Dabeecad isku mid ah |

jilbaha simmetrical ah - qallafsanaan, oo miisaankoodu ku salaysan yahay qaybinta siman ee octave. Sida kuwa kale, S.l. waxay ku dhisan yihiin xarun gaar ah. element (oo loo soo gaabiyo CE). Si kastaba ha ahaatee, si ka duwan, tusaale ahaan, ka weyn ama ka yar, S. l. kuma dhisna mid weyn ama mid yar, laakiin ku salaysan shibbane (ama xidhiidhada dhexe) ee ka dhashay kala qaybinta 12 semitones oo loo qaybiyo 2, 3, 4 ama 6 qaybo siman. Sidaa darteed 4 fursadood - 12: 6, 12: 4, 12: 3, 12: 2 iyo, si waafaqsan, 4 ugu weyn. nooca S. l. Waxa loo magacaabay si waafaqsan CE-dooda (sida ugu weyn ee loogu magac daray CE – triad-weyn): I – dhawaaq-dhammeedka (CE 12: 6 = dhan-tone lix-tone); II - hoos u dhaca, ama soo noqnoqoshada hoose (CE 12: 4 = xaraf toddobaad oo caqli badan); III - korodhay, ama terts ka weyn (CE 12: 3 = triad kordhay); IV - tritone (ama double mode, ereyga BL Yavorsky) (CE 12: 2 = tritone). Waxay ku xiran tahay gaar ah. qaababka miisaanka III iyo IV noocyada frets ayaa loo qaybiyaa dhowr. noocyada hoose. Aragti ahaan u qaybsanaanta suurtogalka ah 12:12 waxay siinaysaa hal nooc oo kale oo S. l. (V) - xaddidan, laakiin aan hanti lahayn. qaab dhismeed oo sidaas darteed gooni u taagan. Miiska tiirarka S.l .:

Sharaxaada aragtida S. ee l. u hel si waafaqsan bilicda. caadooyinka aragtida saamiga, taas oo ku dhejisa xiriirka dabiiciga ah ee noocyada kale ee hababka moodeelka - hababka nidaamka yaryar-yar iyo qarniyadii dhexe. xanaaqsan. Sharaxaada guud ee dadka oo dhan ayaa ah in nooc kasta oo qaab ah, oo ku xidhan CE-giisa, uu u dhigma mid ka mid ah horumarka tirada ee loo yaqaanay tan iyo waayihii hore - xisaab, iswaafajin iyo joomatari. Taxanaha tirooyinka ay samaysteen, kuwaas oo siinaya CE ee mid kasta oo ka mid ah nidaamyadan, waxaa lagu bixiyaa isugeynta tirooyinka. isbedbedelka.

Tusaalooyinka codsiga S. l. muusiga litir-re (tirooyinka ayaa tilmaamaya tirooyinka S.l. ee tusaalaha muusiga):

1. MI Glinka. "Ruslan iyo Lyudmila", miisaanka Chernomor. 2. NA Rimsky-Korsakov. "Sadko", rinjiyeynta 2aad. 3. NA Rimsky-Korsakov. "Cockerel Dahab ah", diiqu wuu ciyey (lambarka 76, baararka 5-10). 4. NA Rimsky-Korsakov. "Gabadha Barafka", dulucda Leshy (tirooyinka 56-58). 5. AN Cherepnin. Barashada biyaano op 56 no 4. 6. IP Stravinsky. "Firebird" (tirooyinka 22-29). 7. HADDII Stravinsky. "Parsley", mawduuca Petrushka (eeg Art. Polyaccord). 8. SV Protopov. "Crow and Cancer" ee codka biyaano. 9. O. Masiixa. "20 views...", Maya 5 (eeg maqaalka Polymodality). 10. AK Lyadoi. "Laga soo bilaabo Apocalypse" (lambarka 7). 11. O. Masiixa. L'Ascension ee xubinta, dhaqdhaqaaqa 4aad. 12. A. Webern. Kala duwanaanshaha fp. op 27, 4-aad (eeg Art. Dodecaphony).

Sidoo kale eeg maqaallada qaabka Tritone, Qaabka la kordhiyay, Qaabka la dhimay, qaabka codka oo dhan.

