Dabeecadda dabiiciga ah |

Eray tilmaamaya koox 7-tallaabo ah oo si adag u diatonic. hababka (eeg Diatonic) oo ka soo horjeeda hababka, oo ay ku jiraan wax ka beddelka kuwa ugu muhiimsan. tillaabooyinka, chromatisms, isbeddellada (tusaale ahaan, kuwa yaryar ee dabiiciga ah oo ka soo horjeeda iswaafajinta). Hoosta N.l. Caadi ahaan waxa loola jeedaa dareenka u dhigma ee Nar. Yurub iyo Yurub ka baxsan. music, frets qarniga dhexe. monody, Ruush kale. heeso cibaado, frets diatonic ee Galbeedka Yurub. iyo muusikada Ruushka ee wakhtiga cusub (17-19 qarniyo) iyo casriga ah. muusik. Kuwani waa hababka (buuxa oo aan dhamaystirnayn) ee Aeolian (dabiiciga yar), Ionian (dabiiciga weyn), Dorian, Mixolydian, Phrygian, Lydian, doorsoomayaasha diatonic (iyadoo la ilaalinayo miisaanka guud, tusaale ahaan, in heesta "The cunuggu wuxuu ku socday kaynta" ururinta N. A. Rimsky-Korsakov), iyo sidoo kale Lokrian aad dhif u ah; ku N.l. waxaa ku jira anhemitone pentatonic nooc kasta ah. Qorshaha guud N.l. (sida uu qabo IV Sposobin):

N. l. waxay leeyihiin midabyo kala duwan. Tusaale ahaan, Dorian - oo leh midab yar oo iftiimaya, Lydian - oo leh furaha muhiimka ah ee la xoojiyay, iwm. Muusigga qarniyadii 19-20. laxamiistaha (E. Grieg, MP Mussorgsky, NA Rimsky-Korsakov, IF Stravinsky, B. Bartok, C. Debussy, iyo kuwa kale) waxay inta badan isticmaalaan N.l. ujeedooyin maqal midab leh. Sidaa darteed, mid ka mid ah kiisaska isticmaalka N.l. sida express gaar ah. macneheedu waa - opera "The Legend of the Invisible City of Kitezh and Maiden Fevronia" by Rimsky-Korsakov: juxtaposition of N. l. iyo muusiga chromatic-ka oo ay ka buuxaan wax-ka-beddelku waxa uu gudbinayaa is-barbardhigga cad, fudud, dabiici ah. hadallada Fevronia iyo weedho aan caddayn, qalloocan, nasasho lahayn ee Grishka Kuterma.

Rimsky-Korsakov. "Sheekada Magaalada aan la arki karin ee Kitezh iyo gabadha Fevronia", Sharciga IV.

Si kastaba ha ahaatee, fikradda N. l. macne ahaan. cabbir shuruudaysan. Erayga "dabiiciga ah" (macnaha guud - "dabiiciga ah", "dabeecada u dhigma") halkan macneheedu waa "dabiiciga la bixiyay" (cf. "miisaanka dabiiciga ah", "geesaha dabiiciga ah"), aan la bedelin, ma aha macmal (cf. mucaaradka: "dabiiciga ah" iyo "macmal" flageolets). N.l. diatonicism waa dabiici, taas oo loo fahmay mabda'a aasaasiga ah. Sidaa darteed farqiga u dhexeeya Yurub. ka yar inta u dhaxaysa "dabiiciga ah", miisaanka aasaasiga ah, oo ay muujinayaan calaamadaha muhiimka ah ee caadiga ah, iyo semitone hordhac ah "macmal", loo isticmaalo si nidaamsan, laakiin aan la sinnayn xuquuqda codadka N.l. Laakiin farqiga noocan oo kale ah wuxuu ansax u yahay oo keliya Yurub. dhaqanka muusikada; frets bari ee la weyneeyey labaad asal ahaan waa sida "dabiici ah," ie, dabiiciga ah, sida dhammaan hababka music dadweynaha guud ahaan (hab dhaqanka, wax walba waa dabiici ah, wax walba waa uun aasaaska, iyada oo aan lakabyo on). (Fiiri muusikada Hindida.) Marka laga eego aragtidan, waa wax aan macquul aheyn in aan loo nisbeyn N.l., tusaale ahaan, qaabka maalinlaha ah (GAHcdefgab-c1-d1), kaas oo dhawaaqyada sameeya octave yar (Hb) waa isku si dabiici ah (eeg tusaale ahaan, kalida 3aad ee karraaniga laga soo bilaabo falkii 2aad ee Rimsky-Korsakov's opera The Night Before Christmas), iyo sidoo kale "faafin chromatism" (Erayga AD Kastalsky) ee Ruushka. nar. muusik. Sidaa awgeed suurtagalnimada fahamka iyo casriga. Nidaamka 12-tallaabo sida dabiiciga ah, ie aan la xiriirin beddelka dhawaaqa nidaamka 7-tallaabo. "Daraasadda muusiga beeralayda ah… ayaa ii horseeday… inaan si xor ah u tuuro cod kasta oo ka mid ah nidaamkayaga laba-iyo-toban-tone-chromatic," ayuu qoray B. Bartok. Si kastaba ha ahaatee, waa khalad in nidaamkan loogu yeero 12-tilaabo diatonic, sababtoo ah tani waxay ka hor imanaysaa macnaha ereyga "diatonic".

Tixraacyo: Catuar GL, Koorsada is-waafajinta aragtida, qaybaha 1-2, M., 1924-25; Bartok B. Taariikh nololeedka. "Muusik Casri ah", No 7, 1925; Gadzhibekov U., Aasaaska muusiga dadweynaha ee Asarbayjaan, Baku, 1945, 1957; Kushnarev XS Su'aalaha taariikhda iyo aragtida muusiga monodic ee Armenia, L., 1958; Belyaev VM, Qormo ku saabsan taariikhda muusikada ee dadyowga USSR, vol. 1-2, M., 1962-63; Verkov VO, Harmony, qaybta 1-3, M., 1962-1966, 1970; Sposobin IV, Muxaadarooyin ku saabsan koorsada wada noolaanshaha, M., 1969; Tyulin Yu. N., Hababka dabiiciga ah iyo isbeddelka, M., 1971; Yusfin AG, Qaar ka mid ah su'aalaha barashada hababka laxanka ee muusiga dadweynaha, ee ururinta: Problems of mode, M., 1972.

Yu. N. Kholopov