iyo Hal Gabar. Waxa uu si cajiib ah u soo bandhigay masraxa Masraxa Operetta ee Moscow doorarka Cesare ee Kiss of Chanita iyo Professor Kupriyanov ee riwaayadda Spring Sings. Iyo Masraxa Muusikada ee u dhashay ee loogu magac daray Stanislavsky iyo Nemirovich-Danchenko, wuxuu si heer sare ah u dhigay operettas Pericola, The Beautiful Elena, Dona Zhuanita, Gypsy Baron, Ardayga tuugsada.

Kandelaki wuxuu ku ciyaaray tiyaatarada Alma-Ata, Tashkent, Dnepropetrovsk, Petrozavodsk, Khabarovsk, Kharkov, Krasnodar, Saransk. Wuxuu sidoo kale si guul leh uga shaqeeyay masraxa. Sannadkii 1933-kii, farshaxan da'yar oo koox ka mid ah saaxiibbadiis ee Masraxa Muusikada ayaa abaabulay koox cod ah - jazz cod, ama "Jazz-goal".

Vladimir Kandelaki wax badan ayuu ku jilay filimada. Waxaa ka mid ah filimada uu ka qayb yahay "Generation of Winners", halkaas oo uu ciyaaray Bolshevik Niko, "Guy ka our City" (tanker Vano Guliashvili), "Swallow" (shaqaale dhulka hoostiisa Yakimidi). Filimka "26 Baku Commissars" wuxuu ciyaaray mid ka mid ah doorka dhexe - sarkaalka cadaanka Alania.

Intii lagu guda jiray maalinta quruxda badan ee hal-abuurka masraxa ee Kandelaki, ma jirin fikrad ah "xiddigta pop" ee nolol maalmeedka. Si fudud waxa uu ahaa fanaan caan ah.

Yaroslav Sedov

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