S. l. - mid ka mid ah noocyada habdhaqanka (habka) oo ay weheliyaan pentatonic, diatonic, decomp. nooca murugada adag. S. l. oo ka baxsan nidaamka guud ee Yurub ee waaweyn iyo kuwa yar-yar (hordhacyada SL waa isku-xiran, wareegyo siman oo tonalities ah, sawir-qaadid, iyo anharmonicity ee shibbanayaasha siman ee dhexda ah). Tusmada ugu hooseysa ee S.L. waa random ee dabeecadda (kuwa ugu horreeya, ka hor 1722, ee sarabande ee qolka 3aad ee Ingiriisiga JS Bach, baararka 17-19: des2 (ces2) -bl-as1-g1-f1-e1-d1-cis1. Isticmaalka C L. sida qeexitaan gaar ah oo macnaheedu yahay wuxuu bilaabmay qarnigii 19-aad (habka kordhay iyo miisaanka codka oo dhan ee bass Sanctus ee mass Es-dur ee Schubert, 1828; korodhka qaabka iyo miisaanka guud ee bass ee opera God iyo Bayadere by Auber, 1830, ee 1835 boostada St. Dargomyzhsky, NA Rimsky-Korsakov, PI Tchaikovsky, AK Lyadov, VI Rebikov, AN Skryabin, HADDII Stravinsky, AN Cherepnin, iyo sidoo kale SS Prokofiev, N. Ya. Myaskovsky, DD Shostakovich, SV Protopov, MIVerikovsky, SE Feinberg, AN Alexandrov iyo kuwa kale. halabuurayaal ilaa S. l. F. Liszt, R. Wagner, K. Debussy, B. Bartok ku hadlay; gaar ahaan si ballaadhan oo faahfaahsan S.l. soo saaray O. Messiaen. Muusiga S. aragtidiisa l. waxaa markii hore lagu sifeeyay habab shisheeye oo gaar ah (tusaale ahaan, G. Kapellen, 1908, "muusigga laxanka Shiinaha oo dhan" ayaa lagu muujiyay muunado uu qoray qoraagu sida "extreme exoticism"). Muusikoloji-maskaxeedka Ruushka sharaxaadda ugu horreysa ee S. l. (ee hoos yimaada magaca "wareeg" taxane modulating, "goobo" saddex meelood oo waaweyn iyo kuwa yar yar) waxaa iska leh Rimsky-Korsakov (1884-85); sharraxaadda ugu horreysa ee aragtida S. ee l. waxaa soo jeediyay BL Yavorsky bilowgii. Qarnigii 20-aad ee ka yimid dibadda. aragtiyaha aragtida S. l. ugu horrayn waxaa sameeyay Messiaen ("Habab beddelaad xaddidan", 1944) iyo E. Lendvai ("Nidaamka faasas", tusaale ahaan muusigga Bartok, 1957).

Tixraacyo: Rimsky-Korsakov NA, Buugga Waxbarasho ee is-waafajinta, St. Petersburg, 1886, isku mid, Poln. col. soch., vol. IV, M., 1960; Yavorsky BL, Qaab dhismeedka hadalka muusiga, qaybaha 1-3, (M., 1908); Kastalsky AD, Astaamaha nidaamka muusiga ee folk-Ruushka, M. - Pg., 1923, 1961; AM, A. Cherepnin (notography), "Muusik casriga ah", 1925, No 11; Protopopov SV, Qaybaha qaabdhismeedka hadalka muusiga, qaybaha 1-2, M., 1930; Tyutmanov IA, Tilmaamo qaar ka mid ah qaabka modal-harmonic ee HA Rimsky-Korsakov, ee buugga: Qoraallada Sayniska iyo habka ee gobolka Saratov. ilaalinta, vol. 1-4, Saratov, 1957-61; Budrin B., Qaar ka mid ah su'aalaha luqadda harmonic ee Rimsky-Korsakov ee operas qeybtii hore ee 90-meeyadii, Talaabada Waaxda Muusikada Aragtida ee Conservatory Moscow, vol. 1, 1960; Sposobin IV, Muxaadarooyin ku saabsan koorsada wada noolaanshaha, M., 1969; Kholopov Yu. N., Hababka Symmetric ee hababka aragtiyaha ee Yavorsky iyo Messiaen, ee buugga: Muusikada iyo Casriga, vol. 7, M., 1971; Mazel LA, Dhibaatooyinka wada noolaanshaha qadiimiga ah, M., 1972; Tsukkerman VA, Qaar ka mid ah su'aalaha wada-noolaanshaha, ee buugiisa: Qoraallada muusik-tiretical and etudes, vol. 2, M., 1975; Capellen G., Ein neuer exotischer Musikstil, Stuttg., 11; isaga, Fortschrittliche Harmonie- und Melodielehre, Lpz., 1906; Busoni F., Entwurf einer neuen Дsthetik der Tonkunst, Triest, 1908 (Turjumaadda Ruushka: Busoni F., Sawirka bilicda cusub ee fanka muusiga, St. Petersburg, 1907); Schönberg A., Harmonielehre.W., 1912; Setacio1911i G., Xusuusin ed appunti al Trattato d'armonia di C. de Sanctis…, Mil. - NY, (1); Weig1923 B., Harmonielehre, Bd 1-1, Mainz, 2; Hbba A., Neue Harmonielehre…, Lpz., 1925; Messiaen O., Farsamada muusikadda, aayadaha 1927-1, P., (2); Lendvai E., Einführung in die Formenund Harmoniewelt Bartoks, gudaha: Byla Bartuk. Weg und Werk, Bdpst, 1944; Reich W., Alexander Tcsherepnin, Bonn, (1957).

Yu. H. Kholopov